The poem came out after a long time, and the author who still held the pipa half covered his face was
The author was Bai Juyi, a poet of the Tang Dynasty. This poem was from Bai Juyi's "Farewell to the Ancient Grass", which read as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the prince away from the luxuriant and full of parting feelings. I come out after a thousand calls, still holding a pipa half covering my face. This was a famous line in the poem that described the protagonist's feelings when he left.
Appreciate Bai Juyi's poem,"I came out after a thousand calls, but I still held the pipa and half covered my face" How to appreciate it?
This poem came from the Tang Dynasty poet Bai Juyi's "Song of the Pipa." It described the scene of the pipa girl being called out in front of Emperor Xuanzong of the Tang Dynasty, with her face half-covered by the pipa. The concise language of this poem is profound and profound. Through describing the situation of the pipa girl in front of Tang Xuanzong, it shows the difference in her talent and status. At the same time, it also implies the hypocrisy and cruelty of Tang Xuanzong. Among them, the phrase "I only come out after a thousand calls" showed the impatience and helplessness of the pipa girl while the phrase "I still hold the pipa and cover my face" showed the silence and euphemism of the pipa girl in her predicament. The "half-masked face" in this poem added a mysterious atmosphere to the image of the pipa girl, adding more artistic charm. This poem was praised as a classic in Chinese classical poetry for its concise, profound and implicit expression. It was worthy of readers 'taste and appreciation.
Appreciate Bai Juyi's poem,"I came out after a thousand calls, but I still held the pipa and half covered my face" How to appreciate it?
" When I come out after a thousand calls, I still hold the pipa and cover half my face " was a famous line in Song of the Pipa written by the Tang Dynasty poet Bai Juyi. It meant," I was summoned by you for a long time and shouted many times before finally appearing. I hold the pipa in my arms and only reveal half of my face." This poem showed her status, reputation, and status by describing the lute girl playing the lute. From the structure of the poem, this line was the climax of the whole poem. Through the description of "thousands of calls" and "still holding the pipa half covering her face", the image of the pipa girl was vividly portrayed, allowing the readers to deeply feel her situation and mood. From a literary point of view, this poem used the technique of "suppressing first when you want to raise". By first calling out loudly and then appearing with a small movement "still holding the pipa and half covering her face", the image of the pipa girl was shaped very plump, and at the same time, it also allowed the readers to think more about her identity and status. The poem," When I come out after a thousand calls, I still hold the pipa and half cover my face ", through the description of the pipa girl playing the pipa, shows her situation of being despised and not valued, and deeply reflects the reality and drawbacks of the Tang Dynasty society. It is a poem with profound ideology and high literary value.
The author of the poem that comes out after a thousand calls, still holding the pipa and half covering his face, is
The author was Bai Juyi, a poet of the Tang Dynasty. This poem was called Song of the Pipa. It described the experience of the pipa girl who had been invited to play the pipa in Chang 'an many times but was never accepted. It expressed her dissatisfaction and disappointment with the social reality and interpersonal relationships in Chang' an.
After a long time, I finally came out, but I still covered my face with a pipa. What does this mean?
This sentence came from the Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass." The whole sentence is: "After thousands of calls, I still hold the pipa and cover my face." He came out after a thousand calls, still holding his pipa and half covering his face. This sentence was used to describe a person who didn't show up easily or was unwilling to show himself completely but adopted a half-hearted attitude. It could also be understood as a tactful rejection or an attitude that did not want to reveal too much of his inner feelings.
After a long time, he came out, still holding the pipa half covering his face, lowering his eyebrows and playing the pipa, saying all the infinite things in his heart. What did this poem mean?
This poem was from the Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass." It was as follows: The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. This poem described the feelings of parting on the grasslands. The first sentence," The grass on the plains withers and thrives every year ", depicted the climate change of the prairie throughout the year, hinting at the impermanence and helplessness of parting. The second sentence," The wildfire can't burn, and the spring wind blows, and it grows again ", described the tenacious vitality of the grassland. Even if it was destroyed by wildfire, it could grow again under the spring wind. The third line," Fragrance encroaches on the ancient road, green and clear, connecting the barren city ", depicted the fragrance of the ancient road, the green grass, and the barren city, the place of parting, the future unknown. The last sentence," I'll send the royal grandson to the luxuriant land to bid farewell," expressed the reluctance and helplessness of parting. The whole poem described the feeling of parting and the beauty of the grassland. Through the description of nature, it expressed the fragile and tenacious relationship between human beings and nature, and also showed Bai Juyi's deep understanding of parting.
Only after a thousand calls did he come out, still holding the pipa half covering his face. Who was this poem about?
This poem described the protagonist of 'Dream of the Red Chamber', Jia Baoyu. Jia Baoyu was Cao Xueqin's fictional character, the male lead in 'Dream of the Red Chamber'. He experienced many twists and turns in the novel, but in the end, he was able to show off his charm and wisdom. This poem was used to describe Jia Baoyu's state when he first appeared. It expressed his feelings of being surrounded and paid attention to, and also hinted at his complicated interpersonal relationships and inner world in the novel.
The answer to the meaning contained in the famous sentence "I came out after thousands of calls, but I still held the pipa and covered my face halfway" is an analysis of its meaning.
"When I come out after thousands of calls, I still hold the pipa and cover my face halfway" was a famous sentence that had been passed down through the ages. It came from Bai Juyi's "Song of Everlasting Regret" in the Tang Dynasty. This sentence depicted a person who had been waiting and calling for a long time before finally being pushed out, but still carried a mysterious veil that was not fully revealed. This sentence contained a rich meaning. First of all, the character's appearance after a long wait expressed the long wait and impatience, reflecting the pain and helplessness of the character. Secondly," still holding the pipa and half covering his face " implied that the mystery and unpredictability of the character made people guess and fantasize. In addition," Pipa " was a musical instrument, which could also be understood as " Pipa with a mask ", further emphasizing the mystery and concealment of the character. The whole sentence conveyed a very rich amount of information. Through the context and rhetoric, it made people feel a strong emotion and meaning. It had high literary and artistic value.
Bai Juyi's poem came out after a long time
Bai Juyi's poem,"Farewell to the Ancient Grass," was hailed as one of the representative works of Tang poetry. It depicted the poet's deep feelings for his homeland and relatives when he left. There was a phrase that said," When he comes out after a thousand calls, he still hides his face with a pipa in his arms." It meant that he was constantly being summoned, but when he came out a little, he was half blocked. This sentence was used to describe Bai Juyi's poems, and it also expressed the constraints and restrictions he faced when he was composing. This poem was also widely quoted as one of Bai Juyi's representative famous poems.
After a thousand calls, I finally come out, still holding the pipa and half covering my face.
The translation of this poem was: He came out after thousands of calls, still holding the pipa and half covering his face. This poem came from the Tang Dynasty poet Bai Juyi's Song of Everlasting Regret, which described the love story between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The meaning of the whole poem is: He has been summoned for a long time before he comes out, still holding the pipa and half covering his face. This sentence described a person who was valued but was unwilling to easily reveal his true colors or hide his attitude and thoughts.
The pipa player came out after a thousand calls, still holding the pipa half covering his face. We are both people who have fallen from grace, why should we meet again? Translator.
I come out after a thousand calls, still holding a pipa half covering my face. Why should we know each other when we meet again? This sentence came from the Tang Dynasty poet Bai Juyi's "Pipa Song." It means: Although I was called out for a long time, I still covered my face with my pipa. Why should we know each other when we meet again? This sentence depicted the poet's journey with the pipa master, expressing his feelings for the fallen and his joy at meeting.