" The nature of Chinese people is like those spectators in Lu Xun's works." What did this sentence mean?

The spectators in Lu Xun's works usually referred to those who lacked the ability to think independently and would only passively accept reality. In his works, the audience often represented the bottom of society. They lacked cultural attainment and knowledge, and could only passively accept the arrangements of the government and society. They lacked initiative and creativity. The spectators in Lu Xun's works mainly included the following types: 1. Insensitive spectators: These spectators lack enthusiasm and attention to any social problems. They only passively accept reality without any enthusiasm or initiative. 2. Foolish and ignorant spectators: These spectators lack cultural attainments and knowledge, and can only stay on the surface level, unable to understand and think about the deeper problems. 3. Flattery spectators: For their own interests, these spectators will actively echo the activities of the government and society, and even take some despicable means to achieve their own interests. 4. Blind Followers: These spectators lack the ability to think independently and will only blindly follow the opinions and actions of others, unable to make independent judgments and choices. The spectators in Lu Xun's works were a kind of vulnerable group in social reality. They lacked cultural accomplishment and knowledge level, so they could only passively accept the reality, which had a profound impact on the development of society.

The common people in Lu Xun's works have different descriptions in different works, but generally speaking, they are described as poor, ignorant, backward and helpless. In Diary of a Madman, Lu Xun described a group of people who were oppressed and exploited by the feudal system, living in poverty and pain. Their thinking and cultural level were very low, and they were easily controlled and used by the rulers. In The True Story of Ah Q, Lu Xun portrayed a pretentious but actually humble and shameless low-class people. They were regarded as tools and laughingstocks by the rulers, constantly deceived and used. In Kong Yiji, Lu Xun described a poor, ignorant, lonely old drunkard whose life was full of pain and despair. The common people in Lu Xun's works were a group of people who lived in poverty, ignorance and backwardness. They lacked basic education and medical resources and were often oppressed and exploited by the rulers, facing various survival difficulties and challenges.

The common people in Lu Xun's works had different images and descriptions in different works. In The True Story of Ah Q, Ah Q was a typical low-class citizen. He was self-abased, cowardly, cunning, but did not lose his sense of humor. In A Madman's Diary, the commoners were described as ignorant, greedy, cowardly, superstitious, and cruel. In Medicine, the common people were portrayed as ignorant, selfish, fanatical, and panicked. In Kong Yiji, the common people were depicted as lazy, greedy, vain, and bored. The common people in Lu Xun's works were a complex group. They had various characteristics and behaviors, reflecting all aspects of Chinese society at that time.

Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. Lu Xun's works covered novels, essays, poems, essays, plays and many other fields. His representative works included "Madman's Diary","The True Story of Ah Q","New Stories","Canopy Collection","Wild Grass" and so on. Lu Xun's works had a profound influence on the development of modern Chinese literature and thought. He was regarded as one of the founders of modern Chinese literature and one of the important representatives in the history of modern Chinese literature.

The spectator in Lu Xun's works was a satirical figure, usually those who were cold, ignorant and unsympathetic. They stood on the sidelines and would not have any reaction to any misfortune or injustice they saw. They would only watch from the side and some would even applaud. In Lu Xun's novels, spectators often had a negative attitude. They lacked human care and would only passively accept the manipulation of society. The typical examples included novels such as A Madman's Diary and The True Story of Ah Q.

The spectator in Lu Xun's works was a negative character, representing the indifference and numbness of society. Spectators often only looked at the surface and lacked a true understanding and concern for the truth and essence of the matter. They would only immerse themselves in their own comfort zone and lack interest and reaction to everything that happened around them, as if the whole world had nothing to do with them. In Lu Xun's novels, the spectator was often a repulsive character. They lacked compassion and humanity and would only blindly condemn and attack things that had nothing to do with them. They lacked understanding and thought, and could only stay on the surface of observation and judgment, unable to truly think deeply about the essence of the problem. The spectator in Lu Xun's works is a kind of negative image, which represents the indifference and numbness of society. We need to be vigilant and reflect on it. We should learn to pay attention to everything that happens around us, try to understand and tolerate different people and things, and don't easily become a spectator.

The spectator in Lu Xun's works was a kind of ironic image, usually referring to those people who only watched the excitement of others and lacked content and depth. In Lu Xun's novel Diary of a Madman, the spectators were described as a group of blind people who could only passively accept the actions and words of others and lacked the ability to think independently. They seemed indifferent and numb, but in fact, they were the real instigators behind those events. They often became the real murderers behind the lively events. In Lu Xun's novel The True Story of Ah Q, the spectators were described as a group of ignorant and cowardly people who lacked the ability to think independently and could only passively accept Ah Q's violence and exploitation. They seemed to support Ah Q, but in fact, they were the real murderers behind those incidents. Not only did they help Ah Q maintain the violence and oppression, but they also became Ah Q's accomplices and scapegoats. The spectators in Lu Xun's works were a kind of negative image. They lacked the ability to think independently and would only passively accept the actions and words of others. They seemed indifferent and numb, but in fact, they were the real instigators behind those events. They often became the real murderers behind the lively events.

The spectators in Lu Xun's works referred to the people at the bottom of society, who were oppressed by society. They seemed indifferent, numb, and heartless, but in fact, their hearts were filled with pain and injustice. In Lu Xun's novels such as A Madman's Diary and The True Story of Ah Q, the image of spectators was widely depicted. The spectators usually showed a superficial indifference. They did not participate in resistance and struggle, but only watched coldly from the side and expressed silent sympathy for the pain and suffering of the victims. In " A Madman's Diary ", the audience even found the madman's crazy behavior funny. They did not respond to the protagonist's protest and resistance, but only treated the protagonist with a mocking attitude. The spectators were also filled with pain and injustice in their hearts, but they chose to hide their feelings and hide their pain with indifference and numbness on the surface. In The True Story of Ah Q, the audience expressed sympathy for Ah Q's suffering, but they used Ah Q's mistakes to cover up their identity as the bottom of society and the unfair treatment they suffered, making them even more indifferent and numb. The spectators in Lu Xun's works were a group of people who were oppressed by society, felt pain and injustice. They chose to cover up their feelings with superficial indifference and numbness to protect their self-esteem and interests.

In Lu Xun's " Public Exorcism ", the coachman's method of dealing with spectators was not to deal with the audience themselves, but to deal with those forces that did not respect the freedom and dignity of others. In that era, there was a lack of respect for human rights and freedom in Chinese society. The spectators tended to treat the ruled and the vulnerable groups with indifference and numbness. The method provided by the driver to deal with the spectators was a voice calling for people to respect human rights and freedom. He expressed his yearning and cherish for freedom and dignity to the audience by showing his suffering and predicament. He told the audience that they should respect the rights of others and not treat the sufferings of others with indifference and numbness. The coachman's method was also a way to educate the audience. Through his actions, he showed the audience the qualities that a person should have, which was compassion and respect for the rights of others. His method was also a reflection and criticism of Chinese society at that time.

In Lu Xun's " A brief history of Chinese novels ", the description of myths referred to the legends and stories created by the ancient Chinese people about the origin of nature and human beings, gods and heroes. These myths were widely spread and passed down as one of the important subjects of ancient Chinese literature and modern novels. Lu Xun believed that mythology was not only an important part of the ancient Chinese people's ideology and culture, but also an important resource in the treasure house of Chinese literature. Through the study of myths, one could understand the ancient Chinese people's understanding of nature and human beings, as well as their values and belief systems. At the same time, myths could also shape the characters and promote the development of the story, becoming an important material for the creation of novels.