The name of the first new poetry collection in modern Chinese literature was Liberation.
Not a Goddess was not the first new poetry collection in the history of modern Chinese literature. The first collection of new poems in the history of modern Chinese literature was "Goddess"(D�N�), written by the modern Chinese poet Guo Moruo in 1918. This collection of poems included one of Guo Moruo's early masterpieces, Praise of the Goddess, as well as other lyric poems, narrative poems, and satirical poems. Goddess was regarded as the foundation of modern Chinese poetry, and it had a profound influence on the development of modern Chinese poetry.
The first collection of new poems in the history of Chinese literature was the New Moon Collection.
The first vernacular poetry collection in the history of Chinese new literature was not Goddess. 'Goddess' was a long poem written by the Tang Dynasty poet, Bai Juyi. It belonged to the category of Tang poetry. The first vernacular poetry collection in the history of Chinese new literature was the Madman's Diary written by Wang Xinjian, a poet of the Ming Dynasty. This poem used the image of a madman to express the author's dissatisfaction with reality, marking the beginning of the enlightenment of modern Chinese literature.
The first collection of new poems in the history of modern Chinese literature was Farewell to Kangqiao. This poem was published by the poet Xu Zhimo in a speech at Peking University in 1936. It is a classic in the history of modern Chinese poetry and is considered one of the starting points of modern Chinese poetry.
The first collection of poems in China was the Book of Songs, which was the source of ancient Chinese poetry. It collected thousands of poems from the Zhou Dynasty to the Spring and Autumn Period. The Book of Songs was divided into three parts: Feng, Ya, and Song. Feng was a folk ballad, Ya, and Song was a noble palace poem. It was hailed as the foundation of ancient Chinese poetry and had a profound impact on Chinese culture.
The first collection of poems in the history of modern Mongolian literature was the Collection of Mongolian Changdiao. This collection of poems was created by Wanyan Aguda, a representative of the Mongolian aristocracy during the Qing Dynasty. It was one of the important landmarks in the history of Mongolian literature. This collection of poems includes the representative works of Mongolian long-tune music, including many praises of natural scenery, love and friendship, reflecting the unique charm and development of Mongolian culture.
Zhu Ziqing said in the "Introduction to the Collection of Poetry in the Great Series of Chinese New Literature": "After the May 4th Movement, Chinese literature underwent great changes. Due to the influence of the New Culture Movement, Chinese literature began to learn from the West, especially in contact with modern and post-modern trends. This change is not only reflected in poetry, but also in the entire field of literature." "The two most important trends of thought in 20th century literature are: The modern style emphasized the individual's experience and feelings, and pursued a unique style and language. Post-modernism pays more attention to the nature of society and culture, and seeks to reflect and criticize history."
The first collection of short stories in modern Chinese literature was Thunderstorm. This collection of novels was a classic in the history of modern Chinese literature, written by Cao Yu in 1934. The story was set in the 1920s in a private textile company in Shanghai, depicting the power struggles and marital entanglements within the family, showing the various ills of society and the complexity of human nature at that time. Thunderstorm was hailed as a milestone in the history of modern Chinese literature, which had a profound impact on modern Chinese literature.
The first collection of short stories in modern Chinese literature was Waiting for Godot. This collection of novels was a collection of many of his famous short stories, such as "Madman's Diary" and "The True Story of Ah Q", which were hailed as the foundation of modern Chinese literature.
The first collection of vernacular novels in the history of modern Chinese literature was Diary of a Madman.