How to solve the dullness of the dialogue language in the novel

The following suggestions could be used to describe how to write the dialogue in the novel language without being stiff: 1 Use the rhythm of the dialogue: The dialogue should have a rhythm and rhythm so that the listener or reader can feel the tension and tension in the dialogue. For example, adding some tone words, exclamation marks, question marks, etc. to emphasize the key points in the conversation. Pay attention to the details of the language: The details of the language can enhance the realism and liveliness of the dialogue. For example, pay attention to the use of different vocabulary, grammar structure, pronunciation and intonation in the dialogue to express the character's personality, emotions, and psychological state. 3. Shaping the character's personality: The dialogue must serve the character, so it is necessary to shape the character's personality. Through the character's words and actions to express their personality and characteristics, so as to enhance the realism and liveliness of the dialogue. Use metaphor and symbolism: Metaphors and symbolism are commonly used rhetorical devices in literature to enhance the expressiveness and emotional color of dialogue. For example, using metaphor to express the emotional relationship between characters or using symbols to hint at the background and meaning of the conversation. 5. Follow the logic of the dialogue: The dialogue must follow the logic and must not jump or contradict. This would make the conversation more coherent, reasonable, and expressive. Therefore, when writing a dialogue, you need to pay attention to the details of the language, shape the character's personality, use metaphor and symbolism, and follow the logic of the dialogue to write a vivid, real, and interesting dialogue.

Well, you could put the foreign dialogue in a different style of speech bubble. Or, have a little footnote at the bottom of the page with the translation. It also helps if the characters' expressions and actions give some hints about the meaning of the dialogue.

Conversation and narrative language are two completely different forms of language, although they may have some similarities in some situations. Conversation was usually conducted in a one-on-one manner. Both parties communicated through verbal communication. The language of the conversation was usually more direct, simple, and easy to understand. It usually involved the description of the situation, characters, plot, and so on. For example, the dialogue between Cao Cao and Liu Bei in the novel Romance of the Three Kingdoms was a typical dialogue scene. In contrast, narrative language is usually carried out in a one-to-many manner, that is, dialogue or communication between multiple characters. The language of a narrative was usually rich, complex, and expressive. It usually involved the description of the character's personality, psychology, and thoughts. For example, the dialogue between Jia Baoyu and Lin Daiyu in the novel Dream of the Red Chamber was a typical narrative language scene. Therefore, there is a significant difference between dialogue and narrative language. The dialogue language focuses more on the description of the situation and the characters, while the narrative language focuses more on the description of the characters 'personalities, psychology and thoughts.

The classic ancient saying was as follows: A: Why do you want to harm me? B: I'm not trying to harm you. I'm just happy for you. A: I'm happy for you? Why? B: Because I think people like you are the most suitable to be my partner. A: Are you kidding me? Am I that kind of person? B: No, you really are. I'm referring to the kind of person who's most suitable as a partner. A: I don't understand what you mean. B: Don't understand? Then let me explain again. I mean, I like people like you because you're kind and smart. A:(Surprised) I like people like you? Why? B: Because I think you're the most suitable type of person to be my husband. The above is a classic dialogue in the ancient language, hoping to provide you with some inspiration.

They help by providing real - life examples. For instance, you can learn how people greet each other, like 'Good morning! How are you today?' You can then practice using these phrases. Simple.

