The anime version of Romance of the Three Kingdoms and the old version of Romance of the Three Kingdoms were different in terms of storyline and character creation, but they were both adapted from the classical Chinese novel Romance of the Three Kingdoms. The anime version of Romance of the Three Kingdoms was more compact and vivid in terms of the story. It retained the main plot and character settings of the original work, but also added more original elements. In terms of character creation, the animation version of Romance of the Three Kingdoms was more three-dimensional and full of characters, and the characters were more vivid and closer to the image description in the original work. The old version of Romance of the Three Kingdoms paid more attention to the authenticity and objectiveness of history. The character creation and plot setting were different from the anime version. The old version of Romance of the Three Kingdoms faithfully restored the historical background and characters in the original book, but the plot may not be as compact and vivid as the anime version. The anime version of Romance of the Three Kingdoms and the old version of Romance of the Three Kingdoms each had their own characteristics and advantages. It was impossible to directly compare which was closer to the original.
Romance of the Three Kingdoms has many versions, the most famous of which is the adaptation of Romance of the Three Kingdoms, one of the Four Great Classics of China. It is the Romance of the Three Kingdoms written by the Ming Dynasty novelist Luo Guanzhong. In Romance of the Three Kingdoms, the images, personalities, and behaviors of the main characters such as Cao Cao, Liu Bei, and Sun Quan were deeply portrayed and described. Compared with other versions of Romance of the Three Kingdoms, the story plot and character relationships of this version were more complete and rich. In addition, compared with other versions, the image of Cao Cao in Romance of the Three Kingdoms was more plump and three-dimensional. He was not just a villain who was mainly scheming, but a historical figure with complex emotions and life experiences. In general, there were many versions of Romance of the Three Kingdoms, but no matter which version it was, it was close to the real characters and story in the novel. It was a classic literary work.
Both the new and old versions of the Three Kingdoms had their own unique historical backgrounds and characters, but from a historical point of view, they were closer to the real history. The old version of the Three Kingdoms was a TV series produced by CCTV. Its historical background and character creation were more faithful to history, especially considering the historical background and character relationships during the Three Kingdoms period. In the old version of the Three Kingdoms, the actors 'performances and the director's exquisite skills were fully reflected. In contrast, the new version of the Three Kingdoms was adapted from an online novel. Its historical background and character creation were more free and could be influenced by the imagination and interpretation of the author and readers. Although the new version of the Three Kingdoms also had good works, its historical background and character creation were more fictional and diverse than the old version of the Three Kingdoms. To sum up, although the new version of the Three Kingdoms and the old version of the Three Kingdoms have different characters and plot settings, they both try to present the history and culture of the Three Kingdoms period in different ways. From a historical point of view, they are closer to the real history.
The old version of Romance of the Three Kingdoms was a classic TV drama about the war and political struggle between Shu Han and Dongwu during the Three Kingdoms period. The following are the details of each episode: Chapter 1: Liu Bei Arrives in Sichuan This episode tells the story of how Liu Bei and the others successfully entered Sichuan through the alliance against Cao Cao. On the journey, Liu Bei met Guan Yu, Zhang Fei, Zhuge Liang and the others to discuss how to deal with Cao Wei's attack. In the end, they successfully established the Shu Han regime and began to compete with Cao Wei. Chapter 2: Guan Yu Loses Jingzhou This episode tells the story of Guan Yu's defeat in the Battle of Maicheng and his siege by Sun Quan. In this episode, Liu Bei and the others had no choice but to join forces with Wu to take back Jingzhou to avenge Guan Yu. The Northern Expedition of Marquis Wu This episode tells the story of Marquis Wu's Northern Expedition. In this episode, Marquis Wu led the Shu Han army through many attacks and defenses, and finally succeeded in conquering Luoyang, the capital of Cao Wei, and established the hegemony of Hanzhong. However, Marquis Wu also realized that there were divisions and contradictions within Cao Wei, so he began to think about the next development strategy. The fourth episode: Dongwu groom search This episode tells the story of the Eastern Wu Princess's marriage. In this episode, there was a conflict between Liu Bei and Sun Quan because they both wanted their daughters to be their wives. In this episode, Zhuge Liang played an important role. He successfully resolved the conflict between Liu Bei and Sun Quan through diplomatic means. The Battle of Red Cliff This episode tells the story of the Battle of Red Cliff. In this episode, the Shu Han army led by Liu Bei, Guan Yu, Zhang Fei, and the Dongwu army led by Sun Quan, Zhou Yu, and the others met at Red Cliff and engaged in a fierce battle. In the end, Liu Bei and the others won and broke Cao Wei's hegemony. Chapter 6: Ma Chao's Return This episode tells the story of Ma Chao's surrender. In this episode, Ma Chao led his family to revolt in an attempt to overthrow the Cao Wei regime. In this episode, Zhuge Liang played an important role. He successfully quelled Ma Chao's uprising through diplomatic means and maintained the national security of Shu Han.
