Wang Guowei's most famous poem was " Vermilion beauty cannot be retained in the mortal world, farewell to flowers in the mirror, farewell to trees." This poem used the sorrow of parting of natural scenery as the theme to express the poet's feelings and lamentation about the passage of time and the short life. In the poem, the " Zhu Yan " referred to the beautiful human face, while the " Ci Jing " referred to the face that gradually lost its youth as people grew older. The " Hua Ci Shu " referred to the process of the withered tree dying after the flowers bloomed. The whole poem had a profound artistic conception and sincere emotions. It was hailed as a classic in the history of modern Chinese poetry and one of Wang Guowei's representative works.
Wang Guowei was an important figure in modern Chinese literature. His influence on the literary world was very far-reaching. The following were Wang Guowei's important influences on the literary world: 1. The influence of literary style: Wang Guowei was one of the most important poets, essayists, and literary theorists in the history of modern Chinese literature. His literary works were known for their fresh and natural, subtle and graceful style, which had a profound influence on later literary creation. Contribution to literary theory: Wang Guowei was one of the important founders of modern Chinese literary theory. He put forward the theory of "literature is a part of life" and believed that literature should be closely integrated with real life and have real meaning of life. 3. The influence of literary translation: Wang Guowei is an outstanding literary translator. His translated works include classic works such as Dream of the Red Chamber and Journey to the West. His concise, concise, precise, and faithful translation style had an important influence on later literary translation. 4. The influence of literary creation: Wang Guowei's literary works were widely read and studied, which had a profound influence on later literary creation. Some of his works, such as "Human Cihua" and "White Horse Howling in the West Wind", became classics of modern Chinese literature and influenced several generations of literary readers. Wang Guowei's influence on modern Chinese literature was extensive and far-reaching. His literary works and literary theories had an important impact on the history of Chinese literature.
Wang Guowei's Ci Hua on Earth was one of the most important works in the history of Chinese literary criticism and was known as the "crown of Ci theory". The book proposed that "Ci is a kind of literature" and "literature is a reflection of society", which had a profound impact on Chinese literary criticism and literary creation. The book mainly elaborated on the principles and methods of literary creation and criticism. He believed that literature was a kind of aesthetic activity, an expression and perception of human beings towards nature, society and life. The creation of literature could not be separated from true feelings. It required the author to have superb emotional expression ability and aesthetic vision. On the other hand, literary criticism was a kind of analysis and evaluation of literary creation. It required an in-depth exploration of the author's creative ideas and artistic style based on the content and extension of the literary work. The book also put forward the view that Ci was an organism, emphasizing the independence and uniqueness of Ci as an art form. He believed that Ci was an important style of Chinese literature, with unique aesthetic value and cultural significance, which needed to be integrated and developed in coordination with poetry, prose and other literary forms.
Ci was an art form in Chinese literature, and it was known as the " three major literary forms " along with poetry and prose. "Renjian Cihua" is a literary criticism work written by Wang Guowei, a modern Chinese literary critic. He proposed the concept of "realm" and believed that the thoughts, emotions and artistic conception in literary works were expressed through the construction of images. The author of this poem was Wang Guowei. It was a famous poem called " Huanxi Sand, A Song of New Words, A Cup of Wine."
The World of Human Language and Thinking
Breaking the Primordial Chaos was a line from Wang Guowei's " Climbing Yue Yang Tower." This poem was written by Wang Guowei in 1912. It described the magnificent scenery and inner feelings of the author after he ascended the Yueyang Tower. Among them," breaking the primordial chaos " was a description full of lofty aspirations. It meant to break through all obstacles and difficulties to welcome new opportunities and challenges, just like pushing away the dark sky.
The 18 poems mentioned by Wang Guowei in " Ci Hua on Earth " referred to the first eight poems in " Song of Everlasting Regret " created by the Tang Dynasty poet Bai Juyi, also known as the " Eight Songs of Everlasting Regret." These poems described the love story between Emperor Xuanzong and Yang Guifei in the Tang Dynasty palace, expressing the author's worries about the current situation and his yearning for love. The following is the original text and a brief introduction of these eighteen words: Song of Everlasting Regret, the first song, Song of Pipa: This poem described the scene of Emperor Xuanzong and Concubine Yang missing each other in Chang 'an City but unable to meet each other. It expressed the sadness of Emperor Xuanzong and the poignant beauty of Concubine Yang. 2. The second song in Song of Everlasting Regret, Peach Blossom in Dalin Temple: This poem depicted the scene of peach blossoms blooming in Dalin Temple, expressing the poet's love for spring and his longing for Concubine Yang. 3. The third song in Song of Everlasting Regret," Reminiscing the Ancient Times by Mooring at Niuzhu at Night ": Through the scene of mooring at Niuzhu at night, this poem shows the poet's nostalgia for the ancient scenery and worries about the current situation. 4. The fourth song in Song of Everlasting Regret, Sapphire Case, Yuan Xi: This poem, with the Lantern Festival as the background, shows the poet's longing for Yang Guifei and his yearning for love. 5. The fifth song of Song of Everlasting Sorrow, Parrot Island: This poem described the scenery of Parrot Island, expressing the poet's praise for nature and his worries about the current situation. The sixth song of Song of Everlasting Sorrow, Farewell to the Ancient Grass, described the natural scenery of the grassland and the poet's feelings for nature, expressing the poet's thoughts on life and love. The seventh song of Song of Everlasting Regret, Looking at Chang 'an in the Sunset, shows the poet's yearning for Chang' an and his worries about the current situation through the scene of looking at Chang 'an in the Sunset. The eighth song of Song of Everlasting Sorrow, Deep Night: This poem described the silence of the deep night and the poet's thoughts on love, expressing the poet's yearning for freedom and love.
