What is the rule of breaking sentences in classical Chinese?

The rule of sentence division in classical Chinese was usually based on the mood particles, keywords, the mood particles at the end of the sentence, and the grammar structure. Generally speaking, the mood particles and keywords in classical Chinese would affect the result of sentence division, and the grammar structure would also have an impact on sentence division. For example, in classical Chinese, the terms and verb would usually appear in the form of auxiliary words such as " Ge "," Zhi "," Yu "," Er "," Zhi "," Ye "," Yi ", and " Yan ". These auxiliary words would also have an impact on the sentence. In addition, the sentence patterns of classical Chinese are also different, such as interrogative sentences, narrative sentences, exclamation sentences, etc. The changes in these sentence patterns will also have an impact on the broken sentences. Therefore, the analysis of classical Chinese sentences should be based on the specific sentence, combined with the context and grammar structure to judge.

In classical Chinese, sentence breaks were used to divide the positions of pauses in a sentence when reading classical Chinese. The key to breaking a sentence was to determine the subject, verb, object, and other components in the sentence, as well as their relationship with these components. Below are some techniques for breaking sentences in classical Chinese: 1. Observe the structure of the sentence, especially the position of the subject and the verb, and separate them. The subject is usually at the beginning of the sentence and the predicates are at the end of the sentence. 2. Use the influence of auxiliary words and mood particles. Particles such as "hu","yu","er","zhi","ye","yi","yan", etc., as well as mood particles such as "bu","zhi","ye","yan", etc., can affect the pause of a sentence. 3 Pay attention to the person and number of the verb. Verbs in classical Chinese sometimes have different pronunciations and numbers, such as "I","you","he","she","we","you" and so on. Therefore, when breaking sentences, one needed to judge according to the different person and number of the verb. 4 Consider the tone of the sentence. Modal particles in classical Chinese often affect the pause of sentences, such as exclamation sentences, interrogative sentences, imperative sentences, etc. Therefore, one needed to judge the sentence based on the tone of the sentence. 5. Make use of the characteristics of sentence patterns. Different sentence patterns have different effects on the sentence pause, such as the S-V consistent sentence pattern, the S-O consistent sentence pattern, the S-O preposed sentence pattern, the object preposed sentence pattern, and so on. Therefore, one needed to judge according to the characteristics of the sentence. It was important to note that sentence pauses were a highly technical process that required constant practice and accumulation of experience to accurately divide the pauses of sentences.

There were several techniques for breaking sentences in classical Chinese: 1. Understand the sentence structure and structure of classical Chinese. The sentence structure and structure of classical Chinese are more complicated. There are often many different structures such as subject + verb, subject + object + verb, subject + object, attribute + object, etc. Therefore, when breaking a sentence, it was necessary to judge the starting word, the verb, the object, etc. according to the sentence structure and structure of the classical Chinese. 2. Use context. The context of classical Chinese was quite special. It was often necessary to judge the position of the first word in a sentence and the relationship between the predicates and the objects through the context. 3. Use auxiliary words. There are many auxiliary words in classical Chinese, such as "hu","yu","er","zhi","ye","yi","yan", etc. These auxiliary words can often be broken before or after the initial word of a sentence to increase the fluency and clarity of the sentence. 4. Use the word "no." In classical Chinese, the word "Bu" is often used as an adverb. It can also be used as a tone word in a sentence to express negation or doubt. 5. Use the word "Suo". In classical Chinese, the word "Suo" is often used as the object of a verb or a verb. It can be used as an object or an attribute in a sentence to highlight the key point of the sentence. These were some of the techniques used to break sentences in classical Chinese. They needed to be judged according to the specific context and sentence structure.

The following are some classic classical Chinese sentences: 1 The passing of time is like night and day. The Analects of Confucius The rise and fall of the world is the responsibility of every man. Liang Qichao If a workman wants to do his job well, he must first sharpen his tools. Confucius How can a sparrow know the ambition of a swan? Chen Sheng A bosom friend in the sea is like a neighbor in the distant world. Wang Bo All men are bound to die, either heavier than Mount Tai or lighter than a feather. Sima Qian 7. The green mountains will not change, the green water will flow forever, and the hero will be immortal. Shakespeare I'm a fish on the chopping block. I'll die to avenge you. Sima Qian 9. Give it your all until you die. a person of great wisdom and resourcefulness 10 The world's wind and clouds come from our generation. As soon as we enter the Jianghu, the years urge the emperor to seek hegemony. In laughter, we can't win. Life is drunk. yellow turban uprising I hope these sentences can provide you with some inspiration and help.

There were many beautiful sentences in classical Chinese, such as: How can a sparrow know the ambition of a swan? (Battle of Red Cliff) The mountain is heavy and the water is heavy. There is no way out. The willows are dark and the flowers are bright. Another village. (Ballad of Lushan Mountain) The water of the Yellow River comes from the sky and flows into the sea, never to return. (Climbing) 4. Devoted until death. (Biography of Zhuge Liang) 5. Clear water produces hibiscus, which is naturally carved. (Couplets Collection) 6. The rosy clouds give birth to abnormal mountains and rivers to show grand plans. (Couplets Collection) 7 The sea accepts hundreds of rivers, and it is great to have tolerance; If you stand tall without desire, you will be strong. (Couplets Collection) Sunset clouds and lone ducks fly together in autumn water, sharing the same color of the sky. (Preface to King Teng's Pavilion) The rise and fall of the world is the responsibility of every man. (Elegy of an Isolated Island) The rolling Yangtze River flows eastward, and the waves wash away all the dogs and egrets. (Battle of Red Cliff) The above are some of the common classical Chinese sentences of praise. They use concise and concise language to express profound emotions and artistic conception, with extremely high artistic value.

