Taking Sima Xiangru's Fu on Zi Xu as an example, this paper talks about the characteristics of the content, form and expression of Han Fu. Friends who know can help, thank you.

Sima Xiangru's Fu on Zixu and Shanglin were two of the masterpieces of the Han Dynasty. They displayed the following artistic features: Grand Scenes and Magnificent Landscape: These works depicted the great rivers and mountains that Sima Xiangru saw in his hometown Chengdu, such as palaces, city walls, forests, rivers, etc. They were described with magnificent language and gorgeous words to give people a grand and magnificent feeling. 2. Exaggeration and metaphor: These works are full of exaggeration and metaphor, using gorgeous words to describe things in a very vivid image to make the readers have a strong impression and resonance. 3. Exquisite diction and gorgeous sentence patterns: These works use exquisite diction and gorgeous sentence patterns, such as "The silver man is far away, and the golden wind and jade dew meet", which makes the whole Fu fascinating. 4. Complex structure and multi-level expression: These works use complex structure and multi-level expression to express the theme vividly through different sentence patterns, words and rhetorical devices, so that people have a deep understanding and appreciation of the structure, language and rhetorical devices of Fu. 5. The description of the noble lifestyle: These works reflect the lifestyle and cultural traditions of the Han Dynasty nobles, such as banquets, costumes, music, etc. Through Fu, readers can feel the unique charm of the Han Dynasty culture. Sima Xiangru's Fu on Zi Xu and Fu on Shang Lin were two of the most important works in the history of ancient Chinese literature. They displayed the main features and artistic charm of Han Fu and had a profound influence on later literature.

Sima Xiangru's Shanglin Fu and Zixu Fu both belonged to the Han Dynasty. "Shanglin Fu" was written by Sima Xiangru for Emperor Wu of the Han Dynasty. It described the sights and sights he saw and heard in Shanglin Garden. It showed Sima Xiangru's literary talent and ability to govern the country. Shanglin Fu was one of the representative works of Han Fu. "Fu on Zixu" was another famous Fu written by Sima Xiangru, which described his life of pleasure in Zixu Palace. The language of "Fu on Zi Xu" was concise and full of hedonism. It was a piece of prose in the Han Dynasty. The Great Ode of the Han Dynasty was one of the most important literary forms in the history of Chinese literature. It represented the high achievements of the Han Dynasty literature, and Sima Xiangru's Shanglin Ode and Zixu Ode were his representative works.

Which of the following works has made Luoyang paper expensive? The answer was B, Cao Zhi's Ode to the Luo God.

Sima Xiangru's Ode to Shanglin and Ode to Zixu both belonged to a work called Ode to Changmen. This Fu was written by Sima Xiangru to express his feelings of pursuing the noble Changmen Wang. It was regarded as a classic work of ancient Chinese literature. The content and style of the two Fu are different, but they both have a strong romantic color. They are one of the outstanding representatives in the history of Chinese literature.

The idiom "Zi Xu Wu Zi" came from Sima Xiangru's "Fu on the Long Gate." The Fu was an article describing the gorgeous decoration of Changmen Palace. One of the sentences was: " Jade hooks are hung at Kuimen and golden locks are hung at Luoshui." Here," Kuimen " referred to the Kuixing Gate of Changmen Palace and " Golden Lock " referred to the gold and silver locks of Changmen Palace. Later on, the idiom "non-existent" was used to describe illusory and non-existent things.

Home and Cold Night was one of Ba Jin's representative works. From Home to Cold Night, Ba Jin's writing style had changed significantly. In Home, Ba Jin narrated the rise and fall of a family as a young man. In the novel, home is a theme full of contradictions and conflicts, revealing the complexity and hypocrisy of human nature. At the same time,"Home" was also one of the most representative novels in Ba Jin's writing career. It deeply reflected the social class differences and class contradictions at that time and became a classic work of modern Chinese literature. The change from Home to Cold Night was reflected in Ba Jin's writing style. In Cold Night, Ba Jin used a calmer and more objective method to reveal the dark side of human nature and guilt through the description of social environment and character psychology. At the same time, the cold night was also a more symbolic work. The moon, cold night, lights and other elements in the novel had become important symbols in Ba Jin's creative career. In addition, Ba Jin adopted a more modern writing style in Cold Night, creating a mysterious and depressing atmosphere through the abstract treatment of time and space. This style was also reflected in Ba Jin's other works, such as Border Town and Spring Silkworm. Together, they constituted the variety of Ba Jin's creative style. To sum up, the change from Home to Cold Night was an important change in Ba Jin's writing style. In Cold Night, Ba Jin adopted a calmer, more objective and modernist writing style, paying more attention to the revelation of human nature and social reality. This change not only reflected the progress of Ba Jin's creative thinking, but also reflected his contribution to the development of modern Chinese literature.

