How to distinguish between "contradiction" and "conflict" in the script

The contradictions and conflicts of the characters in the novel refer to the contradictions in interests, thoughts, concepts, etc. between different characters in the novel. These contradictions in the story make the relationship between the characters tense and complicated, providing the background and clues for the development of the story. In a novel, the contradictions and conflicts of the characters are an important means to shape the characters. Through them, the author can portray the characters with distinct personalities and depth, so that the readers can better understand and feel the plot and characters in the novel. At the same time, the contradictions and conflicts of the characters were also the foundation of the development of the novel. Only through them could the story be unfolded and advanced.

Writing a script and writing a novel didn't necessarily clash because they had different ways and purposes. The purpose of writing a script was to present a fictional story in the form of words and let the audience understand and feel the story through the script. The script needed to be developed according to a certain structure and plot. It needed to pay attention to the expression of the language and the sense of rhythm. The purpose of writing a novel was to create a fictional world and storyline through the form of words and immerse the readers in the form of a novel. The novel needed to focus on the description of the characters and the expression of emotions. It also needed to focus on the development and logic of the plot. Although writing a script and writing a novel had some similarities, such as the need to create interesting characters and construct complex plots, their writing methods and goals were different, so there was no need to conflict. Writing scripts and novels could both be a good way of writing, depending on one's personal interests and writing style.

Lao She was a famous Chinese novelist. His works described social reality and people's lives as the theme, which often involved contradictory descriptions. The most common contradiction in Lao She's works was the contradiction between "social class" and "individual destiny". This contradiction was described in his works as the contradiction between "class contradiction" and "personal struggle". The protagonist often faced challenges from social class and his own destiny, and needed to find solutions through constant struggle and exploration. In addition to class contradictions, Lao She's works also often had contradictions between individuals and their surroundings, such as the contradiction between "natural environment" and "living habits", as well as the contradiction between "interpersonal relationships" and "personality traits". These contradictions helped to portray the protagonist's image and promote the development of the story. The description of contradictions in Lao She's works is an important technique. Through the presentation of contradictions and conflicts, readers can have a deeper understanding of the characters and plots in the works, and at the same time, they can feel them.

The conflict in the script refers to the conflict and confrontation between two or more different interests or values in the work. These conflicts and confrontations are usually expressed through the interactions and decisions between the characters. The conflict could appear at the beginning, middle, or end of the script and could develop and intensify at different stages of the plot. Through resolving conflicts, the script could guide the readers into the inner world of the characters and dig deep into the emotions and humanity in the works.

The comedic conflict foundation of Oppression could be considered from the following aspects: 1. Race conflicts: There may be conflicts between different races in the script, such as the gap between humans and alien races, misunderstandings between different cultural backgrounds, etc. These contradictions can become the main elements of comedy conflicts. 2. Gender-based conflicts: There may be conflicts between men and women in the script. For example, the male role's rigid impression, the neglect of female characters, etc. These contradictions can become important elements of comedy conflicts. Class contradiction: There may be conflicts between different classes in the script, such as the poverty of the people at the bottom, the corruption of the top leaders, etc. These contradictions can become important elements of comedy conflicts. 4. Age conflicts: There may be conflicts between different age groups in the script, such as the young people's longing for the future, the loneliness and loss of the elderly, etc. These contradictions can become important elements of comedy conflicts. 5. Plot Reversal: There may be seemingly impossible reversals in the script, such as the unexpected ending of the protagonist, the sudden rise of the villain, etc. These reversals can provide additional fun for the comedy conflict. Through the above elements, the comedy conflicts in the script could be richer and more diverse, bringing a more exciting viewing experience to the audience.

The difference between picking out and choosing out was their meaning and usage. Picking out usually referred to picking and harvesting vegetables or fruits, while choosing out referred to selecting, trimming, or washing the ingredients. Picking out emphasized the action of picking, while choosing out emphasized the selection and processing of the ingredients. Therefore, picking out and choosing out had different meanings and usages in Chinese.

