Taking the Biography of Liu Yi as an example, this paper explains the characteristics of the creation of classical Chinese novels in Tang Dynasty.

" Liu Yi Biography " was a legendary novel of the Tang Dynasty," New Book of the Tang Dynasty," Yiwen Zhi." It was a story about the love story between Liu Yi, a minister of the Tang Dynasty, and Qin Hongmian, a beauty. This novel had a close relationship with the supernatural novels of the Wei and Jin Dynasties. During the Wei and Jin Dynasties, there were a number of novels that focused on the legends of strange things, such as Strange Tales from a Chinese Studio. These novels mainly described various supernatural events, the image of monsters, and the interaction between human nature and monsters. These novels were further developed in the Tang Dynasty and became a type of legendary novels. The main difference between Liu Yi's Biography and the supernatural novels of the Wei and Jin Dynasties was that it emphasized the conflict between good and evil of human nature and moral values. Compared to the monsters in the Wei and Jin Dynasties, the love story between Liu Yi and Qin Hongmian was more emotional and human. The legendary novel of the Tang Dynasty, Liu Yi Biography, had a profound influence on the development of the supernatural novels of the Wei and Jin Dynasties. The images of monsters in the legendary novels of the Tang Dynasty gradually developed in a more humane and emotional direction. At the same time, they also reflected the politics, culture and values of the Tang society. The supernatural stories of the Wei and Jin Dynasties, on the other hand, further explored human nature, morality, philosophy and other aspects through more in-depth character descriptions and story plots, which had an important impact on later literature and thought.

The characteristics of the preface to The Scream were as follows: Revealing the theme of the novel: The Scream is a novel that reflects the dark side of society and probes into the meaning of human existence. 2. Introduction to the background of the novel: The story of "Scream" takes place in the late Qing Dynasty, when society was in turmoil and people's lives were difficult. 3. An overview of the plot of the novel: The preface briefly introduced the plot of the novel, including the encounter of the protagonist Ah Ling, the cause of Lin Zaifu's death, and Ah Ling's revenge story. 4. Express the author's creative intention: In the preface, Lu Xun expressed his original intention and creative ideas of writing Scream, emphasizing the importance of the novel reflecting the dark side of society and the significance of the novel for human survival. 5. Establishing the status of the novel: The Scream has been fully introduced in the preface, laying a solid foundation for the status of the novel and becoming an important material for readers to understand the basic situation of the novel.

Strange Tales from a Chinese Studio was a great change in ancient Chinese novels. It was a collection of myths, ghosts, and strange beasts created by Pu Songling, a novelist in the Tang Dynasty. This collection of novels was based on the stories of Liaozhai, which created many images of gods, ghosts, and demons through fictional plots. The author Pu Songling used a lot of symbolism and romanticism to describe the fate and personality of different characters in detail. One of the most representative stories was the Peony Pavilion. " Strange Tales from a Chinese Studio: The Peony Pavilion " was a beautiful love story. The protagonist of the story was a scholar named Zhu Hai. He traveled to another world to pursue his true love and came to a place called the Peony Pavilion. Here, he met a beautiful woman, Peony, and a touching love story happened between the two. In this story, Pu Songling used a rich imagination and symbolism to make the peony a symbol of love. The love story between Zhu Hai and the peony was very moving. In addition, the story also incorporated many traditional Chinese cultural elements such as poetry, music, and dance to make the story more colorful. In addition to the Peony Pavilion, there are many other classic ancient Chinese novels, such as Dream of the Red Chamber, Water Margins, Journey to the West, etc. They are all great changes in ancient Chinese novels, reflecting the life and thoughts of ancient Chinese society and people through different story forms and expressions.

" Xing Tang Zhuan " was a Chinese classical literary novel, also known as " Great Sui Tang " and " Xing Tang Quan Zhuan ". It was adapted from the heroic legendary novel "The Complete Biography of the Romance of Tang" from the Qianlong period of the Qing Dynasty and "The Ci Hua of the King of Qin in the Tang Dynasty" from the Ming Dynasty. The storytelling of the Sui and Tang Dynasties that circulated in Beijing was the most abundant and complete in the content of Shuang Houping, the "King of Storytelling" at the end of the Qing Dynasty, but the original copy was not handed down. Chen Yinrong edited the family biography of the Sui and Tang Dynasties and described the entire version of the Sui and Tang Dynasties in detail. After sorting out 1.4 million words, he named it the Xingtang Biography. The novel was published by China Quyi Press in 1984. " Xingtang Biography " told the story of the peasant uprising at the end of the Sui Dynasty, overthrowing the fatuous emperor Yang Guang and the rise of the Tang Dynasty. It was a classical novel with a reasonable plot and brilliant plot.

Liu Yi Biography was one of the novels of the Tang Dynasty. It mainly described the story of Yi Mu as a letter in the late Tang Dynasty, so it could be considered one of the novels of the early Tang Dynasty. The early Tang Dynasty was the first stage of the Tang Dynasty, also known as the "early Tang" and "prosperous Tang" period. During this period, literature flourished and many excellent novels appeared, such as "Water Margins","Journey to the West" and so on.