Wang Guowei's novel theory believed that novels were a form of literature that could convey the author's views and attitudes towards society, life, and politics through storytelling. He put forward the principle of "Three Absolutes", that is, the narrative structure of a novel should have three indispensable parts: the beginning of the narrative, the middle of the narrative and the end. At the same time, he also proposed the "five methods", namely, the description method, the structure method, the plot method, the character method, and the theme method. These theories provided important guidance and reference for the creation of novels.
As a person who loves reading novels, I don't have the ability to directly read and translate literary works. However, I can provide you with the Chinese translation of "Words of the World": Wang Guowei (1887 - 1972) was a famous Chinese literary critic, cultural critic and poet in the 20th century. His Renjian Cihua was an article that systematically discussed the thoughts and theories of Chinese literary criticism and was regarded as the foundation of modern Chinese literary criticism. The full text of the Human World Cihua was as follows: Wang Guowei "Poetry of the World" Life is like a dream, I am like a fog Flowers in the fog, moon in the water Dream within dream. Life is like a play, I am like a drama The people in the play, the people in the play Playing outside, playing inside. Life is still like a dream, I am like a fog Flowers in the fog, moon in the water Dream within dream. What is the meaning of such a life? What was the point? There's a real meaning in this. I've forgotten what I said. Life is a journey The wind and rain on the journey Perseverance in the storm Perseverance within perseverance. Life is a journey The laughter on the journey Sorrow amidst laughter Perseverance amidst sorrow. Life is a painting The colors in the picture The scene in the picture The feeling in the picture. Life is an experiment Exploration in the Experiment Discoveries in exploration Exploration in discovery. Life is a journey The laughter on the journey Sorrow amidst laughter Perseverance amidst sorrow. Life is a poem The rhyme in the poem The artistic conception in the poem The emotions in the poem. Life is a play The love and hate in the play The joys and sorrows in the play The indifference outside the scene. What is the meaning of such a life? What was the point? The meaning of life is to keep exploring keep finding Constantly pursuing. The meaning of life is to keep pursuing constantly exploring He kept discovering. life is a journey Laughter on the journey The sadness in the journey The persistence in the journey. Life is a journey Laughter on the journey Sorrow amidst laughter Perseverance amidst sorrow. Life is a painting The colors in the picture The scene in the picture The feeling in the picture. Life is an experiment Exploration in the Experiment Discoveries in exploration Exploration in discovery. Life is a poem The rhyme in the poem The artistic conception in the poem The emotions in the poem.
An example from Wang Guowei's "Poetry of the World" was: "'When will the bright moon appear? I ask the blue sky for wine.' At the end of the sentence, the artistic conception has appeared. The last two sentences,'I wonder what year it is in the palace in the sky.' He was one level further away. Such a bold and deep realm is not a poet, but who can achieve perfection?" This sentence expressed the poet's yearning for the moon and the sky, and also hinted at people's uncertainty about the passage of time and fate. In this sentence, the poet used the two images of the moon and the sky to express his pursuit of beautiful things and his helplessness towards fate. This kind of emotion often appeared in novels to make readers feel the impermanence and changes of life.
Wang Guowei's Ci Hua on Earth was one of the most important works in the history of Chinese literary criticism, and was hailed as "a milestone in the history of literary criticism". On the basis of an in-depth analysis of ancient Chinese poetry, it puts forward the concepts of "realm" and "artistic conception". It believes that the realm and artistic conception in literary works are important factors that constitute the aesthetic feeling. At the same time, Wang Guowei also emphasized the relationship between literature, society and life. He believed that literary works should reflect social life and life experience with profound philosophical meaning. Wang Guowei's Ci Hua on Earth had a profound influence on ancient Chinese literature and provided important methods and ideas for later literary criticism and research. It put forward a unique view of literature and aesthetics, which injected new ideas and methods into the development of Chinese literary history. At the same time, Wang Guowei's Ci Hua challenged the traditional literary concept to a certain extent and had a positive impact on contemporary literary research. In short, Wang Guowei's Ci Hua on Earth is one of the most important works in the history of Chinese literary criticism, which has a profound impact on the study of ancient Chinese literature and contemporary literature. The literary concepts and aesthetic concepts it proposed not only provided important methods and ideas for later literary criticism and research, but also had a profound impact on the development of Chinese literature.