An ancient Chinese painting.

The influence of ancient Chinese literati on painting was mainly manifested in the following aspects: 1. The pursuit of art: The ancient Chinese literati's pursuit of painting was not only to express their thoughts and feelings, but also to pursue the beauty and expressiveness of art. They paid attention to the composition, color, lines, light and shadow of the painting and pursued the artistic and expressive power of the painting. 2. Cultural inheritance: The contribution of ancient Chinese literati in painting was not only in their own creation, but also in passing on their own ideas, culture and values to future generations through painting. They expressed their thoughts and culture to their descendants through painting, which promoted the inheritance and development of painting culture. 3. Art Creation: The creativity and innovation of ancient Chinese literati had a profound impact on the development of painting. Through their own creative practice, they created many new painting techniques and styles, making important contributions to the development of painting art. 4. The aesthetic standards of the ancient Chinese literati also had an important impact on the development of painting. They paid attention to the beauty and artistic value of things, emphasizing the aesthetic principles of harmony, balance, and symmetrical, which provided important guidance for the aesthetic standards of painting. The ancient Chinese literati had a great influence on painting, which not only promoted the development of painting, but also became an important part of painting culture.

Xu Beihong was a Chinese painting master surnamed Xu. He was honored as the founder of modern Chinese art education, advocating the development of "traditional Chinese painting" improvement, based on modern Chinese realistic art. Xu Beihong's works included figures, animals, flowers and birds, etc. His artistic achievements were widely recognized, and his works were collected in the collections of museum and private collectors all over the world. His contribution to China's art education could not be ignored. He had promoted the modernisation and internalisation of China's art education.

Chinese painting is a traditional Chinese painting with a long history and rich cultural content. Its main feature was the use of ink and colored brushes to express people, mountains, rivers, flowers, birds and other natural scenery through lines and ink. Chinese painting originated from the Han Dynasty and developed to the peak of the Tang Dynasty. After that, it went through the continuous innovation and development of the Song, Yuan, Ming, Qing and other dynasties, forming a unique painting style and technique. The main material of Chinese painting was ink and wash. The use of water was very clever, which could produce different effects. The use of ink was mainly black. Through different ink methods, ink blocks, ink dots, and other means, different light and shadow effects and atmosphere were expressed. The colors in Chinese paintings were relatively light, with ink as the main color, pursuing a profound artistic effect. Chinese painting focused on the expression of lines, the use of brush and ink, and the creation of rhythm. In terms of composition, Chinese paintings emphasized on artistic conception and far-reaching artistic conception. They often expressed the inner meaning and philosophy of natural scenery in a concise and abstract form. In terms of subject matter, Chinese paintings covered various aspects such as figures, landscapes, flowers, birds, animals, etc. It had a wide coverage and profound cultural content. Chinese painting is an important part of Chinese traditional culture, with unique artistic value and historical value, which has a profound impact on the inheritance and development of Chinese culture.

The dotting method of Chinese painting referred to the use of basic elements such as dots, lines, and surfaces in the process of painting. In Chinese painting, the use of dots was more common. They could express different objects and scenes through different shapes and sizes to convey the author's emotions and artistic conception. There was another important concept in Chinese painting called "Qi Yun", which referred to the overall atmosphere and charm of a work. Vividness was an important standard in Chinese painting. It meant that the work could resonate with the audience and convey the author's unique aesthetic concept and thoughts. The famous Chinese paintings were Wu Daozi, Li Keran, Bada Shanren, Shi Tao, Van Gogh, and picador.

The 100-Year Painting and Calligraphy Exhibition of Chinese Film was an exhibition organized by the China Film Association, the China Film Foundation, and the China Cultural Information Association. The exhibition focused on the paintings and calligraphy works of modern and contemporary artists and the relationship between artists and movies. According to the information provided, the exhibition would display the calligraphy works of deceased old artists and film celebrities, as well as the works of famous calligraphers and painters. In addition, the exhibition would be held at the National Museum and planned to tour France, Germany and other countries.

