This sentence came from the French "Balls of Suet." The original text was: " Life is not as good or as bad as you think." This means that some aspects of life may not be as good as we think, but others may not be as bad as we think. It reminds us not to be too optimistic or too pessimistic about life and to maintain a balanced attitude.
Charles de Gaulle once said,"Life is not as good or as bad as you think." This sentence expressed the uncertainty of life, which has both opportunities to make people happy and challenges to make people depressed. The life of the female protagonist, Santrina, in the novel by Mr. Mauricio, was also full of uncertainty. She grew up in a poor family and longed to get out of this predicament, but in the end, she fell into the mud of love. In the novel, Santelina's life was not that bad. She encountered many difficulties and challenges, but she eventually succeeded. Life isn't always smooth sailing, it's full of challenges and uncertainties, but we can grow stronger and braver in the midst of difficulties. Just like what Maupassant said," Life is not as good as you think, and it is not as bad as you think." We need to accept this uncertainty and find opportunities and room for growth.
I think such a story could be seen as average. It doesn't have the power to make you excited or deeply moved. Maybe it has some basic elements that are just enough to get through but not enough to leave a strong impression. For example, the characters might be a bit flat, and the storyline is just a simple sequence of events without much creativity.
One of the main reasons for his success was his excellent writing skills and rich life experience. His novels have profound social significance and humane care. Through vivid and detailed descriptions, readers can deeply experience and feel the society and people's lives at that time. At the same time, he also had a deep literary foundation and creative inspiration, and could constantly bring forth new ideas to create many literary works with unique styles and charms. In addition, he also actively participated in literary criticism and literary research and made important contributions to the development of literature.
In his novel,"Life", maupassant wrote: "Life is never as good as you think, but it is also not as bad as you think. Whether it is good or bad, we must learn to accept it." It's about the complexity of life and its ever-changing nature. We can't expect life to always go the way we want it to, but we can't let it go too badly either. Life is full of challenges and opportunities. We need to learn to grow and learn from them.
I'm not sure which kind of person I belong to, because we all have good and bad people, and there are no absolute good or bad people in this world. However, I can give you a few recommendations. For example, a fantasy novel like "The Reincarnated Great Sage of the Journey to the West" or "The Sword Formation Demon Emperor". They express the good and evil in human nature, and at the same time, integrate the pursuit of the protagonist into them. If you like ancient romance novels, you can read the book "The Power of the Di Consort". It described the story of the female protagonist, Ming Han, who eventually became the ruler of the world with the help of the useless prince, Qi Rong. I hope my recommendation can let you taste different flavors of life. It's fine as long as you like it. Muah ~
The Moon and Sixpence
The excavation of ancient tombs was a very serious topic that needed to be carefully evaluated. Archeology is a discipline that studies the past human culture, society, economy, politics and other aspects. Through archaeological excavation of ancient tombs, we can understand the past culture, society, economy and other aspects of information, providing valuable historical information for the development of mankind. However, there were some risks and problems with excavating ancient tombs. Ancient tombs are usually complex structures composed of ancient buildings, building materials, and funerary objects. During the excavation process, cultural relics and structures may be destroyed, causing damage to the site and the surrounding environment. At the same time, the funerary objects and cultural relics in the ancient tomb may be precious cultural relics that may be damaged or lost during the excavation and transportation process. Therefore, they had to be very careful when excavating ancient tombs. Generally, archaeologists would excavate the tomb under the premise of protecting the tomb. Usually, after determining the safety and protection of the tomb, professionals would excavate and clean it up. In some cases, archaeologists would also obtain ancient tomb ruins and cultural relics through legal means for protection and research. All in all, archaeological excavation of ancient tombs was a very serious topic that required careful assessment and balancing of the risks and benefits of protection and excavation.
As a fan of web novels, I can't make a moral judgment about these three people because their plots and characters are fictional. In a novel, the definition of good and bad depended on the background, motivation, and plot development of the story, not just appearance and behavior. So I can't make a conclusion based on the appearance and behavior of these three people. I need more information and background to make a judgment about the whole story.
