It was not an idiom to bow one's head in calligraphy. Hanmo referred to calligraphy and ink, while lowering one's head referred to bowing one's head in submission or bowing one's head in marriage. These two words are usually used together to describe someone who is willing to give in or lower his head for some reason.
The idiom "One Thought Eternity" meant that one could reach the realm of eternity with one thought. In Buddhism," Yi Nian " referred to the realm of transcending all individuals and time and space. It was an important means to pursue inner peace and detachment. This idiom originated from the Buddhist scriptures, indicating that a momentary thought could reach an eternal state.
The idiom "share the same benefits or opportunities equally" means that everyone shares the same benefits or opportunities equally. This idiom is often used to describe situations of fairness, equality, and mutual benefit. It can also be used to express people's desire for everyone to share social resources and opportunities fairly.
The idiom 'the river is getting worse day by day' means that the situation is getting worse day by day. This idiom comes from the fact that the water in the river flows downward day by day. It is used to describe the gradual decline of things or the gradual deterioration of the situation. It can be used as a verb, an object, or a complement to refer to the decline of one's career energy. Synonyms include getting worse and getting worse.
It means to retract or withdraw a statement or account that one has previously made. For example, if someone told a story about an event but later realized it was inaccurate or untrue, they might take back their story.
The head-to-head color was a Chinese term. It meant that when a famous actor appeared on stage, he would win the audience's attention before he even opened his mouth. He would receive the opening color and wish him good luck and a big harvest. This phrase had been used in various industries, such as economics, sports, entertainment, etc. However, it was still used to express that when a famous actor appeared on stage, he would win the audience's attention before he even opened his mouth. He would receive the opening prize and wish him good luck and a big harvest.
Hanmo Danqing referred to Chinese painting and calligraphy, and was synonymous with Chinese painting and calligraphy. Hanmo referred to brush and ink, but also referred to articles, calligraphy and painting. Danqing referred to red and cyan paint, but also referred to painting. The ancients called the painter a danqing hand, the outstanding painter a danqing wonderful hand, and the folk called the painter a danqing master. Danqing was preserved for a longer time than plant paint and was not easy to fade, so it was often used as a metaphor for perseverance. In short, Hanmo Danqing referred to the art of Chinese calligraphy and painting.
It might be a misphrase. I think it should be 'one good story that one tells'. If so, it just refers to a great story that someone shares.
An idiom in a fiction usually adds flavor and depth to the writing. It can convey complex ideas or emotions in a more vivid and concise way.
There were many idioms to describe painting and calligraphy. 1. Brush, ink, and paper: It described the materials needed for painting. 2. Art Form: It is used to describe the form and style of painting. 3. Scholar: It was used to describe an elegant person in the field of painting and calligraphy. 4. Wonderful brush and flowers: To describe a painter's skill and imagination. 5. Poetic and picturesque: used to describe the artistic and emotional nature of painting and calligraphy. [Art Treasure: It is used to describe paintings that are of high value, well-preserved, and have a long history.] 7. The Wind and Cloud of Brush and Ink: It described the creation and discussion of calligraphy and painting. 8. Lifelike: It described the lifelike and vivid images in paintings and calligraphy. 9. Eternal Masterpiece: It was used to describe the artistic and cultural value of calligraphy and painting. [10: Profound and Profound: Used to describe the knowledge and insights in the field of painting.]
It simply means that there is no more to be said or added about a particular matter. It's like closing the book on a topic.