What do the light and dark lines refer to in the novel?

The light and dark lines in a novel usually refer to a series of plots and clues set by the author for the protagonist or the main characters in the novel. They can be positive, positive, negative, negative, or connected and intertwined. These plots and clues usually appear at the beginning, middle, or end of the novel and will lead the reader to interest or pay attention to the protagonist or main character. In novel writing, chiaroscuro was a common narrative technique that could enhance the story, tension, and suspense of the novel, making the reader more immersed in the reading. At the same time, through the interaction of light and dark lines, the author could also have a profound impact on the fate of the protagonist or the main character to create a more plump and three-dimensional character image.

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The purpose of organizing the whole text with light and dark lines is to make the story more intense and interesting, so that the reader can be more easily attracted and immersed in the plot of the story. The author can create a series of suspense and questions to guide the reader to think, guess, and explore the plot and character relationships of the story so as to better understand the meaning and emotions of the story. The arrangement of the light and dark lines could also improve the reading quality of the novel, making it easier for the readers to immerse themselves in the story and resonate with it. At the same time, through the alternating use and interweaving of light and dark lines, the author could also create a richer story structure, making the story more complete and layered. In short, the organization of light and dark lines is a skill and method in the creation of novels. It can help the author better guide the readers to think and understand the story, improve the quality and appeal of the novel.

The overt and underhanded lines in a novel referred to the obvious clues and hints in the story as well as the hidden clues and plots in the story. Bright lines refer to the obvious clues and plots in the story. These clues and plots are usually displayed in a clear way for the reader to understand clearly. For example, the relationship between the characters, the background story, and the development of events in the novel. The hidden clues and plots in the story are usually not shown in a clear way but need to be hinted and revealed in other ways. For example, the dialogue between the characters in the novel, the psychological activities, the honey-mouthed sword in the belly, and so on. The bright and dark lines were very important elements in the process of writing a novel, which could enhance the interest and legibility of the story. When writing a novel, the author needed to be good at using the overt and hidden clues to make the story more colorful and attract the interest of the readers.

The double lines of light and dark were an important structure in Lu Xun's novel A Madman's Diary. It referred to the author's narration of the story through different perspectives and different ways of description to present two opposing emotions and attitudes. One was bright and positive, while the other was dark, negative and critical. This two-line narration not only shows the author's deep thinking about human nature, but also strengthened the criticism of the novel.

The overt and hidden lines of the article referred to the lines that were clearly shown and the lines that were not clearly shown in the story. Bright lines referred to the storyline that the author directly and clearly stated in the article, such as the protagonist's life experience, background, experiences, goals, etc. These plots are usually clearly stated at the beginning, middle, or end of the article, and the reader can directly learn about them by reading the article. Bright lines were usually the main clues of the article that drove the development of the story. Hidden lines referred to the storyline that the author did not directly express, but implied or expressed in other ways, such as the expressions, words, actions, etc. of the characters. These plots usually appear in some details of the article that do not directly involve the subject, but can be inferred by the reader through the context and other factors. The hidden lines were usually important clues in the article to provide support and hints for the development of the story. The overt and hidden lines were both important parts of the story. They could promote the development of the story, shape the image of the characters, and bring different reading experiences to the readers.

The Romance of the Three Kingdoms was a classic Chinese classical novel. Its overt and understated lines referred to the main plot and secondary plot expressed through various plots and characters in the novel. Bright lines referred to the main storyline that was directly expressed in the novel, such as the battle for hegemony between Cao Cao, Liu Bei, and Sun Quan during the Three Kingdoms period, as well as the loyalty, betrayal, resourcefulness, and bravery of the various characters. The hidden plot referred to the secondary storyline implied by various plots and characters in the novel, such as the political struggle between the various forces during the Three Kingdoms period, the psychological game between the characters, and the revenge of the family. In the Romance of the Three Kingdoms, the bright and dark lines interweaved with each other to show a complete story world through various plots and character creation. At the same time, the Romance of the Three Kingdoms also became an important part of Chinese literature and culture with its rich cultural content, historical value and social value.

It was a very common technique in writing novels to make the plot more complicated and increase the reader's guessing and reasoning process. The following are some techniques to bury the secret: 1. Character setting: Setting up a character at the beginning of the novel without revealing details such as his background, personality, motives, etc. This allows the reader to gradually discover the secrets of this character in the subsequent development of the plot. 2. Event arrangement: Arrange some seemingly insignificant small events in the plot of the novel to be a hidden line. For example, a character suddenly disappears or is fired. The readers will often guess what happened to him. This is a hidden line. 3. Divination design: In the dialogue of the novel, it is possible to appropriately reveal some secrets or secrets of the characters. For example, a character hints at his identity or past in the dialogue. 4. Plot Hint: Use hints or metaphor to convey some information in the plot, such as the turning point of a plot or hints or the meaning of certain items, etc. These can let the reader guess the development of the story. 5. Character motivation: In the development of the novel character, you can appropriately reveal some secrets or motives of the character. These motives can be a hidden line, such as a character suddenly becoming fanatical or abnormal. In the process of writing a novel, you must consciously use these skills to make the story more complicated, so that the reader can constantly guess and reason in the process of reading, increasing the interest and durability of the novel.

In a story, 'others' typically refers to any characters apart from the central ones. This could be minor characters who have brief but significant roles, or it could be entire communities or classes of people that shape the story's backdrop. Their presence often enriches the narrative and adds depth.

Yes, sometimes. It depends on the style and purpose of the author.