The Legend of the Gods (Yuan Kuocheng) is dead, why does it appear again in chapter 123?

Yuan Kuocheng's Investiture of the Gods was published in 1993, so it was written in 1993.

Yuan Kuocheng's version of " Investiture of the Gods " had a total of 200 chapters and not the usual 1000 chapters. This was mainly because " Investiture of the Gods " was an earlier novel, and its plot and character settings had changed greatly in later novels and television dramas. Therefore, the author of the novel had cut and modified it during the creation, resulting in only 200 chapters. However, Yuan Kuocheng's version of " Investiture of the Gods " was still a very classic novel that was deeply loved by readers.

Yuan Kuocheng's Romance of the Three Kingdoms, chapters 338 to 365, included: Zhuge Liang's Wisdom Defeats Sima Yi Guan Yu Releases Cao Cao Zhang Fei Wits Yan Yan Liu Bei Visits the Cottage Three Times Cao Cao Kills Madam Qiao in Fury Zhao Yun Alone Savior Zhuge Liang's Empty City Stratagem Guan Yu Flooded the Seven Armies Liu Bei, Three Heroes, and Lu Bu Cao Cao Defeated at Red Cliff Sun Quan Earned the Cao Family Father and Son Zhuge Liang Beheaded Ma Liang with Tears Guan Yu Arrives Alone Zhang Feiyi Releases Yan Yan Zhao Yun Savior at Changban Slope Liu Bei Visits the Cottage Three Times Cao Cao Arrives at Jieshi to Worship Heaven Sun Quan Burning Red Cliff Guan Yu's Shock in Huaxia Liu Bei's Three Kindnesses and Three Righteousness Zhuge Liang's Mourning in Wollonggang Cao Cao's Empty City Stratagem Guan Yu Flooded the Seven Armies Liu Bei Visits the Cottage Three Times Cao Cao Arrives at Jieshi to Worship Heaven Sun Quan Earned the Cao Family Father and Son Zhuge Liang Burning Red Cliff Guan Yu's Shock in Huaxia

The Yuan Kuocheng Award was one of the most famous awards in the Chinese film industry. It was established by the China Film Golden Rooster Awards to honor actors and directors who had made outstanding contributions to the Chinese film performing arts. The Yuan Kuocheng Award was usually awarded to actors and directors who had made outstanding achievements in the film performing arts. It was one of the highest honors in the Chinese film performing arts circle. The award was usually given to those who performed well in the filming process and made important contributions to the development of Chinese movies. Yuan Kuocheng's certificate was written in a Chinese mythological novel. It told the story of King Wen of Zhou's son, King Wu of Zhou, Ji Fa, who united the vassals to destroy the Shang Dynasty. The novel was widely adapted into movies, TV series, stage plays and other art forms, and had a wide audience and influence in China.

Yuan Kuocheng and Shan Tianfang were both famous storytellers in China. Their stories about the Investiture of the Gods were one of the four great classical novels in China, and they were widely circulated among the people. The two artists had different styles and characteristics. The following is their evaluation: Yuan Kuocheng was a storytelling artist at the end of the Ming Dynasty. His Romance of the Gods told the story from the end of the Shang Dynasty to the establishment of the Zhou Dynasty. His voice was loud and melodious, and his language was vivid and infectious. His narration was more traditional, focusing on the plot and character creation. He described the character's personality characteristics very carefully. Yuan Kuocheng's voice and the way he narrated the story were very distinctive and comfortable to listen to. Shan Tianfang was a storytelling artist from the Qing Dynasty. His Romance of the Gods told the story from the end of the Shang Dynasty to the beginning of the Zhou Dynasty. His voice was low, his tone was melodious, and his language was concise and philosophical. His way of telling stories was more innovative, focusing on the logic and cohesiveness of the story. He was good at using figurative and symbolic rhetoric to make the story more vivid and interesting. Shan Tianfang's voice and way of telling the story was also very unique, making people like to listen to it. Yuan Kuocheng and Shan Tianfang's Investiture of the Gods were both excellent works, each with their own merits. Yuan Kuocheng's Investiture of the Gods focused on the plot and character creation, while Shan Tianfang's Investiture of the Gods focused on the logic and cohesiveness of the story, concise and philosophical. The two artists 'narrations were different, but they were both very outstanding. They were the representative works of Chinese storytelling art.

Shan Tianfang and Yuan Kuocheng were both famous storytellers in China. They had both broadcasted the story of the Investiture of the Gods. The two actors 'storytelling styles and characteristics were slightly different. It was difficult to simply compare which version was better. Shan Tianfang's " Romance of the Gods " was famous for its oral and lively language style. His voice was high and infectious, allowing the audience to better feel the emotions and atmosphere of the story. Shan Tianfang's way of telling the story was more focused on details and plots, and it could clearly tell the ins and outs of the story. Yuan Kuocheng's " Investiture of the Gods " was famous for its grand historical background and broad vision. His deep and imposing voice could convey the theme of the story more deeply and thoroughly. Yuan Kuocheng's narration focused on character shaping and character development to better show the personalities and fates of different characters. No matter which version of the book, it was one of the indispensable classics in Chinese storytelling culture. Different versions had their own characteristics. You could choose the version that suited you according to your preferences and needs.

Li Yuanjiu appeared in chapters 369 and 370 of the Immortal World chapter. While waiting for the TV series, he could also click on the link below to read the classic original work of " The Legend of Mortal Cultivation "!

Li Yuanjiu appeared in chapters 369 and 370 of the Mortal Cultivation Legend of the Immortal World. While waiting for the TV series, he could also click on the link below to read the classic original work of " The Legend of Mortal Cultivation "!

The differences between the original novel and the Romance of the Gods described by Mr. Yuan Kuocheng in terms of plot, character setting, and writing style are mainly manifested in the following aspects: 1. Plot: Yuan Kuocheng's story of the Investiture of the Gods added historical elements and political struggles to the plot, making the story more complicated and rich. The original novel was relatively simple. It mainly told the story of the gods on the Investiture of the Gods and the war between the Shang Dynasty. 2. Character setting: In Yuan Kuocheng's story, some of the characters in the original novel were adapted and deleted. For example, Jiang Shang was changed to a more ordinary character, and the historical background and characters of the Shang Dynasty were simplified and diluted. On the other hand, the original novel described the history and characters of the Shang Dynasty in more detail and truthfully. 3. Writing style: The Romance of the Gods narrated by Mr. Yuan Kuocheng is more oral in writing and uses some modern literary techniques. On the other hand, the original novel was more traditional and used the expression techniques of classical literature. Therefore, there were differences in plot, character setting, and writing style between Yuan Kuocheng's Romance of the Gods and the original novel, which needed to be understood in conjunction with the original novel.

Killing ghosts and gods in Celestial Bane appeared in Chapter 36," Asking Fate ".