Hesitating and Xiao Yan entered this mysterious place at two different times. Hesitating, he still remembered that she had once spent her time here. However, Xiao Yan was different. He seemed to be filled with curiosity about this place. Xiao Yan asked,"Where is this place?" Why are there so many bald heads?" Hesitation: [This is a dungeon. There might be all kinds of mysterious creatures here.] Do you remember where I was before?" Xiao Yan replied,"No, I forgot." But the bald head here sounds good. I don't think it's fun." Hesitation: " You can try but if you are stepped on, you will be unable to recover." "Then I'll let you push me. I think I can give it a try." The hesitation pushed Xiao Yan and the other man to discover the interior of this mysterious place. They saw a huge cave and some strange bald heads. Hesitation: [There seems to be all kinds of different lights here. What do you think is what you want?] "I want to see what these bald heads can do." Hesitation: " Then let me tell you, if you try to connect the dots together, you will produce a magical power. This power can help you accomplish what you want to accomplish." Xiao Yan asked,"Then how can I help you?" Hesitation: " You can try. If your hearts pass this point, the bald head can help you overcome any difficulties." "Alright, I'll give it a try." Hesitantly, he followed Xiao Yan into this enormous cave. They also saw some other bald heads and discovered that there might be more secrets in this place. Hesitation: [There seems to be all kinds of different lights here. What do you think you want to try?] Xiao Yan replied,[I want to see if I can reach the Yin Yang Platform through this bald spot.] Hesitation: " This is impossible. Through this point, you will produce a powerful magic that will help you overcome any difficulties." "Alright, I will take note." Hesitantly, he followed Xiao Yan into this enormous cave. They found many different bald heads and tried to get to the Yin Yang Platform through them. When they finally reached the Yin Yang Platform, they saw a magical world. This world was filled with light and all kinds of light. They had successfully overcome all their difficulties with this spell. Hesitation: " Wow, this world is so magical! What do you think you want to try?" "I want to try and see if I can use this magic to reach a higher place." Hesitation: " This is impossible. Through this magic, you will create a powerful magic that will help you accomplish what you want to accomplish." "Alright, I will take note." Hesitantly, he followed Xiao Yan into this enormous cave. They found many different bald heads and tried to get to the Yin Yang Platform through them.

In the novel, the author can transform the dialogue language of the characters into the narrative language of the novel to create a more vivid, three-dimensional and rich character image. At the same time, it can also make the narrative style of the novel more unique and vivid. For example, if the author processed the dialogue language of the characters into the narrative language of the novel, he could insert the emotions, thoughts, personality and other elements of the characters into the dialogue, allowing the readers to have a deeper understanding of the inner activities of the characters. At the same time, by transforming the dialogue language of the characters into the narrative language of the novel, the author can also create more colorful narrative scenes, such as the communication between the characters, psychological activities, the development of events, etc., so that the readers can feel the plot and atmosphere of the novel more truthfully. Changing the dialogue of the characters into the narrative language of the novel could also improve the legibility and fluency of the novel. By changing the dialogue language into the narrative language, the author can transition the dialogue and plot more naturally, making the narrative of the novel more coherent and smooth, thus improving the reader's reading experience. Turning the dialogue language of the characters into the narrative language of the novel could bring good results in shaping the characters, enriching the plot, and improving the reading experience.

The following are the recommendations of a few ancient crime-solving novels: 1. The author of Yanjing's Killing: Magpie in the Heart. This novel told the story of a cute, generous, intelligent, and meticulous female judge and a cold male god who was cold on the outside but warm on the inside working together to solve a case. 2. [Laughing Spring Breeze] Author: A copper coin. The male protagonist was a good detective, and the female protagonist was a coroner. The story was easy and interesting, and the interaction between the male and female protagonists was sweet and cute. 3. The author of "Meeting Jun at the Right Time": Unknown. The male and female protagonists worked together to solve the case. There were more emotional descriptions and there were scenes of bickering in the process of solving the case. 4. The author of Sheng Chong's Little Coroner: Unknown. The female lead was a superb coroner who worked with the royal family to solve the case. 5. [First-grade Female Coroner] Author: Tiny Rice Ball, Peach Control. 6. Detective Xia Guifei, author: Clothes with Snow. 7. "Dali Temple Judgment Daily" Author: Jiangnan Mei E. 8. "Di daughter chasing husband: Dali Temple investigation daily" author: not just. The above are some recommendations for solving crimes in ancient language. I hope you can find a work you like!

It depends. Sometimes, it's common to italicize foreign language in fiction dialogue to make it stand out and indicate that it's different from the main language of the text.

Not always. It often depends on the style guide or the specific conventions of the publication. Some may prefer not to italicize for a more seamless reading experience.