Do you want to know the meaning of the drama dispute between Russell and Diderot?

Diderot's theory of drama was one of the most important theories in the history of western drama, proposed by French drama author, Faudin, in his book On the Art of Drama. Diderot's theory of drama advocated that drama should be an art form that expressed human emotions, expressing the complexity and contradiction of human inner world through the emotional conflicts and actions of the characters. He also believed that drama should be an educational art form that helped the audience better understand the nature and meaning of human life by showing the emotions and actions of the characters. Diderot also put forward the theory of human nature, which believed that human nature was kind and that drama was an art form to express human kindness. He believed that through the performance of the play, the audience could better understand and understand the nature of human beings and thus better protect themselves and others. Diderot's theory of drama had a profound influence on the development of western drama and was regarded as one of the most important theories in the history of western drama. His theory advocated the importance of drama as an art form to express human emotions and meaning, and provided important guidance and enlightenment for later drama creation and performance.

Voltaire and Diderot were two French philosophers whose views on the world and their philosophical views had a profound influence. Although they were both philosophers, their thoughts were very different. Voltaire was a materialistic philosopher. He believed that matter existed objectively and that human thoughts and actions were restricted and influenced by the material world. He believed that human beings should verify the authenticity of the material world through objective observation and experiments. He believed that human thoughts and actions should be based on the material world. In contrast, Diderot was an idealist philosopher. He believed that spirit and consciousness existed objectively, and that human thoughts and actions came from the spiritual world. He advocated that human beings should understand the world through subjective experience and thinking, and believed that the material world was only a tool or medium for human thinking. Therefore, Voltaire and Diderot had very different philosophical views. Voltaire believed that matter existed objectively while Diderot believed that spirit and consciousness existed objectively. Their views were different, but they all had an important impact on the world's view and the development of human thought.

The new and old versions of the Eight Dragons and Dragons were both martial arts novels created by Mr. Jin Yong, but they were published and revised many times in different eras and different publishing houses, so there were some subtle differences. In 2012, Mr. Jin Yong authorized the publication of the new edition of the magazine. Compared to the old version, the new version of the new version of the eight dragons had been greatly modified and adjusted in terms of character description, plot setting, martial arts setting, etc. It was more in line with the tastes and aesthetics of modern people. In addition, the new version of Demigods also added a lot of original content and dialogue to make the story more rich and interesting. The old version of Tianlong Ba Bu was first published in 1984 and was one of Jin Yong's most classic works. The old version of Tianlong Ba Bu retained Mr. Jin Yong's consistent style and characteristics in terms of plot setting and character portrayals, but it also made some adjustments and cuts in some aspects to adapt to the tastes and reading needs of readers at that time. In general, the new and old versions of the Eight Dragons and Dragons were both excellent martial arts novels. The readers could choose and read them according to their own preferences and needs.

The French playwrights, Diderot, put forward many theoretical views on drama. The following are some of them: Drama is an expression of class struggle: Diderot believed that drama as a form of literature could reflect the situation of social class struggle and educate and inspire the audience through performance. 2. Play should be educational: Diderot believed that play should be educational. Through storylines, character creation, and stage performances, it should convey moral, ethical, and political knowledge to the audience. 3. Play should be enjoyable: Diderot believed that play should be enjoyable for the audience to enjoy the story and the performance of the characters. Drama should be universal: Diderot believed that drama should be universal, able to provide understanding and enlightenment for all across language and cultural differences. 5. The script should be written according to structural norms: Diderot believed that the script should be written according to structural norms, including the time order, story plot, and character development to ensure the fluency and continuity of the performance. Actors should have acting skills and acting skills: Diderot believed that actors should have acting skills and acting skills to convey the thoughts and emotions of the characters through their own performances so that the audience could better understand the characters and the plot. These are some of the main theories of the French drama theorist, Diderot, who believed that drama was an important form of literature that could convey social knowledge and human emotions through performance and education.

I don't know of any Korean drama that fits the criteria you described. Can you provide more information such as the plot, characters, director, etc. so that I can better answer your questions?