The formation of the two artistic systems of ancient Chinese classical Chinese and vernacular novels can be divided into the following stages: 1. The budding stage: In the pre-Qin period, the earliest poetry works such as the Book of Songs appeared. These works used the form of classical Chinese to mark the budding of the ancient Chinese classical Chinese art system. 2. The mature stage: In the Han Dynasty, classic works such as The Analects of Confucius appeared. These works have been passed down in the form of classical Chinese and have become one of the representative works of the ancient Chinese classical Chinese art system. At the same time, there were also many famous writings in classical Chinese such as Sima Qian and Ban Gu. 3. Stage of development: In the Tang Dynasty, vernacular novels began to appear, such as Bai Juyi's Song of Everlasting Regret and Yang Jiong's Journey to the Army. These works expressed war, love and other topics in the form of vernacular, which had a profound impact on the development of ancient Chinese novels. 4. Maturity stage: In the Song Dynasty, vernacular novels reached a mature stage, such as Lu Xun's Madman's Diary, Yang Jiang's Bathing, etc. These works expressed the social reality in the form of vernacular and became one of the representative works of ancient Chinese vernacular novels. 5. Prosperous stage: In the Ming and Qing Dynasties, vernacular novels were more widely used and developed, such as Lu Xun's The True Story of Ah Q, Lao She's Camel Xiangzi, etc. These works expressed human nature and social reality in the form of vernacular, which became the prosperous stage of ancient Chinese vernacular novels. In ancient China, the two artistic systems of classical Chinese and vernacular Chinese novels influenced and promoted each other. The formation of the artistic system of classical Chinese could not be separated from classical works and classical Chinese, while the formation of the artistic system of vernacular novels could not be separated from the vernacular movement and vernacular novels.

Zhang Ailing's novels were famous for their unique artistic style and language expression, and Love in a Fallen City was one of her representative works. The following are the artistic features of the novel: The Portrayal of Female Characters In Love in a Fallen City, Zhang Ailing portrayed many female characters to show their personalities, thoughts, and emotions. The female characters in the novel all had their own characteristics and charm. They played different roles in the story, but they all had different fates and endings. For example, Bai Liusu, Fan Liuyuan, Liusu's mother, and other characters all expressed their complexity and charm through their actions and words. Reflection on History and Reality In Love in a Fallen City, Zhang Ailing reflected on history and reality to show her deep thoughts on human nature, love and society. In the novel, Fan Liuyuan and Bai Liusu's love was seen as a challenge to traditional love and modern human nature. Their story also reflected various social and cultural problems at that time. The use of language Zhang Ailing's language performance is very outstanding. She is good at using metaphor, symbolism and metaphor to make the language of the novel extremely artistic and expressive. In Love in a Fallen City, she vividly presented the scenes, characters, and plots of the novel through vivid descriptions and delicate emotional expressions. A Profound Revealment of Human Nature Zhang Ailing's novels often reveal the complexity and contradiction of human nature. She is good at expressing the good and evil, vanity, greed and selfishness of human nature through the behavior and speech of the characters. In Love of a Fallen City, Fan Liuyuan and Bai Liusu's actions and words showed these problems in human nature, and also showed the kindness and beauty of human nature.

The biography of Liu Yi was a chapter in the ancient Chinese novel Han Shu. The author was Li Yishan, a writer of the Tang Dynasty. The novel mainly narrated the story of Liu Yi, a minister during the reign of Emperor Wu of the Han Dynasty. It described his wisdom, courage, and political wisdom. In addition, the Legend of Liu Yi was also one of the famous love stories in ancient Chinese novels. It described the love story between Liu Yi and the beautiful woman Xi Shi.

The 75th volume of the Song History Biography recorded the biographies of various figures in the Song Dynasty, including important figures, political events, cultural achievements, etc. The following is a passage from the 75th biography: Zhao Pu word is the day Song Dynasty acting scholar Luoyang people. In the early years of Longxing, he served as a judge of Kaifeng Prefecture. At that time, the world was famished, and the prisoners were able to feed themselves to make up for their hunger. He once said to people,"Although I can't get golden horses and leather shoes, I can get rice and millet enough to fill my stomach." Later, he was promoted to Nanjing Minister of Punishment and Nanjing Minister of Civil Affairs. He died in office at the age of 72. This passage of classical Chinese mainly introduced Zhao Pu's background and achievements. Zhao Pu was called an acting scholar because he had served as an official in the early Song Dynasty and had a deep research on Confucian classics. In addition, Zhao Pu's feeding of prisoners to relieve the poor was also recorded in history. In the end, Zhao Pu also held many high-ranking official positions and was recognized as the main character after his death.

Jin Yong's martial arts novels are an important part of Chinese culture, with strong Chinese characteristics and cultural symbols. Using the method of cultural studies, we can analyze and interpret Jin Yong's wuxia novels from many angles. Analysis of cultural symbols Jin Yong's martial arts novels were full of traditional Chinese cultural symbols such as martial arts elements, chivalrous spirit, martial arts sects, and Jianghu loyalty. By analyzing these cultural symbols, we can understand the cultural background behind Jin Yong's martial arts novels and the characteristics of Chinese traditional culture. 2. Social and cultural analysis The social and historical background in Jin Yong's wuxia novels reflected the social reality and cultural characteristics of China. For example, the martial arts world in Jin Yong's novels had similarities with modern society, such as interpersonal relationships, competition and cooperation, power struggles, and so on. By analyzing these social and cultural elements, we can understand the social and cultural phenomena in Jin Yong's martial arts novels and the current situation of Chinese society. 3. Analysis of the narrative structure The narrative structure of Jin Yong's wuxia novels was unique, full of non-linear narration and suspense. By analyzing the narrative structure, we can understand the writing technique and narrative style of Jin Yong's martial arts novels and their guiding effect on the readers 'psychology. Analysis of Character Creation The characters in Jin Yong's novels were vivid and had different personalities, which were full of personal descriptions and shapes. By analyzing the characters, we can understand the characteristics of the characters in Jin Yong's novels and the characteristics of the characters in Chinese literature. To sum up, using the cultural research analysis method, we can carry out an in-depth analysis and interpretation of Jin Yong's martial arts novels to understand their cultural background, social and cultural phenomena, narrative structure, character image and other aspects of the characteristics and significance.