Taking Sima Xiangru's Fu on Zi Xu as an example, this paper talks about the characteristics of the content, form and expression of Han Fu. Friends who know can help, thank you.

Sima Xiangru's Fu on Zixu and Shanglin were two of the masterpieces of the Han Dynasty. They displayed the following artistic features: Grand Scenes and Magnificent Landscape: These works depicted the great rivers and mountains that Sima Xiangru saw in his hometown Chengdu, such as palaces, city walls, forests, rivers, etc. They were described with magnificent language and gorgeous words to give people a grand and magnificent feeling. 2. Exaggeration and metaphor: These works are full of exaggeration and metaphor, using gorgeous words to describe things in a very vivid image to make the readers have a strong impression and resonance. 3. Exquisite diction and gorgeous sentence patterns: These works use exquisite diction and gorgeous sentence patterns, such as "The silver man is far away, and the golden wind and jade dew meet", which makes the whole Fu fascinating. 4. Complex structure and multi-level expression: These works use complex structure and multi-level expression to express the theme vividly through different sentence patterns, words and rhetorical devices, so that people have a deep understanding and appreciation of the structure, language and rhetorical devices of Fu. 5. The description of the noble lifestyle: These works reflect the lifestyle and cultural traditions of the Han Dynasty nobles, such as banquets, costumes, music, etc. Through Fu, readers can feel the unique charm of the Han Dynasty culture. Sima Xiangru's Fu on Zi Xu and Fu on Shang Lin were two of the most important works in the history of ancient Chinese literature. They displayed the main features and artistic charm of Han Fu and had a profound influence on later literature.

Sima Xiangru's Shanglin Fu and Zixu Fu both belonged to the Han Dynasty. "Shanglin Fu" was written by Sima Xiangru for Emperor Wu of the Han Dynasty. It described the sights and sights he saw and heard in Shanglin Garden. It showed Sima Xiangru's literary talent and ability to govern the country. Shanglin Fu was one of the representative works of Han Fu. "Fu on Zixu" was another famous Fu written by Sima Xiangru, which described his life of pleasure in Zixu Palace. The language of "Fu on Zi Xu" was concise and full of hedonism. It was a piece of prose in the Han Dynasty. The Great Ode of the Han Dynasty was one of the most important literary forms in the history of Chinese literature. It represented the high achievements of the Han Dynasty literature, and Sima Xiangru's Shanglin Ode and Zixu Ode were his representative works.

Which of the following works has made Luoyang paper expensive? The answer was B, Cao Zhi's Ode to the Luo God.

Sima Xiangru's Ode to Shanglin and Ode to Zixu both belonged to a work called Ode to Changmen. This Fu was written by Sima Xiangru to express his feelings of pursuing the noble Changmen Wang. It was regarded as a classic work of ancient Chinese literature. The content and style of the two Fu are different, but they both have a strong romantic color. They are one of the outstanding representatives in the history of Chinese literature.

The idiom "Zi Xu Wu Zi" came from Sima Xiangru's "Fu on the Long Gate." The Fu was an article describing the gorgeous decoration of Changmen Palace. One of the sentences was: " Jade hooks are hung at Kuimen and golden locks are hung at Luoshui." Here," Kuimen " referred to the Kuixing Gate of Changmen Palace and " Golden Lock " referred to the gold and silver locks of Changmen Palace. Later on, the idiom "non-existent" was used to describe illusory and non-existent things.

Home and Cold Night was one of Ba Jin's representative works. From Home to Cold Night, Ba Jin's writing style had changed significantly. In Home, Ba Jin narrated the rise and fall of a family as a young man. In the novel, home is a theme full of contradictions and conflicts, revealing the complexity and hypocrisy of human nature. At the same time,"Home" was also one of the most representative novels in Ba Jin's writing career. It deeply reflected the social class differences and class contradictions at that time and became a classic work of modern Chinese literature. The change from Home to Cold Night was reflected in Ba Jin's writing style. In Cold Night, Ba Jin used a calmer and more objective method to reveal the dark side of human nature and guilt through the description of social environment and character psychology. At the same time, the cold night was also a more symbolic work. The moon, cold night, lights and other elements in the novel had become important symbols in Ba Jin's creative career. In addition, Ba Jin adopted a more modern writing style in Cold Night, creating a mysterious and depressing atmosphere through the abstract treatment of time and space. This style was also reflected in Ba Jin's other works, such as Border Town and Spring Silkworm. Together, they constituted the variety of Ba Jin's creative style. To sum up, the change from Home to Cold Night was an important change in Ba Jin's writing style. In Cold Night, Ba Jin adopted a calmer, more objective and modernist writing style, paying more attention to the revelation of human nature and social reality. This change not only reflected the progress of Ba Jin's creative thinking, but also reflected his contribution to the development of modern Chinese literature.

