Why did the author say that this bridge was a life-and-death matter?

I'm not sure who the author is. Maybe you can search on some comic-related websites or forums to find out.

Maybe it has a confusing plot or poor art style. That could be why people think it's bad.

In the novel, the author said that she was a stepmother because she wanted to emphasize the disadvantages of her character's gender, age, experience, etc. or to create a dramatic atmosphere. In some novels, the author might describe herself as a stepmother to create a dramatic scene, such as setting up a firewall between the characters to prevent them from knowing and trusting each other. This made the story more intense and interesting. There were also some authors who would portray themselves as stepmothers to show the growth and changes of the characters. For example, a character who had experienced some setbacks and difficulties began to realize his limitations and shortcomings and tried to change his life through learning and growth. This approach could provide depth and complexity to the plot of the novel, allowing the reader to pay more attention to the growth and change of the characters. There were many reasons why the author said she was a stepmother in the novel, depending on the plot and character setting of the novel.

Li Bihua's Bridge of Life and Death referred to a scene in Farewell My Concubine that took place on a bridge in the Forbidden City in Beijing. In the novel, this bridge was called the " Bridge of Life and Death " because it was not only the starting point and the end point for two people, but also the turning point of their lives. On the bridge, Cheng Dieyi and Duan Xiaolou experienced many quarrels, misunderstandings, and conflicts, but in the end, they still came together. The plot showed the complexity of human nature and the unpredictability of fate, making the audience feel the fragility and preciousness of love. The Bridge of Life and Death was also one of the most classic and representative scenes in Farewell My Concubine. It was hailed as a classic in the history of Chinese movies.

Bridge of Life and Death was published in Hong Kong in 1986. The novel told the story of two young women, Qin Hong and Xiao Mei, who met on the bridge of life and death and experienced a dramatic and emotional entanglement. The novel was developed from the perspective of Qin Hong and Xiao Mei, revealing the dark side of society and the complexity of human nature through their observation of life and human nature on the bridge of life and death. At the Bridge of Life and Death, Qin Hong and Xiao Mei met all kinds of people. There were kind and upright people, and there were cruel and heartless people. They had also experienced many twists and turns in their lives, including problems in relationships, family, careers, and so on. The novel ended with the death of Qin Hong and Xiao Mei, deepening the theme of the novel through the understanding of death and thinking about human nature. The novel has become a classic of contemporary Chinese literature with its profound thoughts and unique artistic techniques.

Sam Jackson's memorable words in Pulp Fiction were 'Say what again! I dare you, I double dare you!' This line stands out as it adds to the tough and confrontational nature of his role, contributing to the overall gritty atmosphere of the film.

This sentence came from the Biography of Hulan River. In the novel, Xiao Hong described the life of a ticket seller at the Hulan River City bus station. She had worked in this position for decades, but she was gradually oppressed by life and became a prisoner imprisoned at the bottom of society. The author used this sentence to express his helplessness and emotion about the life of a ticket seller, but also to reveal the predicament and injustice faced by the people at the bottom of society. This sentence also implied that people should cherish their jobs, stick to their duties, and not be oppressed by life and become slaves to society.

It's hard to define exactly. It could involve intense drama and critical choices that shape the characters' fates.

One common element is a sense of immediate danger. Like in a story where someone is drowning, the water is a threat that can end life quickly. Another is the presence of a slim chance of survival. For example, in a mine collapse, the small air pockets give that glimmer of hope. Also, often there's a race against time, such as when a patient needs a life - saving organ transplant and the time to find a suitable donor is limited.

Well, 'a matter of life and death comic blights' might suggest that there are issues or challenges in comics that touch on life-and-death themes that are causing significant problems or concerns. Maybe it's related to the messaging, the influence on readers, or some production-related difficulties.