Qiong Yao's dramas usually referred to Taiwan's " Sunset Glow " and so on. However, Qiong Yao's dramas were not a fixed genre. They had great flexibility and could be adapted according to the different plots of the novel. Therefore, it could be said that some Qiong Yao dramas were shot earlier than "A Few Days of Sunset Glow", but the exact number might be difficult to determine.
Qiong Yao's sunset red is a poem from Qiong Yao's novel, the original text is: The sunset red shines all over the world, how many feelings bind the dreamer. This sentence used the beauty and warmth of the sunset to describe the longevity and beauty of love. It expressed that love could still maintain a good state and firm belief in the passage of time.
Qiong Yao opera usually referred to the mainland of China including novels, essays, scripts, and so on. Qiong Yao's novels were often full of romantic plots and delicate descriptions of love, family, marriage and friendship. She was regarded as one of the representatives of modern Chinese literature. Qiong Yao's plays were featured by sincere emotions, twists and turns in the plot, and plump characters, which were deeply loved by readers and audiences. In addition to Qiong Yao's novels, the representative works of Qiong Yao's drama also included "Princess Returning Pearl" and "Deep Love in the Rain".
Qiong Yao dramas usually referred to a television drama in the mainland of China called Princess Pearl. The TV series was first broadcasted in 1997. It told the story of Little Swallow and Crape Myrtle. Little Swallow was a girl with a strong personality. Crape Myrtle was a gentle and kind girl. The two of them became good friends.
Qiongyao dramas were a type of romance novel that used love as the main plot element. It usually described a beautiful love story in which the protagonists experienced many twists and turns and finally came together. The plots of Qiong Yao's dramas were often poetic and imaginative, depicting many affectionate, romantic, twisted, and complex characters. Qiong Yao's dramas were very popular between the 1950s and 1970s. They were loved by Taiwan readers and audiences, and later became popular in other Asian countries and overseas. Although Qiong Yao's dramas were outdated, their classic plots and romantic style were still popular among some people.
The ending of Qiong Yao's drama "A Few Sunset Glows" was as follows: In the novel, the female protagonist Zi Ling and the male protagonist Zeng Fanri finally got together after experiencing many twists and turns. The relationship between them was getting deeper and deeper, but Zeng Fanri unexpectedly found out that he was suffering from a terminal illness. During Zeng Fanri's terminal illness treatment, Zi Ling had been by his side to help him overcome his illness. In the end, Zeng Fanri's illness was under control and the two of them decided to leave this world together. In their last moments, they hugged each other to express their love and gratitude for each other. In the ending of the novel, Zi Ling and Zeng Fanri left this world, but their feelings left a deep mark in people's hearts. This Qiong Yao drama ended its story with a touching ending, but it also left people with deep thoughts about love and life.
Qiong Yao dramas usually referred to a kind of drama with love as the theme. The story was often filled with romantic, sad, jealous, hatred and other emotional elements, describing the love story between the protagonists and the complicated relationship and conflict between them. Qiong Yao's dramas were very popular in China and Taiwan. Many works were translated into different languages and were widely welcomed around the world. His representative works included Princess Pearl and Love in the Rain.
Qiong Yao's drama was a modern Chinese literature story that told a story full of love. This novel was once popular and many people were deeply moved by its love story. I personally have complicated feelings about Qiong Yao dramas because I have watched a few Qiong Yao dramas and have a strong interest in them. Qiong Yao's dramas usually depicted delicate and profound emotions, and the plot was complicated and changeable. The characters had distinct personalities. These characteristics made Qiong Yao's dramas very attractive, able to attract the audience's attention and emotional resonance. However, I also found that sometimes Qiong Yao's dramas can be too exaggerated and fictional. Some plots and character descriptions don't completely match real life. In addition, some of the lines and expressions in Qiong Yao's dramas might also cause some people to be disgusted. In short, personal impressions of Qiong Yao's dramas varied from person to person. Some people would be deeply moved by their love story, while others would dislike them because of their fictional plot and exaggerated expressions. However, no matter what personal preferences we have, we should respect the status of Qiong Yao's drama as a literary work and not belittle or slander it.
My answer may be a little off from your question. I've learned about online novels, but I didn't know about the Qiong Yao dramas you mentioned and the female characters who had a worse life than Qiong Yao dramas. If you have any other questions, I'll try my best to answer them.
Qiong Yao was a famous novel. Her works were loved by readers with the theme of love and marriage. Her novels were often filled with romantic and dramatic plots, while also focusing on social and human issues. Qiong Yao's works had been adapted into movies and TV series many times and were very popular. In addition to writing, Qiong Yao was also an active philanthropist and public welfare advocate who had always been committed to speaking up for the disadvantaged and social injustice.
Qiong Yao's drama was a modern Chinese literature that described romance, love, and marriage. It was very popular among the audience. The language of Qiong Yao's drama was beautiful, the plot was complicated, and the characters were distinctive, with strong Chinese characteristics and cultural atmosphere. Although Qiong Yao's dramas were of high artistic value, they were also criticized by some audiences for placing too much emphasis on love and ignoring the concern and reflection of social reality.