Basic arrangement of classical Chinese in Shanshi

The basic characteristics of Chinese classical poetry include: 1. Rhythm: Chinese classical poetry pays great attention to rhythm, including flat tones, rhyme, etc. The use of rhyme in poetry can enhance the sense of rhythm and emotional expression of poetry. 2. Rhythm: In addition to rhythm, Chinese classical poetry also paid attention to rhythm. Rhythm referred to the rules of syllables, pronunciation, rhythm, and word count in poetry. These rules and restrictions could make poems more orderly, symmetrical, and beautiful. 3. Imagery: Chinese classical poetry often uses imaginative images to express emotions and thoughts. These images could be natural landscapes, people, animals, plants, and so on. Lyricism: The main task of Chinese classical poetry is to express emotions. Poetry often expressed the protagonist's emotions and feelings to express the theme, and also often used metaphor, symbolism, antithesis and other rhetorical devices to enhance the lyrical effect of poetry. The language of classical Chinese poetry is usually classical Chinese. This language is concise, standardized, beautiful and has a certain rhyme and rhythm. 6. Short and pithy: Chinese classical poems are usually short and concise, pursuing accuracy and refinement. 7. Pay attention to inheritance: Chinese classical poetry has a long history and rich cultural content, so it also pays great attention to inheritance and development. In contemporary China, classical poetry is still widely valued and studied.

The basic characteristics of early Chinese classical novels can be summarized as follows: 1. The language is concise and beautiful: The language of the early classical Chinese novels is concise and beautiful, using many expressive words and sentence patterns to make the story more vivid and powerful. 2. Profound and rich content: Early classical Chinese novels usually contain profound thoughts and philosophical implications, describe social reality and historical events, and show the inner world of human beings. 3. The structure is rigorous and complex: The structure of the early classical Chinese novels is usually rigorous and complex, including many story plots and character relationships, as well as complex time, space, character relationships, etc. 4. Diverse styles: The early classical Chinese novels had a variety of styles, including narrative novels, narrative novels, discussion novels, and so on. At the same time, they also included many different literary schools and artistic styles. 5. The lack of verbalization: Early classical Chinese novels used a large number of classical Chinese vocabulary and sentence patterns. The lack of verbalization made the story more difficult to understand and spread, so the popularity was often low.

Alright, I've already sorted out some classic ancient sayings as follows: Go back, oh, will the fields not return? Since I have to serve my heart, why do I feel sad and sad alone? (The Analects of Confucius) The rise and fall of the world is the responsibility of every man. (Gu Yanwu) 3. Devoted until death. Zhuge Liang Do unto others what you would not have them do unto you. (The Analects of Confucius, Yan Yuan) The people are the most important, the country is second, the monarch is light. (Mencius: With All His Heart) 6 The wise are wise because they are bright, and the wise because they are confused. (Han Feizi, You Du) The granary is full, and you know etiquette. You know honor and disgrace when you have enough food and clothing. (Guan Zi, Herdsman) 8. The highest kindness is like water, thick virtue carries things. (Tao Te Ching) If a workman wants to do his job well, he must first sharpen his tools. (The Analects of Confucius, Duke Ling of Wei) I don't know what's good for ten people without trust. (The Analects of Confucius, Political Affairs) 11 A gentleman helps others to achieve good things, but does not help others to achieve evil things. The villain is the opposite. (The Analects of Confucius, Liren) Gentlemen are harmonious but different. Villains are the same but not harmonious. (The Analects of Confucius, Xue Er) If a workman wants to do his job well, he must first sharpen his tools.

Strange Tales from a Chinese Studio, also known as the Strange Tales from a Chinese Studio, was a collection of mythical stories created by Pu Songling of the Tang Dynasty. It contained a total of 284 stories. Strange Tales from a Chinese Studio is mainly based on fantasy myths, with many fantastic plots and amazing descriptions. Many stories are about monsters and ghosts, but they also contain some descriptions of human emotions and humanity. Therefore, it is considered a classic work of ancient Chinese novels. Many of the stories in "Strange Tales from a Chinese Studio" were deeply loved by the people. They were adapted into various art forms such as opera, movies, and television dramas, which influenced the growth and values of several generations.

Classic classical Chinese was a form of literature in ancient China. Its writing style was unique and its words were rich and powerful. Classic works in classical Chinese, including The Analects of Confucius, The Great Learning, The Doctrine of the Meanings, and other classic works, were an important part of traditional Chinese culture.

The classical Chinese refers to the written language used in ancient China. Its origin can be traced back to the pre-Qin period, developed in the Han Dynasty, matured in the Tang and Song Dynasties, and is an important part of ancient Chinese culture. The characteristics of classical Chinese were concise text, standardized grammar, precise wording, and unique rhyme, grammar, and rhetoric. The application of classical Chinese was very wide, including literature, academia, law, politics, and other fields. In literature, classical Chinese was the main expression of ancient Chinese poetry, novels, and prose; in academia, classical Chinese was the main reading material of ancient Chinese classic literature; in law and politics, classical Chinese was also an important legal and document language. The development of classical Chinese is inseparable from its unique cultural and historical background, and it is also influenced by the evolution of Chinese characters and the change of pronunciation. In modern times, classical Chinese still had a high artistic value and historical value, becoming an important part of Chinese culture.

The phrase "South and North Rut" is written in classical Chinese. It meant that one's actions and purpose were exactly the opposite, and they went the wrong way.

The classical Chinese saying that went south and north was "South Expedition and North Expedition." "Zheng" means travel, and "Zhe" means direction and route. This sentence described a person's direction and purpose were exactly the opposite, just like the direction of going and the route of going home. It was usually used to describe a situation where a person pursued the wrong goal and took actions that went against his wishes.

The classical Chinese words that were completely different from each other could also be translated as "traveling south and heading north" or "heading south and heading north." This sentence came from the Romance of the Three Kingdoms. It described a person's actions and purpose being exactly the opposite. It was like going south but running to the north. It was a metaphor for actions and purposes being exactly the opposite, which did not conform to reality.

In modern Chinese, it is often used to describe actions that are exactly opposite to the goal or to describe actions that are inconsistent with the goal. The earliest record of the word 'south and north' in classical Chinese could be traced back to the Tang Dynasty's 'New Tang Book·Yiwenzhi' which originally said,'The south and north are the same, but one cannot be neglected. It is said that the same thing is thousands of miles away, and the same thing is a hundred miles away from the same thing." This sentence meant that if the action and the goal were the same, they could walk a thousand miles in the same direction. If the action and the goal were not the same, they could walk a hundred miles in different directions. Later, the word 'poles apart' gradually evolved into an idiom in modern Chinese. It was often used to describe actions that were exactly opposite to the goal or to describe actions that were inconsistent with the goal.