There were a few ways to identify the real and fake 37. First, it could be identified by appearance. The genuine pseudoginseng was usually spindle-shaped or cone-shaped, about 1-6 cm long and 1-4 cm in diameter. Its surface was bright and grayish-green, with stem marks and tumor-like projections. There were traces of broken roots on the side, horizontal pores and vertical wrinkles. The counterfeit was usually the dry root of E wood, which was oval or conical in shape. The surface was yellow-brown and had the shape of an artificial knife. It was light in weight and the cross-section was brownish-yellow. Secondly, it could be identified by tasting it. The real ginseng has the smell of ginseng, taste bitter and sweet, fake taste slightly pungent, taste slightly bitter, spicy taste, not sweet. In addition, he could use pig blood to identify it. When the pseudo-ginseng powder was put into a small amount of pig's blood, the real pseudo-ginseng would turn the pig's blood into water. This was because the pseudo-ginseng contained the components of the ginseng. Finally, it could be identified by the difference in brewing. The real pseudo-ginseng powder would have a lot of bubbles and was difficult to mix, while the fake pseudo-ginseng powder would have less bubbles. In general, distinguishing between genuine and fake pseudo-ginseng required a comprehensive consideration of appearance, taste, brewing, and other characteristics.

There were a few ways to distinguish the real from the fake. First, it could be identified by observing the appearance. The real pseudoginseng was usually spindle-shaped or cone-shaped, about 1-6 cm long and 1-4 cm in diameter. Its surface was bright and grayish-green, with stem scars and tumor-like projections. There were traces of broken roots on the side, horizontal pores and vertical wrinkles. Counterfeit products are usually light or too fresh, and the surface is flat without grooves. Secondly, it could be identified by smell. The real pseudo-ginseng had a special fragrance, while the fake product had a peculiar smell due to the addition of other impurities. In addition, the feeling was also a method of identification. The real 37 was soft and easy to tear, while the fake was hard and difficult to tear. In addition, the water content of the real panax pseudoginseng was very low. It could be observed from the appearance that there was no moisture on the surface, while the fake product had a higher water content and had an obvious moist feeling on the surface. In addition, the ash content of pseudo-ginseng should be controlled below 1%. If it exceeded this standard, it meant that other substances such as wood impurities might have been added. It was important to note that the appropriate identification method should be chosen according to the actual situation.

To distinguish between genuine and fake Sanqi, one could identify it from its appearance, taste, and color. The real pseudo-ginseng powder would bubble a lot when it was brewed, and it was difficult to mix it well, while the fake pseudo-ginseng powder would have less bubbles. The real panax pseudoginseng powder was extremely bitter in the mouth, but the bitter taste did not stay in the mouth for long, while the fake panax ginseng powder might feel bitter or spicy in the throat. The color of normal pseudo-ginseng powder was grayish-white, neither white nor green, while the color of fake pseudo-ginseng powder might be green, white, or yellow. In addition, the real pseudo-ginseng had a spindle-shaped or cone-shaped appearance. Its surface was bright, with stem marks, tumor-like protrusions, and vertical wrinkles. It was a solid material. The fake pseudo-ginseng might be the dried roots of other plants. It was irregular in shape, light in texture, and the color of the cross-section was obviously different. In addition, the taste of real pseudo-ginseng was bitter and sweet, while fake pseudo-ginseng might have a pungent smell or taste that did not match the real thing. In short, by observing the appearance, tasting the taste, and checking the color, one could initially distinguish between real and fake pseudo-ginseng.

There were a few ways to identify the real and fake 37. First, it could be identified by appearance. The genuine pseudoginseng was usually spindle-shaped or cone-shaped, about 1-6 cm long and 1-4 cm in diameter. Its surface was bright and grayish-green, with stem marks and tumor-like projections. There were traces of broken roots on the side, horizontal pores and vertical wrinkles. Secondly, it could be identified by tasting it. The real ginseng has the smell of ginseng, taste bitter and sweet, but the fake ginseng is slightly pungent, taste slightly bitter, spicy taste, not sweet. In addition, blood experiments could be conducted. When the pseudo-ginseng powder was put into a small amount of pig's blood, the real pseudo-ginseng would turn the pig's blood into water. In addition, one could also observe the color, powder quality, and soup characteristics of the pseudo-ginseng powder to identify it. However, it was important to note that there were many counterfeit products on the market, so it was still necessary to be cautious when identifying the real and fake 37.