There are many beautiful sentences in classical Chinese. The following are some of the more famous examples: The mountain is heavy and the water is heavy. There is no way out. There is another village in the dark. Lu You's "Mountain West Village Tour" 2. The rolling Yangtze River flows eastward, and the waves wash away all the dogs and egrets. Yang Shen's " Immortal of Linjiang River: Rolling Yangtze River East Water " 3. The green mountains cannot be blocked, after all, it flows eastward. Xin Qiji's Bodhisattva Man·Writing on the Wall of the Mouth in Jiangxi Province The Peach Blossom Pond is a thousand feet deep, but it's not as deep as the tower. Li Bai's " Looking at the Waterfall of Mount Lu " Every man is responsible for the rise and fall of the world. Gu Yanwu's "Daily Knowledge Record·Zhengxing" 6. Sunset clouds and lone ducks fly together in autumn water, sharing the same color in the sky. Preface to the Pavilion of King Teng by Wang Bo 7. Asking you how much sorrow you can have is like a river flowing eastward in spring. Li Qingzhao's Dream Like Order 8. The wind and waves will sometimes hang the clouds and sail across the sea. Li Bai's Difficult Journey I was born with talent, and it will be useful. Li Bai's << Wine >> 10 The Yellow River rises far away, a lonely city among the white clouds. Du Fu's Ascending These sentences were full of poetry and philosophy, showing the unique charm of classical Chinese.

There were several ways to break sentences in classical Chinese. First of all, the position of the sentence break could be determined by the pronoun and the pronoun. In classical Chinese, the term and pronoun are often used as the subject and object, so you can find the repeated term and pronoun to determine the position of the pause. Secondly, the position of the broken sentences could be determined according to the empty words. Function words played an important role in classical Chinese, especially before and after some mood words and conjunction words, which were often the places where sentences were broken. Finally, the position of the sentence could be determined according to the conversation. In classical Chinese, one could judge the participants of the dialogue and the pause position of the sentence by the verb in the dialogue. In addition to these methods, one could also determine the position of the sentence according to rhetorical techniques, sentence patterns, and the total score structure. In short, to break a sentence in classical Chinese, one needed to consider the context and sense of language, and determine the position of the sentence by analyzing the content and structure of the paragraph.

An example of a classic classical Chinese sentence was as follows: I'm Yi Xian, I'm relieved. My life is limited and my knowledge is boundless. 3. A gentleman who is vigorous in nature should strive to improve himself. 4. Rule the world by doing nothing. The water is clear, there are no murlocs. The water is cheap, invincible. If you do better than others, you will be hated by others. 7. When you climb high, you can raise your arms, not lengthen them, but point to what you want. How can a sparrow know the ambition of a swan? 9 A gentleman is magnanimous, but a villain is sorrowful. 10 people's hearts are united and the mountains are moved.

An example of a beautiful sentence in classical Chinese is as follows: The mountain is heavy and the water is heavy. There is no way out. The willows are dark and the flowers are bright. Another village. (Tang Dynasty poet Lu You,"Traveling to the West Mountain Village") The rolling Yangtze River flows eastward, and the waves wash away all the dogs and egrets. (Song Dynasty poet Yang Wanli,"At dawn, send off the forest from Jingci Temple") The green mountains cannot be blocked, after all, it flows eastward. (Tang Dynasty poet Wang Zhihuan,"Climbing the Stork Tower") Four thousand miles of ice and snow. (Tang Dynasty poet Du Fu's "Ascending") Sunset clouds and lone ducks fly together in autumn water, sharing the same color in the sky. (Tang Dynasty poet Wang Bo's Preface to King Teng Pavilion) These sentences used the language characteristics of ancient prose, concise and clear, with profound artistic conception, poetic and philosophical.

The doggerel was a kind of pithy formula to help students break sentences when reading classical Chinese. The classical Chinese phrasing technique included the following contents: 1. There was a trick to dividing the rhythm. This pithy formula meant that in a classical Chinese sentence, it was common to pause once or twice, but it was rare to pause three or more times. This mnemonic chant suggested that when doing the questions, one could save on the areas that could be marked. 2. The host said that the guest should stop, and the complement should be divided according to the same method. This pithy formula pointed out that a complete sentence usually had a subject, a verb, and an object, and the subject was usually used by a verb or a pronoun. Therefore, by looking for the repeated occurrences of a word or pronoun in the text, one could determine the position of the pause. 3. Commonly used empty words are signs, but there are more rules for reference. This pithy formula mentioned that the common function word was a sign of a broken sentence, and the position of the pause could be determined according to the appearance of the function word. 4. Grasp the habitual sentence structure, don't break up the fixed structure. This pithy formula emphasized that one must be familiar with the common sentence patterns and fixed structures in classical Chinese and not break them up at will. 5. Rhetoric provides good conditions for antithesis and repetition, and similar words are closely connected, usually broken in the middle. This pithy formula pointed out that in the structure of antithesis and repetition, the sentences were usually broken between the same words. To sum up, the classical Chinese phrasing skill doggerel was a kind of pithy formula to help students break sentences when reading classical Chinese, including rhythm division, subject, verb, object, common empty words, habitual sentence patterns, antithesis, repetition, and other skills.