Sima Xiangru's period was a very important period in Chinese history and also one of the important periods in the history of Chinese literature. During this period, many important literary styles appeared. Some of the characteristics include: Fu was the most famous genre in Sima Xiangru's era. Fu is a kind of verse in ancient Chinese literature. It is usually used to express the emotions, thoughts and actions of characters. It can also be used to praise natural scenery or narrate historical events. Sima Xiangru's Ode to Changmen was a typical piece of Fu. It portrayed the debauchery and corruption of Emperor Wu of the Han Dynasty by describing the magnificent scenery and luxurious life of Changmen Palace. Poetry was also an important genre in Sima Xiangru's era. A poem usually expressed the poet's emotions and thoughts through lyrics. Sima Xiangru's Ode to Shanglin contained a lot of poetic elements such as praise for nature, longing for characters, thinking about life, etc. The novel was also an important genre in Sima Xiangru's era. A novel is a literary work that focuses on the plot, expressing the theme by describing the character's personality, behavior, and thoughts. Sima Xiangru's Zhuo Wenjun and Song of the White Head are both excellent works of fiction. They express the rich content of ancient Chinese love culture by describing the love story between Zhuo Wenjun and the white-headed white-haired man. The variety of literary styles in Sima Xiangru's period reflected the richness and variety of ancient Chinese literature, and also provided important reference and enlightenment for later literary creation.

The characteristics of the preface to The Scream were as follows: Revealing the theme of the novel: The Scream is a novel that reflects the dark side of society and probes into the meaning of human existence. 2. Introduction to the background of the novel: The story of "Scream" takes place in the late Qing Dynasty, when society was in turmoil and people's lives were difficult. 3. An overview of the plot of the novel: The preface briefly introduced the plot of the novel, including the encounter of the protagonist Ah Ling, the cause of Lin Zaifu's death, and Ah Ling's revenge story. 4. Express the author's creative intention: In the preface, Lu Xun expressed his original intention and creative ideas of writing Scream, emphasizing the importance of the novel reflecting the dark side of society and the significance of the novel for human survival. 5. Establishing the status of the novel: The Scream has been fully introduced in the preface, laying a solid foundation for the status of the novel and becoming an important material for readers to understand the basic situation of the novel.

Wang Anyi was a Chinese woman in the 1990s. Her works were widely loved by readers for their delicate emotional descriptions, vivid characters, and profound thoughts. The following are some of the artistic features of her works: 1. Delicate description of emotions: Wang Anyi's works often use delicate emotional descriptions to show the emotional world in the depths of women's hearts. She is good at using delicate strokes and emotional descriptions to portray the characters and let the readers feel the true feelings and inner struggles of the characters in the novel. 2. Pay attention to the liveliness of the characters: The characters in Wang Anyi's works all have distinct personality characteristics and vivid images. She is good at showing the character's personality and inner world through the characters 'language, behavior and thoughts, making the characters more realistic and credible. 3. Pay attention to social reality: Wang Anyi's works often pay attention to the current social reality and explore the various problems and difficulties faced by women, such as marriage, family, occupation, identity, etc. Her works have profound enlightenment for the social reality problems faced by contemporary women. 4. Exploring the meaning of life: Wang Anyi's works not only pay attention to the real problems faced by women, but also explore the meaning and value of life. She is good at showing the experience and wisdom of life through the characters and plots in the novel, so that readers can think about the meaning and value of life. 5. Beautiful language: Wang Anyi's language is beautiful and fluent. She is good at using figurative, personification, metonymy and other rhetorical techniques to make the language of the work more vivid and beautiful. It is very infectious to read. Wang Anyi's works are famous for their delicate emotional descriptions, vivid characters, profound thoughts and meanings.

The story of Sima Xiangru's inscription on the pillar originated from Sima Xiangru's experience of leaving his hometown for the capital. According to the Shu Annals of Huayang Kingdom, when Sima Xiangru first entered Chang 'an, he passed by the Bridge of Immortals in Chengdu. He wrote an oath on the doorpost of the bridge: " I will not ride a red chariot or four horses, but I am yours!" This sentence expressed his determination not to seek wealth and honor, but to contribute his talent and wisdom to the country and the people. This allusion was later used as a metaphor for the pursuit of fame and wealth. Although some documents described it as being inscribed on a bridge pillar, according to the original text of the Records of Huayang Kingdom, it was actually inscribed on the door of the objective. Therefore, Sima Xiangru's inscription on the pillar was an ancient allusion used to describe the act of pursuing fame.