Why is Yuan Kuocheng's version of the Investiture of the Gods only 200 chapters?

The Yuan Kuocheng Award was one of the most famous awards in the Chinese film industry. It was established by the China Film Golden Rooster Awards to honor actors and directors who had made outstanding contributions to the Chinese film performing arts. The Yuan Kuocheng Award was usually awarded to actors and directors who had made outstanding achievements in the film performing arts. It was one of the highest honors in the Chinese film performing arts circle. The award was usually given to those who performed well in the filming process and made important contributions to the development of Chinese movies. Yuan Kuocheng's certificate was written in a Chinese mythological novel. It told the story of King Wen of Zhou's son, King Wu of Zhou, Ji Fa, who united the vassals to destroy the Shang Dynasty. The novel was widely adapted into movies, TV series, stage plays and other art forms, and had a wide audience and influence in China.

Shan Tianfang and Yuan Kuocheng were both famous storytellers in China. They had both broadcasted the story of the Investiture of the Gods. The two actors 'storytelling styles and characteristics were slightly different. It was difficult to simply compare which version was better. Shan Tianfang's " Romance of the Gods " was famous for its oral and lively language style. His voice was high and infectious, allowing the audience to better feel the emotions and atmosphere of the story. Shan Tianfang's way of telling the story was more focused on details and plots, and it could clearly tell the ins and outs of the story. Yuan Kuocheng's " Investiture of the Gods " was famous for its grand historical background and broad vision. His deep and imposing voice could convey the theme of the story more deeply and thoroughly. Yuan Kuocheng's narration focused on character shaping and character development to better show the personalities and fates of different characters. No matter which version of the book, it was one of the indispensable classics in Chinese storytelling culture. Different versions had their own characteristics. You could choose the version that suited you according to your preferences and needs.

Yuan Kuocheng and Shan Tianfang were both famous storytellers in China. Their stories about the Investiture of the Gods were one of the four great classical novels in China, and they were widely circulated among the people. The two artists had different styles and characteristics. The following is their evaluation: Yuan Kuocheng was a storytelling artist at the end of the Ming Dynasty. His Romance of the Gods told the story from the end of the Shang Dynasty to the establishment of the Zhou Dynasty. His voice was loud and melodious, and his language was vivid and infectious. His narration was more traditional, focusing on the plot and character creation. He described the character's personality characteristics very carefully. Yuan Kuocheng's voice and the way he narrated the story were very distinctive and comfortable to listen to. Shan Tianfang was a storytelling artist from the Qing Dynasty. His Romance of the Gods told the story from the end of the Shang Dynasty to the beginning of the Zhou Dynasty. His voice was low, his tone was melodious, and his language was concise and philosophical. His way of telling stories was more innovative, focusing on the logic and cohesiveness of the story. He was good at using figurative and symbolic rhetoric to make the story more vivid and interesting. Shan Tianfang's voice and way of telling the story was also very unique, making people like to listen to it. Yuan Kuocheng and Shan Tianfang's Investiture of the Gods were both excellent works, each with their own merits. Yuan Kuocheng's Investiture of the Gods focused on the plot and character creation, while Shan Tianfang's Investiture of the Gods focused on the logic and cohesiveness of the story, concise and philosophical. The two artists 'narrations were different, but they were both very outstanding. They were the representative works of Chinese storytelling art.

Yuan Kuocheng's Investiture of the Gods was published in 1993, so it was written in 1993.

In Yuan Kuocheng's story, there were indeed people who gave flowers. In novels, the characters who sent flowers were usually gods or demons. They expressed their blessings and kindness by sending flowers. In Yuan Kuocheng's storytelling, the plot of sending flowers often appeared and would bring a warm feeling to the audience.

There were many versions of " Investiture of the Gods ", among which the more famous ones were " Investiture of the Gods " written by the Ming Dynasty novelist Shi Naian," Investiture of the Gods " written by the Qing Dynasty novelist Cao Xueqin, and modern times. Different versions of the Investiture of the Gods had different plots, character settings, and writing styles.

Yuan Kuocheng's storytelling took "Water at Liangshan" as an example to tell the legendary story of the heroes of Liangshan Lake, including many wonderful plots and characters, which made the audience feel the heroic deeds and righteousness of the heroes of Liangshan Lake. The Waterfall of Liangshan was one of the classics in Yuan Kuocheng's storytelling, and it was also the most familiar story scene to the audience. Yuan Kuocheng vividly described the terrain, climate, characters and other elements of the Liangshan Mountain through his unique tone and sound effects so that the audience could better feel the atmosphere and emotions in the story. In addition, Yuan Kuocheng also used many humorous words and plots to tell the story of the Liangshan River. In the story, the audience could not only feel the bravery of the heroes, but also hear Yuan Kuocheng's unique storytelling style, which made the Liangshan River become one of Yuan Kuocheng's representative works. Yuan Kuocheng's storytelling vividly depicted the heroic deeds of Liangshan Lake with its unique tone and sound effects, allowing the audience to feel the heroic deeds of the heroes of Liangshan Lake.

There was no way to give a specific answer to the version of the Investiture of the Gods because different versions might have different literary styles, plot details, and character creation. However, Shan Tianfang and Yuan Kuocheng were both well-known authors of Investiture of the Gods. Their versions also had their own characteristics. As a storyteller, Shan Tianfang's version was oral, narrative, and humorous. It was suitable for the audience to appreciate and appreciate. As for Yuan Kuocheng, as the screenwriter and director of the movie, his version was more exquisite in the plot and character creation, and paid more attention to the thinking and expression of history and human nature. It was suitable for readers who had a certain understanding and interest in novels. Therefore, he could choose the version that suited him according to his interest and reading level.

Shan Tianfang's Investiture of the Gods was a famous Chinese novel with 120 chapters. This novel tells the story of the Shang and Zhou Dynasties, including many famous characters such as Jiang Shang, Daji, Shang Tang, etc. The novel used history as the background to show the essence of ancient Chinese myths and legends through fictional stories. In novels, the characters were vivid and the plot was full of ups and downs, which had a high literary value.

Bigan's heart was dug out in the Romance of the Gods. In the novel, Bigan was an upright and loyal character, but his heart was dug out by King Zhou of the Shang Dynasty. This plot appeared in many chapters of the novel, but it was not the only plot. In the 123rd chapter of the novel, the plot of Bigan digging out the heart was repeated because of the need of the story development or to strengthen the appeal of the plot. In the novel, after Bigan dug out his heart, King Wu of Zhou, Ji Fa, led his troops to crusade against the Shang Dynasty and finally overthrew King Zhou's rule to establish the Western Zhou Dynasty. On the basis of this plot, the novel could continue to develop other plots, such as Bigan becoming a virtuous minister of the Zhou Dynasty and contributing to the development of the Zhou Dynasty. Therefore, in the development of the plot, the plot of digging out the heart may be used many times to strengthen the appeal of the story and the development of the plot.