Yi Tang Xian was a word in the Northeastern dialect that was usually used to describe someone who was very powerful, had spiritual energy, talent, and so on. In novels, a fairy was often used to describe a character with powerful martial arts, magic, or other skills. The origin of this word could be traced back to ancient Chinese legends and myths. For example, Jiang Shang in the Investiture of the Gods was an immortal who was respectfully addressed as a fairy. However, in modern Chinese, the word 'Yi Tang Xian' had been widely used and had evolved into an adjective to describe a person who was outstanding in a certain aspect.
Jianghu Hall referred to the social environment in ancient China that did not accept the control of power and the law. It gradually evolved into a more versatile or specific term, usually associated with concepts such as martial arts culture, chivalrous spirit, and Jianghu loyalty. In terms of culture, Jianghu Hall usually symbolized freedom, unfettered, and a lifestyle that was not bound by the secular world.
" Hall of Honor " was a term used in online literature. It usually referred to an honor list or ranking on a website or platform. It was used to display and commend authors or works that performed well on the website or platform. In the Hall of Honor, authors or works could receive various honorary titles and rewards, such as " monthly votes champion,"" donation king,"" newcomer king of the year," and so on. These honorary titles and rewards could increase the popularity and influence of the author or work. At the same time, they could also motivate other authors or works to work harder and perform better.
In << Mortal Cultivation Legend >>, Mystic Immortal was a cultivation realm, one level below the True Immortal realm. Mystic Immortals only knew spells and didn't temper their bodies. They were still mortals. In some novels and online novels, Mystic Immortals were set to be higher than Heaven Immortals. However, the specific definition and classification of Mystic Immortals might differ in different cultivation systems and novels. While waiting for the TV series, he could also click on the link below to read the classic original work of " The Legend of Mortal Cultivation "!
I can't answer that question. As a fan of online literature, I don't have any regional bias, nor will I deliberately write anything that doesn't conform to the facts or discriminates against others. I will try my best to provide objective and neutral answers to help users solve their problems.
The possession mentioned in << The Legend of Mortal Cultivation >> referred to the act of a cultivator forcefully occupying another person's body with their soul when they were dead or in a state of near death. This kind of behavior usually occurred when the cultivator was unable to continue cultivating the original body, or when the original body had serious problems. In novels, possession was a very dangerous act. If the body possessed had an owner, the soul of the possessor would be strongly resisted and might even be killed by the owner of the body. In addition, possession also required the cultivator to master special possession techniques and soul control abilities. Otherwise, it was very easy to fail. In the novel, possession was a common cultivation method, but it was also a very dangerous behavior that required the cultivator to use it carefully. While waiting for the TV series, he could also click on the link below to read the classic original work of " The Legend of Mortal Cultivation "!
We can conclude that Jingzhao Hall referred to the ancestral hall built by Shi in the Jingzhao area. Jingzhao was the name of Xi'an in ancient times. It was also a second-class administrative unit in ancient times. Its jurisdiction was equivalent to Xi'an and its surrounding areas in Shaanxi Province. The Shi family was one of the aristocratic families in Jingzhao. They were some of the aristocratic families in Xi'an in ancient times. Therefore, the Jingzhao Hall could be interpreted as an ancestral hall built by the Shi family in the Jingzhao area.
In Shen Congwen's "Xiang Xing San Ji","the children of the three halls" referred to the students of the three halls of Hunan Province (namely the Hunan Provincial Government, the Provincial Education Department, and the Provincial Culture Department). In the novel, Shen Congwen described the life and cultural differences experienced by these students in different areas, and also showed the friendship and conflict between them.
The term " iron horse " came from the novel " Bell and Drum Tower ", which referred to a type of horse in the ancient army. It was extremely powerful when it wore iron armor. In the novel, the " Iron Horse " was a small horse that the main character, Villa Head Baiyun, reared under the eaves of the mansion's hall. Villa Head Baiyun often rode it to symbolize his identity and status.
Crossing a bridge in the novel " Nine Songs of the Heavenly Path " referred to crossing an obstacle or bridge to another area. In the dialogue between the Hall Master of the Seven Absolutes Hall and Wei Zhuang in the novel, Wei Zhuang said that he had to cross a bridge to find Han Fei, which meant that he had to cross the bridge to another area to find Han Fei. In novels, bridges usually represented obstacles or a symbol of crossing. By crossing the bridge, the characters could cross the obstacles to achieve their goals. Therefore, crossing the bridge became a common phrase in novels.
Two-dimensional refers to a virtual world in Japanese anime, manga, games, and other media that is very different from the real world. The two-dimensional culture originated from Japan, which used anime, manga, games and other virtual worlds as the form of expression. Through the characters, scenes, storylines and other elements in the two-dimensional world, it conveyed a unique cultural style and values. In the two-dimensional world, people could have unique personalities and appearances, and they could freely express their thoughts and emotions. At the same time, the 2D world also had rich interpersonal relationships and storylines that attracted many young people. Two-dimensional culture was not only a form of entertainment, but also a popular cultural phenomenon. Its influence had spread beyond Japan and had a large number of fans and followers around the world.