Which dynasty was Zhao Mengfu's calligrapher from?

Zhao Mengfu (1309 - 1382), also known as Ziang, Songquan, Han nationality, Xiangyang, Xiangyang (now Xiangyang, Hubei), was a famous painter, calligrapher and poet of the Yuan Dynasty. Zhao Mengfu was known as the "Master of Calligraphy and Painting" and had a profound influence on Chinese calligraphy and painting. His calligraphy was good at regular script, running script, and cursive script. He was especially famous for running script and cursive script. His representative works included "The Ode to the Luo God,""The Stele of Emperor Xiaowu of the Jin Dynasty,""The Mysterious Tower Stele," and so on.

Calligrapher Zhao Yunming lived in the late Ming Dynasty. He was a famous calligrapher who was good at regular script and running script. His calligraphy style was fresh and natural, and his strokes were simple and smooth. He was deeply loved by people. Zhao Yunming worked for Li Shizhong, a writer and calligrapher in the late Ming Dynasty, and received his praise and guidance. His calligraphy works have been passed down to this day and are deeply loved by people.

Calligrapher Zhao Mengfu was a famous painter, calligrapher, writer, and politician in the Yuan Dynasty. Zhao Mengfu was known as one of the "Four Masters of Regular Script" in the Chinese calligraphy world. His regular script was dignified, beautiful, elegant, and concise, and was deeply respected and learned by later generations.

Calligrapher Zhao Mengfu (1250 - 1322) was one of the most famous calligraphers in Chinese history. He was born in Kaifeng City, Henan Province. Zhao Mengfu was known as the "Sage of Calligraphy" in the Chinese calligraphy world. His calligraphy style was unique and had a profound influence. Zhao Mengfu had an in-depth study of Chinese calligraphy and a unique understanding of it. His calligraphy works were not only beautiful, but also had a rigorous structure, bold and unconstrained, full of his own personality and style. Zhao Mengfu lived in the Yuan Dynasty (1271 - 1322). His works were widely praised in the Chinese calligraphy world at that time and were widely used in the court and among the people as an important part of Chinese culture. Zhao Mengfu's calligraphy works were known as "regular script, running script, cursive script, official script are all available, especially the most famous running script." He was one of the outstanding representatives in the history of Chinese calligraphy.

Zhao Mengfu was one of the outstanding representatives in the history of Chinese calligraphy. His calligraphy style was fresh and natural, and his brush and ink were concise and full of his own personality. His representative works include: 1. Ode to the Luo God: One of Zhao Mengfu's most famous works is the regular script Ode to the Luo God. This work used a large number of regular script techniques, the structure was rigorous, the strokes were beautiful, especially the cursive part, which reached an extremely high level. [2. Mysterious Secret Pagoda Stele]: This was an inscription written by Zhao Mengfu. It was one of the representative works of regular script. The style of this stele was rigorous, the strokes were standard, the structure was beautiful, and the momentum was vigorous. It was known as the "Master of Regular Script". 3. Tao Te Ching: Zhao Mengfu's Tao Te Ching was one of his representative works in his later years and also a classic in the history of Chinese calligraphy. This work uses a large number of cursive skills, smooth and majestic, and is one of Zhao Mengfu's representative works of calligraphy. [4]" Ode to the Red Cliff ": This is a long Fu written by Zhao Mengfu and is also a classic in the history of Chinese calligraphy. This work is mainly written in semi-cursive, bold and unrestrained, full of romantic colors. Other than that, Zhao Mengfu also had many other excellent calligraphy works such as the "Ninety percent Palace Liquan Inscription,""Before and After the Red Cliff Ode,""Wen Zhengming Calligraphy,""Linjin Xiaowu Stele," and so on. They were all treasures in the history of Chinese calligraphy.

Zhao Shuli was born in 1895 and died in 1971 during the Ming Dynasty. His main works included novels such as Xiao Erhei's Marriage, Li Youcai's Banhua, and a collection of essays such as Camel Xiangzi. His works mainly described rural life, exposed social reality, and expressed the good and evil of human nature. He was known as the "representative figure of rural novels."

I don't know who Zhao Xin is. As a large novel reader, my knowledge comes from countless articles and books, including novels and other subjects. Zhao Xin might be an ordinary person or a fictional character. I can't know who he is exactly. If you can provide more background information, I will try my best to answer your questions.

Yan, Liu, Ou, and Zhao were four calligraphers from different dynasties. - Yan Zhi Yan Zhitui (628 - 683) was a calligrapher of the Tang Dynasty. His handwriting was dignified and beautiful, and his strokes were sparse and elegant. His representative works included the Yan Family's Family Precepts. - Liu Zhi Liu Gongquan (778 - 865) was a calligrapher of the Tang Dynasty. His handwriting structure was rigorous, his strokes were compact, and his representative works were "Mysterious Tower Stele" and so on. - Ouyang Xun (557 - 641) was a calligrapher of the Tang Dynasty. His handwriting was steep and his strokes were sharp, his structure was rigorous and his representative works were "Ninety Palace Almond Spring Inscription". - Zhao refers to Zhao Mengfu (1254 - 1322), a calligrapher of the Yuan Dynasty. His handwriting is beautiful, exquisite, and full of charm. His representative works include "Luoshen Fu De Shi Tie."

The author of the poem "To Zhao Changfu" was the Tang Dynasty poet Bai Juyi. This poem was written by Bai Juyi to his good friend Zhao Changfu. It described the poet's longing for his good friend and his blessings to him. The content of this poem was concise, bright, and sincere. It was one of the best poems of the Tang Dynasty.

Haihan was a calligrapher from Shaanxi Province who was good at official script. Haihan's official script was dignified and beautiful, and the strokes were smooth and natural, giving people a sense of elegance. His official script works had participated in many domestic and foreign exhibition and were collected by people. Hai Han was also a member of the Calligraphy Association and was awarded the title of "Outstanding Artist of Shaanxi Province".