It was common for fans of the original work and actors to argue over IP adaptation because IP adaptation usually involved copyright and character interpretation issues, which involved the interests of the original work and actors. This kind of dispute may lead to some unpleasant situations, but I think we should respect the rights and interests of both parties and resolve our differences in a peaceful manner. Respect the rights and interests of the fans of the original novel. The original work adapted from IP was an important element in novels, anime, games, and other literary works. The success of IP adaptation could not be separated from the support of the original fans. Therefore, the adaptation party should respect the opinions of the original fans and try to restore the spiritual core and plot of the original work as much as possible instead of simply adapting the original work into a TV series or movie. The adaptation team should also respect the original fans 'love and investment in the original work as much as possible, so that the original fans would feel valued and respected. Respect the rights of the actor's fans. An actor's fans had a great influence on an actor's performance and image. Their support could bring a lot of traffic and profits to the adaptation company. Therefore, the adaptation party should respect the opinions of the actor fans and choose excellent actors to perform and restore the image and performance style of the actors as much as possible. The adaptation team should also try their best to evaluate the performance of the actors fairly and objectively. They should not over-emphasize the identity of the fans of the actors and ignore the value of the work itself. They would resolve their differences through communication and negotiation. The dispute between the fans of the original work and the fans of the actors required the joint efforts and understanding of both parties. Both parties could resolve their differences through communication and negotiation, respecting each other's rights and opinions. If there were differences, they could also be resolved through mediation by a third party to ensure that both parties could be satisfied and recognized. Respecting the rights and interests of both parties and resolving their differences in a peaceful manner was the best way to resolve the dispute between the fans of the original IP adaptation and the fans of the actors.

Online dramas could allow one to act in time-travel dramas. Time travel dramas were a very popular theme in online novels. Many authors would write this type of novel. However, it was important to note that when creating a time-travel drama, the author had to consider the issue of copyright and adaptation to ensure that the copyright of the original work would not be violated, and the plot and setting of the original work could not be changed.

There was a complicated emotional entanglement between Li Yunrui and the Qing Emperor. The Qing Emperor was Li Yunrui's brother, and Li Yunrui was the Qing Emperor's younger sister and the Eldest Princess of the Qing Kingdom. The Qing Emperor had special feelings for Li Yunrui, but at the same time, he used her to satisfy his own selfish desires and achieve his goals. The Qing Emperor's feelings for Li Yunrui could be described as complicated, used, and heartless. He saw Li Yunrui as his chess piece and spare tire, and he did not truly love her. Li Yunrui was almost crazy about the Qing Emperor. She even saw the Qing Emperor's son, the Crown Prince, as a substitute for the Qing Emperor. However, the Qing Emperor's desire for power and rule, as well as Ye Qingmei's rise, caused the Qing Emperor's attitude toward Li Yunrui to change subtly. The Qing Emperor's use of Li Yunrui and his indifference to her made Li Yunrui feel despair. The relationship between the Qing Emperor and Li Yunrui could be said to be filled with conflicts of interest and power. Thus, the dispute between Li Yunrui and the Qing Emperor could be described as complicated and cruel.

Li Yunrui was the Qing Emperor's lover and also his Eldest Princess sister. In the novel Celebrating Years, there was a complicated emotional entanglement between Li Yunrui and the Qing Emperor. Li Yunrui was an ambitious woman. She yearned for power and status, so she colluded with the Qing Emperor and attempted to usurp the throne. The Qing Emperor's feelings for Li Yunrui were complicated. He admired her intelligence and was wary of her ambitions. In the novel, the emotional entanglement between Li Yunrui and the Qing Emperor was an important plot clue. The relationship between them was full of power struggles, conspiracies, and emotional entanglements. It was a very exciting part of the novel.

The struggle between the poisonous snake and the poisonous snake referred to the story of species, rights, and ecological balance described in the novel. The conflict between poison and snake is about the rights and balance of ecosystems Reason: The struggle between the poisonous snake and the poisonous snake in the story reflects the exploration and thinking of human beings about the rights of nature. Poisonous birds play an important role in the ecosystem, but overfishing and habitat destruction have drastically reduced the number of poisonous birds. Snakes, on the other hand, were animals with complex ecological roles. They also played an important role in the ecosystem. However, the capture of snakes by humans and the destruction of their habitat had also led to a decrease in the number of snakes and the destruction of the ecological balance. Therefore, this story tells us that we should respect nature, protect the ecosystem, and maintain the balance and stability of the ecosystem.