The representative work of independent creation in ancient Chinese novels is ""

The period when ancient Chinese novels became the representative works of literati could be traced back to the pre-Qin period, such as The Book of Songs and The Songs of Chu. In the Han Dynasty, a number of famous novels appeared, such as Records of the Historian and Han Shu. In the Tang Dynasty, the creation of novels ushered in a period of prosperity, such as the Song of Everlasting Sorrow and Song of the Pipa. The Song Dynasty was the climax of Chinese novel creation, such as the famous works of the Song Dynasty, such as Water Margins, Journey to the West, Romance of the Three Kingdoms, etc. The Ming Dynasty was a period of decline for Chinese novels, but there were also some famous novels such as Dream of the Red Chamber and Golden Lotus. The Qing Dynasty was a period of prosperity for Chinese novels, such as the famous novels such as The Scholars, Water Margins, and Journey to the West. These works were the representative works of ancient Chinese literati.

"Dream of the Red Chamber" represented the peak of the creation of ancient Chinese novels.

The representative works of ancient Chinese strange stories include Strange Tales from a Chinese Studio, Journey to the West, Water Margins, Romance of the Three Kingdoms, etc. These works are all classics of ancient Chinese literature. They not only have high literary value, but also contain rich historical, cultural and philosophical implications. They have played an important role in the development and prosperity of Chinese literature.

The representative works of ancient chivalrous novels included "The Legend of Chivalrous Men,""Water Margins,""Journey to the West,""Dream of the Red Chamber," and so on. These novels depicted the stories of various Jianghu characters, showing the customs and moral values of ancient society. They were widely praised and influenced the creation of novels in later generations.

The representative authors of ancient Chinese novels were Cao Xueqin, Shi Naian, Luo Guanzhong, and Wu Chengen, respectively, for Dream of the Red Chamber, Water Margins, Journey to the West, and Romance of the Three Kingdoms.

The representative authors of ancient Chinese novels were Cao Xueqin, Shi Naian, Luo Guanzhong, and Wu Chengen.

Qu Yuan's Li Sao was the representative work of Chu Ci and the source of romanticism in the history of Chinese literature.

The representative works of ancient Chinese long novels were Dream of the Red Chamber, Journey to the West, Water Margins, etc. These novels were the classics of Chinese classical literature, widely read and known as one of the treasures in the treasure house of Chinese literature. Through the colorful plots, characters and language styles, they showed the style of ancient Chinese society and people's thoughts and feelings, which had a profound impact on the development of Chinese culture.

The independent creation of literati referred to the creation of literary forms such as prose and poetry. Under normal circumstances, an independent writer needed to have a certain literary quality and creative experience to be able to think independently and create new works. This method of creation usually required editing, publishing, and other processes. Therefore, it was also known as "independent creation." The independent creation of literati was a creation method with high artistic value and literary value, and it was also one of the important trends in the development of Chinese literature.

Independent simplified Chinese copyright refers to the copyright of the works created by the author in the simplified Chinese domain, which does not belong to any government or commercial organization but to the author himself. This meant that authors were free to use, adapt, translate, distribute, and sell their works without the need for any government or commercial permission. Due to the opening and free development of the simplified Chinese market, more and more authors began to use the copyright of independent simplified Chinese works to create works, which made the copyright protection of simplified Chinese works more important. If the author wanted to protect the copyright of his work, he had to take some measures, such as indicating the author's information when creating, using standard font, etc., to prevent others from violating the copyright.