History The New Three Kingdoms and the old Romance of the Three Kingdoms have different literary styles and characters, but they are all literary works based on historical events and characters from the Three Kingdoms period. History The New Three Kingdoms literature was more modern and market oriented, using a more vernacular and humorous language style. At the same time, it also added more fictional elements to make the story more colorful. The old version of Romance of the Three Kingdoms was more classical and solemn in describing war, politics, human nature, and many other historical events and characters. It had more historical authenticity and credibility. In terms of character creation, the characters in the New Three Kingdoms were more distinctive and three-dimensional, while the historical characters in the old version of Romance of the Three Kingdoms were relatively flat and monotonous. In general, both versions of Romance of the Three Kingdoms had their own unique charm, and it was difficult to simply compare them with history. The readers could choose the version that suited them according to their own preferences and needs.
Romance of the Three Kingdoms was one of the classic Chinese classical novels and one of the four famous Chinese novels. The story described the political struggles and wars between the various forces during the Three Kingdoms period. The main characters included Liu Bei, Guan Yu, Zhang Fei, Zhuge Liang, Cao Cao, Sun Quan, and so on. In the old Cantonese version, the story and language of the novel were adjusted to suit the taste of the Cantonese audience. For example, some commonly used idioms and slangs in Cantonese were expressed in a more local language, making the story more close to the local life and culture. The old Cantonese version of Romance of the Three Kingdoms was an important part of Chinese culture and one of the treasures of Cantonese culture. Through it, we can better understand Chinese traditional culture and feel the life and culture of the local people.
The old and new versions of Romance of the Three Kingdoms both had their own unique strengths and weaknesses, and it was difficult to simply compare them. The old Romance of the Three Kingdoms was a classic novel written by the Ming Dynasty novelist Luo Guanzhong. After hundreds of years of development and evolution, it had become a classic in the history of Chinese literature. The new version of Romance of the Three Kingdoms was a TV series shot by the mainland of China. Although it was also a classic, compared to the old version of Romance of the Three Kingdoms, it lacked literary and artistic performance. When watching the new version of Romance of the Three Kingdoms, the audience may feel more visual stimulation because it is more gorgeous and shocking in visual effects. However, when watching the old version of Romance of the Three Kingdoms, the audience may be more influenced by the plot and character creation of the novel because it is more literary and profound. Therefore, it depended on which version was more suitable for him. He had to decide according to his own preferences and needs. Both the old and new versions were classics worth watching.
As a fan of online literature, I can't comment on TV dramas. However, according to my knowledge of online literature, the old version of Romance of the Three Kingdoms and the new version of the Three Kingdoms (TV series) can be seen as an adaptation and interpretation of the original. When reading Romance of the Three Kingdoms, readers could feel the depth and complexity of the historical background, characters, plot settings, and so on. On the other hand, TV series presented the plot and characters in the novel through visual language, which might simplify and weaken the details and complexity of the novel to a certain extent. Therefore, whether it was the old version of Romance of the Three Kingdoms or the new version of Romance of the Three Kingdoms (TV series), they could attract different types of audiences because they all presented Romance of the Three Kingdoms in their own ways. The readers and audiences could choose to read or watch according to their interests and preferences.
The old version of Romance of the Three Kingdoms was named as follows: Season 1: Jiande years The Death of Red Rabbit The Battle of Red Cliff The Battle of Yiling Season 5: Heartbroken Return Season 6: Three Visits to the Cottage Season Seven: Three Points of the World The Death of Kong Ming The Death of Zhao Yun Season 10: Battle of Yiling (Final) The Destruction of Shu Han Please note that the names of these episodes may be different from the new version of Romance of the Three Kingdoms.
The Romance of the Three Kingdoms was a famous ancient Chinese novel about the war and political struggles between Shu Han, Wu and Wei during the Three Kingdoms period. This novel was widely praised and adapted to become an indispensable part of Chinese literature and culture. The main characters in Romance of the Three Kingdoms included Liu Bei, Guan Yu, Zhang Fei, Zhuge Liang, Cao Cao, Sun Quan, Zhou Yu, and so on. The story was centered around the war between Liu Bei and Cao Cao, and the alliance between Shu Han and Wu, the internal struggle for power in Cao Wei, and the diplomatic strategies of various forces. The plot of the novel was full of ups and downs, and the characters were vivid. It was regarded as a classic in ancient Chinese novels. In addition to the novel itself, Romance of the Three Kingdoms had also been adapted into various forms of works such as opera, television dramas, movies, and so on. It not only occupies an important position in the history of Chinese literature, but also has a wide influence in the world.
The modern version of Romance of the Three Kingdoms referred to the modern version of Romance of the Three Kingdoms written by Luo Guanzhong. This version would usually be edited and adjusted to suit the tastes of modern readers. At present, there were many modern versions of Romance of the Three Kingdoms, such as Romance of the Three Kingdoms, Romance of the Three Kingdoms TV Series, Romance of the Three Kingdoms (English version), etc. Although these versions were different in content, they could all present the plot and characters in the novel well to meet the reading needs of modern readers.