What was the main technique of Du Fu's poems?

Du Fu's Cottage was a museum located in Chengdu. It was named after Du Fu, the great poet of the Tang Dynasty. Du Fu wrote a lot of poems in the thatched cottage, including 83 poems called "Several Poems: Poets of the Tang, Song and Ming Dynasties Ode to Sichuan." These poems showed Du Fu's love and concern for Chengdu and Sichuan. The Du Fu Cottage Museum held a poem recitation challenge, requiring participants to recite these 83 poems within a specified time. The winner would receive a lifetime free admission benefit. Meng Jidian was the first citizen to successfully challenge the Cottage. He recited the poems in less than an hour and received a certificate of honor from the Cottage and free admission for life. This activity was to pass on the culture of poetry and let more people understand and appreciate Du Fu's poems.

Du Fu was a famous poet in the Tang Dynasty. He had created many classic poems. Among them were "Spring Gaze,""Climbing High,""Song of the Cottage Broken by the Autumn Wind,""Gazing at the Mountain,""Spring Night Happy Rain," and so on. These poems were famous for their profound thoughts, exquisite descriptions, and rich emotions. "Spring View" depicted the country's ruin and the poet's sorrow;"Climbing High" praised the magnificent scenery of Mount Tai;"Song of the Cottage Broken by the Autumn Wind" expressed the poet's concern for the country and the people;"Looking at the Mountains" loved the mountains and rivers of the motherland;"Happy Rain on a Spring Night" praised the nourishment of the spring rain. These works showed Du Fu's talent and concern for social reality.

Du Fu was a famous poet in the Tang Dynasty. His poems were realistic and reflected social reality as the theme. He was known as the "scholar of poetry and history". His representative works include Ascending, Spring Gaze, Quatrains, Wang Zhihuan, etc. "Ascending" was one of Du Fu's representative works. The poem described the scene of climbing high and looking into the distance, expressing the poet's open-minded and broad-minded feelings and praise for nature. The wind is strong, the sky is high, the apes howl, the white birds fly back to the clear sand of the mournful island. Endless trees fall and the endless Yangtze River rolls down. I'm always a guest in autumn, sad for thousands of miles. I've been sick for a hundred years, and I'm alone on the stage. I'm in trouble, bitter resentment, frosty hair, downcast hair, I've just stopped drinking. " Spring Gaze " was a lyric poem by Du Fu. It described the beautiful scenery of spring and the poet's feelings for nature. The country is broken, the mountains and rivers are in the city, and the vegetation is deep in spring. I am moved by the tears of the flowers, and hate to part with the birds, startled. Three months of beacon fire, letters from home worth ten thousand taels of gold. my white hair is even shorter, I can't help but want to wear a hairpin. Quatrain Wang Zhihuan was a quatrain poem by Du Fu. It depicted the poet's view from a high place, his concern for social reality, and his praise for nature. Deng yuquelou the day is full of mountains The Yellow River flows into the sea. for a grander sight It was even higher. A stormy night in the pavilion the rooster crows, the mountain is clearer. When the truth comes out I still hear the names of the ancients.

Du Fu's poetry creation mainly took place during his four years in Chengdu Cottage. According to records, Du Fu had created more than 240 poems in the thatched cottage, including famous works such as Shu Xiang, Song of the Cottage Broken by the Autumn Wind, Spring Night Happy Rain, and Quatrains. These poems had been passed down to this day and were widely read and studied.

Du Fu's thatched cottage was his residence in Chengdu. He wrote some poems related to the thatched cottage. Among them was the poem " Tang Cheng," which described the thatched cottage being built with white grass, facing away from the city walls, close to the Jinjiang River, and overlooking the verdant scenery of the countryside. There was also a poem titled " Cottage ", which expressed his longing for Chengdu when he left the Cottage and his expectations for Chengdu after he returned. Other than that, there were other poems related to the Cottage, such as " I wrote a poem to the Cottage on a daily basis, I pity my old friend and miss my hometown " in " I suddenly heard that Mei Fu came to visit, and I came out of the Cottage with a smile in my lotus clothes " in " Happy Han Shao Fu Visiting ".

Du Fu wrote many poems in the thatched cottage, some of which were famous, including "The back of the Guo Tang is shady, and the Yuanjiang Road is familiar with the green suburbs." And "Jiang Village" in "go to the hall swallow, close to the water gull." There was also the line in the Cottage," Once upon a time, I went to the Cottage, and the barbarians filled the city." "Now that I have returned to the Cottage, Chengdu will be safe." Wait a minute. These poems described Du Fu's life and thoughts in the Cottage, expressing his feelings and thoughts about society and life.

The characteristics of Du Fu's poems were mainly reflected in the following aspects: First, Du Fu's poetry language was generally considered to have the characteristics of "depression". His poetry language was refined, the structure of the text was varied, and he paid attention to refining words and sentences. Secondly, Du Fu's poems had a unique choice of images, which often included natural landscapes and various characters. These images were the basis of Du Fu's poetic language. In addition, Du Fu's poems also had the characteristics of refined words and neat antithesis, which was in line with the "architectural beauty" of Chinese poetry. Finally, Du Fu's poems fully expressed his deep sympathy for the people, exposing the sharp opposition between the exploiter and the exploited in feudal society, showing his incomparable love for his motherland and his hatred for social injustice. Generally speaking, Du Fu's poems were featured by gloomy language, individual images, precise rhythm and sincere emotions.

Du Fu was one of the greatest poets in ancient China. There were many famous sentences in his poems. Some of the famous lines include: "The window contains the autumn snow of the West Ridge, and the door moors the ships of the East Wu for ten thousand miles"(Quatrain),"The endless falling trees rustle, and the endless Yangtze River rolls over"(Ascending the Mountain), and "The good rain knows the season, and it will happen when spring comes"(Happy Rain on a Spring Night). These famous sentences showed Du Fu's thoughts and feelings about the country, society, and life, as well as his description and expression of natural scenery. Du Fu's famous poems and sentences deeply touched the readers 'hearts through exquisite artistic expressions and profound thoughts, and became the treasures of ancient Chinese literature.

Du Fu wrote many ancient poems in Chengdu Cottage, among which the most well-known ones were "Happy Rain on a Spring Night","Song of the Cottage Broken by the Autumn Wind","Searching for Flowers by the River Bank alone","Hearing the Imperial Army Conquer Henan and Hebei", etc. Other than that, the search results did not provide any other specific ancient poems.

Du Fu was one of the great poets of the Tang Dynasty. His poetry style was unique, mainly realism and realism, but also integrated elements such as romanticism and symbolism. Later generations called him the "Poet Saint". Du Fu's poems covered a wide range of political, historical, human, natural and other aspects, showing deep thinking and concern for social reality. His poetry language is concise and simple, rich in music and rhythm. At the same time, he is good at using metaphor, exaggeration, contrast and other rhetorical devices to make the works vivid and profound. Du Fu's poetry style was deeply influenced by later generations. Many famous poets had studied and used his poems for reference, including Bai Juyi, Su Shi, Lu You, etc. Du Fu's poems not only occupied an important position in the history of Chinese literature, but also had a profound influence on world literature.