There were many categories of Chinese painting that could be categorized according to different standards. The following are some common classifications: 1. According to the classification of painting styles: Chinese paintings can be divided into six categories: landscape, human figures, flowers and birds, insects and fish, and animals. Each type has its own unique painting style and characteristics. 2. According to the regional schools, the schools of Chinese painting can be divided into the Southern School, the Northern School, the Jiangnan School, the Lingnan School, etc. These schools have their own unique characteristics in terms of painting techniques, style, and subject matter. 3. According to the genre of the painter: The genre of Chinese painting can also be classified according to the genre of the painter, such as Van Gogh's Sunflower School, and picador's cubism. The historical schools of Chinese painting can be divided into ancient times, medieval times, Renaissance, Baroque, Rococo and other periods. Each period has its own unique painting style and characteristics. 5. According to the classification of materials: Chinese paintings can be created using different materials such as brush, ink, paper, watercolor, etc. These are some of the ways to classify Chinese paintings. Different classifications can bring different characteristics and perspectives, which will help you better understand and appreciate Chinese paintings.

The characteristics of Chinese literati painting can be summarized as follows: 1. Paying attention to traditional culture and aesthetic value: Chinese literati paintings emphasize the understanding and inheritance of traditional culture, emphasizing the embodiment of aesthetic value, emphasizing the artistic conception of "poetry and painting" and the style of "harmony, elegance and vulgar appreciation". 2, emphasize the painter's personal style: Chinese literati painting emphasized the painter's personal style and creative personality. The painter would give full play to his imagination and creativity to form a unique artistic style. 3. Paying attention to brush and ink skills and performance effects: Chinese literati paintings pay attention to brush and ink skills and performance effects, emphasizing the use of brush and ink and the improvement of performance skills, pursuing the artistic conception and effect of "brush and ink should follow the times". 4, emphasizing the continuity and variation of performance: Chinese literati painting emphasized the continuity and variation of performance, pursuing the continuity and variation of the picture, emphasizing the overall grasp of the picture and the performance of the details. 5. Pay attention to the painter's ideology and emotional expression: Chinese literati painting pays attention to the painter's ideology and emotional expression, emphasizing the painter's understanding and perception of life, nature and society, and pursuing a "metaphysical" artistic conception and a "profound artistic conception" style.

As an art form, Chinese painting had a long history and cultural heritage. It usually uses traditional painting techniques to use a variety of colors and materials to represent natural landscape, people, animals, plants and other elements. In traditional Chinese painting, a profound meaning was an important characteristic. Artists usually used the layout, lines, colors, light and shadow of the painting to express a certain meaning or emotion. For example, landscape paintings often implied lofty aspirations and pursuits, while plum blossoms symbolized a strong and unyielding spirit, while peony paintings symbolized wealth and prosperity, and so on. Therefore, Chinese paintings could often resonate with the audience, allowing them to feel some kind of meaning or emotion in the process of appreciation.

" Wolf " was one of the famous works of ancient Chinese literature. It described the survival and reproduction of fierce wolves on the grasslands. In the story, wolves were seen as wild animals with strong reproductive ability and aggressiveness. They survived and reproduced in natural and social environments through wisdom, courage, and unity. There were many famous images in Wolf, such as the wolf king, the wolf queen, the werewolf hunter, etc. These images not only represented the personality characteristics of wolves, but also reflected the understanding and attitude of people in ancient Chinese society towards wild animals and the natural environment. In Wolf, it depicted the living environment, breeding behavior and relationship with other wild animals of wolves on the grassland. It also revealed the relationship between human and nature in human society and the wisdom of people in dealing with natural disasters and ecological balance. Therefore, Wolf was not only a literary work, but also a document with important historical and cultural value.

There were many anonymous works of ancient Chinese calligraphy and painting for the following reasons: 1. Weak copyright awareness: In ancient China, copyright awareness was not as strong as it is now. Many works of calligraphers and painters were not registered for copyright after they were handed down, nor were they recognized and protected by other painters or copyright owners. Therefore, these works were regarded as collective creations or individual creations and did not receive the copyright protection they deserved. 2. Poor preservation: Many ancient Chinese paintings and calligraphy works have been damaged or faded during the process of being handed down, making them difficult to identify or unable to fully present their original appearance. Some of the works were even burned or stolen, leaving them unknown or only parts of them passed down. 3. Restrictions of the times: In ancient China, painting and calligraphy were official and scholarly activities, unlike now where they could freely create and spread. Therefore, many ancient Chinese paintings and calligraphy works were not widely circulated or displayed, nor did they receive the support and promotion of other painters or cultural institutions, making it difficult for them to be discovered and recognized. 4. Inappropriate naming: In ancient China, the works of painters were usually named after their name or font size rather than the form or theme of the work. This naming method could easily cause some works to be overlooked or misunderstood and be listed as part of other works, resulting in their obscurity. To sum up, there were many reasons for the anonymous works of ancient Chinese painting and calligraphy, including weak copyright awareness, poor preservation, era restrictions, and improper naming.