The Romance of the Three Kingdoms, Shan Tianfang, why is there only 112 chapters?

The 112 chapters of the Romance of the Three Kingdoms that Shan Tianfang had broadcasted was one of the most famous storytelling in history and also one of the representative works of Chinese storytelling art. Mr. Shan Tianfang performed the classic Romance of the Three Kingdoms with his profound cultural heritage and superb performance skills, which was deeply loved by the audience.

The Romance of the Three Kingdoms Storytelling Shan Tianfang was a famous storytelling artist in China. He was known as one of the "Four Elders" in the storytelling world. He narrated the historical stories and heroes of the Three Kingdoms period with humorous language and unique performance style, which was deeply loved by the audience. The Romance of the Three Kingdoms narrated the historical stories and heroes of the Three Kingdoms period, including the Battle of Red Cliff, the Battle of Three Heroes against Lu Bu, Zhao Yun saving the young master, and so on. His voice was high-pitched and passionate, and his performance style was unique. He often used rich body language and facial expressions to immerse the audience in the story. Teacher Shan Tianfang's works were not only popular in China but also highly respected by overseas Chinese. His storytelling ratings and influence spread all over the country and even had many fans overseas.

The Romance of the Three Kingdoms Storytelling Shan Tianfang was a famous storytelling artist in China and was known as the "King of Storytelling". The content of the Romance of the Three Kingdoms that he narrated was based on historical facts, combined with the characters 'personalities, plots, and stories, and used humorous language to tell the historical stories and characters of the Three Kingdoms period. When Shan Tianfang narrated Romance of the Three Kingdoms, he not only narrated historical events and characters, but also added some folklore and mythical stories to make the storytelling more colorful. The content of his storytelling was deeply loved by the audience and enjoyed a high reputation in the Chinese storytelling circle. The Romance of the Three Kingdoms narrated by Shan Tianfang was not only widely circulated in China but also internationally recognized. His storytelling covered a wide range of audiences and was loved by audiences everywhere.

The differences between the 86 and 112 chapters of the Romance of the Three Kingdoms that Shan Tianfang was talking about were as follows: 1. The storyline is different. The 86-chapter version of the book mainly tells about the disputes and wars between Liu Bei, Cao Cao, Sun Quan and others during the Three Kingdoms period, including the Battle of Red Cliff, the Battle of Three Heroes against Lu Bu, Guan Yu's passing of five passes and the killing of six generals, etc. The 112-chapter version of the book explored the history, characters, and culture of the Three Kingdoms in greater depth, including Zhuge Liang's wisdom, Lu Su's loyalty, Zhou Yu's strategy, and so on. 2. Different character images: The 86-chapter version of Pingshu narrates historical stories while portraying the images of the main characters to enhance the appeal of the plot. For example, Liu Bei was a gentle and responsible leader, Cao Cao was a cunning but also cute character, Sun Quan was a smart and controversial character, and so on. The 112-chapter version of the story focused more on the creation of characters. Each character had their own unique personality and characteristics, making the story more lively and interesting. 3. Different language styles: The 86-chapter version of storytelling uses the traditional storytelling language with slow rhythm, heavy intonation, and strong emotions. On the other hand, the 112-chapter version of the storytelling focused more on the spoken language, concise, crisp, fast rhythm, light intonation, and was closer to the listening habits of modern audiences. Generally speaking, the 86 and 112 chapters of storytelling were different in terms of storyline, character image and language style, but they were both very classic traditional storytelling works that were deeply loved by listeners.

Shan Tianfang was a famous storyteller in China. His storytelling work, Romance of the Three Kingdoms, was widely loved by audiences. Romance of the Three Kingdoms was a historical novel about the Three Kingdoms period. It told the stories of Liu Bei, Guan Yu, Zhang Fei, Zhuge Liang, Cao Cao, and Sun Quan. Shan Tianfang's Romance of the Three Kingdoms narrated the history and characters of the Three Kingdoms period in a vivid and interesting way. Through the plot and the description of the characters, it showed the social background and characters of the Three Kingdoms period. His voice was high-pitched and passionate, and he was good at using intonation and tone to make the storytelling content more vivid and interesting, which was deeply loved by the audience. Shan Tianfang's Romance of the Three Kingdoms storytelling was an important part of Chinese culture. His voice and storytelling content had been deeply imprinted in the hearts of the Chinese people and had become one of the treasures of Chinese culture.

Dan Tianfang was a famous storyteller during the Ming Dynasty. His storytelling was called Romance of the Three Kingdoms. Shan Tianfang's storytelling was still very popular today, with its vivid images and humorous language telling the historical stories of the Three Kingdoms period. Due to the influence of Dan Tianfang's storytelling, the stories of the Three Kingdoms period have been widely spread, so they can be heard in various cultural places such as libraries, museum, radio stations, television and other places. Of course, there were many other storytellers who were also narrating the story of Romance of the Three Kingdoms. Their performance styles and language styles were also worth listening to.

Shan Tianfang's Romance of the Three Kingdoms was a classic storytelling work that described the war and political struggle between Shu Han and Dongwu during the Three Kingdoms period. In the storytelling, Shan Tianfang used vivid images and humorous language to describe the historical background and characters of the Three Kingdoms period, attracting a wide range of audiences. During the Three Kingdoms period, Shu Han and Wu were two opposing political powers. Shu Han advocated Liu Bei's idea of benevolent government while Wu advocated Sun Quan's idea of legal system and reform. In this period of history, wars and political struggles were endless, resulting in the emergence of countless heroes. One of the most famous figures was Zhuge Liang, who was regarded as one of the greatest statesmen and military strategists of the Three Kingdoms period and made great contributions to the establishment and development of Shu Han. In addition, the storytelling also mentioned many other important characters such as Guan Yu, Zhang Fei, Zhao Yun, Cao Cao, Liu Bei, Sun Quan, etc. Their stories and characters were also important parts of the storytelling. These characters not only represented the politics and culture of the time, but also represented the traditional values and aesthetic tastes of the Chinese people, making the Romance of the Three Kingdoms a classic work with profound historical and cultural significance.

Shan Tianfang started recording the Romance of the Three Kingdoms in 1983.

Shan Tianfang's lines for the Romance of the Three Kingdoms chapter 005 were: ``` Cao Cao boiled beans and burned beans The Cao family has been slaves for generations. All the heroes in the world belong to Wei Emperor Wu of Wei waved his whip to unify the talents. ```

Shan Tianfang praised Diao Chan in Romance of the Three Kingdoms. Diao Chan was a famous beauty during the Three Kingdoms period. Shan Tianfang once praised her in his storytelling: Diao Chan was a very talented woman. She was good at singing and dancing. She had an extraordinary temperament and beauty. She was known as the "national beauty". During the Three Kingdoms period, Diao Chan had used her beauty and talent to successfully fight for political power and status for herself, becoming a political figure. Shan Tianfang also told the story of Diao Chan in her storytelling. She told the story of her sacrificing herself to protect her lover, which was deeply admirable.