Why didn't you write about the romance in Miao Village?

Maoni no longer wrote long novels, but turned to writing short and medium-length works. He thought that he was not good at constructing worlds and characters, and that short stories could better show stories and characters. Although he no longer wrote novels, he did not explicitly state that he would not write novels anymore. He might continue to write, but he might turn to other types or forms of work. The details of whether or not he would write a book and when he would start writing a new book were not mentioned in the search results provided. Therefore, it was impossible to determine why the cat was not written.

" Evil Sakura " was a famous online novel that told the story of the protagonist, Qin Luo, who traveled to another world to become a maid chief and had a complicated love story with his employer, Wang Zihan. However, as the author's writing gets older, the plot setting becomes outdated and unable to attract the interest of the readers, so they may gradually stop writing. However, if you have any nostalgia for " Evil Sakura ", you can search for related content on the major online novel platforms.

I'm not sure which novel you're referring to because you didn't provide any context or relevant information. If you can provide more information or specific questions, I will try my best to answer your questions.

Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.

The Investiture of the Gods was an ancient Chinese mythological novel that mainly told the story of the rise of Jie School at the end of the Shang Dynasty. Jiang Taigong was the leader of Jie School, and the core of its teachings was the Investiture of the Gods. It was said that the list was written by Taishang Laojun, which recorded the locations and situations of all immortals, demons, ghosts, and monsters. In the novel, at the end of the Shang Dynasty, King Wen of Zhou, the leader of the Shang Dynasty, was killed by an immortal sent by the Tribe of Severity. King Wu, the son of King Wen of Zhou, inherited his father's throne and became the leader of the Tribe of Severity. Jie School rose up at the end of the Zhou Dynasty and fought fiercely with the forces of the Shang Dynasty and the Qin Dynasty. Because the content of the Investiture of the Gods had a strong mythological color and the novel had an important position in Chinese history, there were very few novels about this type in modern literature. Although the novel is still of great significance in cultural traditions, modern readers may have some difficulty accepting its mythological colors and historical background, so creators rarely choose this genre to write.

The reason why there was no Wang Miao in the second part of " The Three-Body Problem " was because Wang Miao had already died at the beginning of the second part. At the end of the first movie, Wang Miao and Ye Wenjie went to save the earth together, but in the process of saving the earth, they were attacked by the three-body civilization. In this battle, Wang Miao unfortunately sacrificed himself to protect Ye Wenjie. Therefore, Wang Miao would no longer appear in the second volume of the " Three-Body Problem ".

Why didn't you write about Diasna after she escaped? This question might be a little unclear. The Saber-Sword Realm was a science fiction novel with a rich storyline. As the protagonist of the story, Asuna escaped from SAO and experienced many adventures and challenges while making friends with others. These plots were described in detail in the novel. If it was referring to whether the storyline of the novel was coherent, then the storyline of the Sword God Realm was very coherent. Every chapter was closely connected, and there was no situation where it was not written. If it meant whether the novel would continue to be written, then the question might depend on the author's personal preferences and the development of the story.

Shakespeare was a man of the theater. His works were meant to be seen and heard, not read in the way novels are. The Elizabethan era had a rich theater culture. He was writing for specific acting companies and the needs of the stage. Novels require a different kind of pacing and description, and Shakespeare's skills were more attuned to the dynamic and visual nature of plays.

Well, during Shakespeare's time, the popularity and demand for plays were much higher than novels. Also, the cultural and literary context might not have encouraged him to venture into novel-writing.

Celestial Bane originally planned to write a sequel, but after the author Xiao Ding finished the first draft, he expressed that he was not satisfied with the ending of the novel, so he decided not to write a sequel. Xiao Ding had once said in an interview that he wanted to express a deep emotion in the ending of Celestial Bane, which was the exploration and thinking of life and fate. He believed that the ending of the novel should be more complete and rich, rather than simply continuing the previous story. In addition, Celestial Bane novels had many story clues, and it would take a certain amount of time and effort to continue writing. Xiao Ding indicated that he had already put aside the idea of continuing to write for a period of time, intending to reconsider and complete a new Celestial Slaying Story.