The scriptwriter Wang Juan had clearly explained this problem. "Teng Zijing's background, appearance, and contradictions in his character, including his connection with Fan Xian, have all been re-designed. Fan Xian had been lonely in this world in his early years. Fan Ruoruo had left when she was a child. Although Wu Zhu and Fei Jie had treated him well, they were still elders, so he had never had any friends. Teng Zijing, who was about the same age as him, was Fan Xian's first friend in this world. Teng Zijing's past had also been laid out anew. It was to let Fan Xian understand this world more through Teng Zijing, or rather, to be more immersed in this world and not just be a spectator. In the original story, Teng Zijing had always been by Fan Xian's side and was an obedient subordinate. Now, it was changed to a person with a past and a struggle. He and Fan Xian gradually established a friendship and then, through his story, brought Fan Xian setbacks and blows. Teng Zijing did not appear much, but he gave Fan Xian a chance to explode." Teng Zijing's actor, Wang Yang, had also said," Teng Zijing's departure was a powerful reason for Fan Xian's change of mind and maturity. Without this segment, it might be difficult to use other people and events as motives to stimulate the protagonist in the drama structure. The meaning and value of a character's existence, other than its function, was whether there was enough space for the actor to perform. The space mentioned here was definitely not limited to the number of scenes, because the number of scenes did not determine whether a character was glorious or not. If a character was just a long, boring, and solidified existence that did not contribute to the corresponding character or plot, then its value was really negligible and meaningless. "Instead of doing that, why not let the character complete his or her dramatic function and leave in a 'reasonable' manner?" "Since ancient times, famous generals are like beauties. They are not allowed to see their hair turn white in the world." Compared to Teng Zijing, who didn't die but silently left the scene and became a passerby in the original novel, dying at the most brilliant time and becoming the white moonlight of everyone, especially Fan Xian, might be a better ending for Teng Zijing. This kind of design not only allowed the character to be sublimated and complete the character's creation, but it also made Fan Xian's motive for staying in the capital more reasonable. It could be said to fully display the greatest value of a character. This kind of adaptation is the good adaptation that we should see!
The scriptwriter Wang Juan had clearly explained this problem. "Teng Zijing's background, appearance, and contradictions in his character, including his connection with Fan Xian, have all been re-designed. Fan Xian had been lonely in this world in his early years. Fan Ruoruo had left when she was a child. Although Wu Zhu and Fei Jie had treated him well, they were still elders, so he had never had any friends. Teng Zijing, who was about the same age as him, was Fan Xian's first friend in this world. Teng Zijing's past had also been laid out anew. It was to let Fan Xian understand this world more through Teng Zijing, or rather, to be more immersed in this world and not just be a spectator. In the original story, Teng Zijing had always been by Fan Xian's side and was an obedient subordinate. Now, it was changed to a person with a past and a struggle. He and Fan Xian gradually established a friendship and then, through his story, brought Fan Xian setbacks and blows. Teng Zijing did not appear much, but he gave Fan Xian a chance to explode." Teng Zijing's actor, Wang Yang, had also said," Teng Zijing's departure was a powerful reason for Fan Xian's change of mind and maturity. Without this segment, it might be difficult to use other people and events as motives to stimulate the protagonist in the drama structure. The meaning and value of a character's existence, other than its function, was whether there was enough space for the actor to perform. The space mentioned here was definitely not limited to the number of scenes, because the number of scenes did not determine whether a character was glorious or not. If a character was just a long, boring, and solidified existence that did not contribute to the corresponding character or plot, then its value was really negligible and meaningless. "Instead of doing that, why not let the character complete his or her dramatic function and leave in a 'reasonable' manner?" "Since ancient times, famous generals are like beauties. They are not allowed to see their hair turn white in the world." Compared to Teng Zijing, who didn't die but silently left the scene and became a passerby in the original novel, dying at the most brilliant time and becoming the white moonlight of everyone, especially Fan Xian, might be a better ending for Teng Zijing. This kind of design not only allowed the character to be sublimated and complete the character's creation, but it also made Fan Xian's motive for staying in the capital more reasonable. It could be said to fully display the greatest value of a character. This kind of adaptation is the good adaptation that we should see!