Ci Fu and Fu are two different styles. Although Ci Fu often appears together with poetry, they are different art forms. Ci Fu was a form of ancient literature that mainly described natural landscapes, characters, stories, historical events, etc. It was often described with gorgeous words and had a relatively deep cultural background. On the other hand, Fu was a style that was used to praise, praise, and state. It usually used a lot of space to express feelings, explain opinions, and describe scenery. Compared with Ci Fu, it was shorter and more refined. Therefore, although Ci Fu and Fu were both ancient literary forms, their literary content and forms of expression were different.

Sima Xiangru's " Phoenix Seeking Phoenix " was a famous love poem that described the love story between Sima Xiangru and Zhuo Wenjun. The following is the full text of the poem: The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. Yu Fei looked at the phoenix on the south bank of the river. Yu Fei couldn't stop it. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. The phoenix is looking for the phoenix, the phoenix is looking for the phoenix on the south bank of the river. The phoenix is flying, the phoenix is flying, it can't stop. This poem used the image of a phoenix and a phoenix bird to describe the love story between Sima Xiangru and Zhuo Wenjun. The poem was full of romantic sentiments and the persistent pursuit of love. It was regarded as a classic of ancient love poetry.

Sima Xiangru's " Phoenix Seeking Phoenix " was a famous love poem that described the love story between Xiangru and Zhuo Wenjun. The full text of 'Phoenix Seeking Phoenix' was as follows: Phoenix, phoenix, what virtue has declined? The past cannot be remonstrated with, but the present can be recalled. I already know that Han's kindness is all my tears. I take my heart as my form, and my heart will be entrusted to me. How can you realize that Han's grace has won the eyes of the two kings. Among them,"phoenix, phoenix, phoenix" was the opening sentence of the poem, indicating that the phoenix was a noble creature. In the poem, Xiangru expressed his lament that his social status had declined and the rule of the Han Dynasty had declined through "the decline of virtue". Then, he said," The past can't be remonstrated with, but it can still be remembered " to express Xiangru's nostalgia for the good times in the past and to remind himself to cherish the good times in front of him. The last part of the poem,"Knowing that Han's kindness is exhausted, I shed tears", was the climax of the poem, expressing Xiangru's disappointment and sadness towards the Han Dynasty and his determination to do anything for love. This poem described the love story of Xiang Ru and Zhuo Wenjun, expressing the beauty and firmness of love, and also reflecting the author's criticism and thoughts on the Han Dynasty.

"Fu" is a literary style in ancient Chinese literature. Its characteristic is to express emotions, thoughts, or natural phenomena in the form of rhymes. Its characteristics include: Rhyme: The writing style of Fu is to rhyme the last word of each sentence to make the article more fluent. 2. Exaggeration: Fu often uses exaggeration to express emotions, exaggerating the tone and metaphor to express the character's personality and plot. 3. Gorgeous: The style of writing is gorgeous and gorgeous. Many rhetorical devices and gorgeous words are used to express the author's artistic cultivation and aesthetic taste. What literary works could become "Fu"? 1. Ancient poetry: Ancient poetry is a part of ancient Chinese literature and a form of "Fu". Ancient poems usually appeared in the form of rhymes and had high literary level and artistic value. 2. Yuefu Poetry: Yuefu Poetry was one of the ancient Chinese poetry styles. It first appeared during the period of Emperor Wu of the Han Dynasty. Yuefu poems usually appeared in the form of the Book of Songs but added their own style and characteristics. Ci: Ci was one of the most important styles in ancient Chinese literature and also a form of Fu. Words are used to express emotions in the form of phrases and sentences, usually using rhetoric and flowery words. 4. Wen Fu: Wen Fu is a form of prose in ancient Chinese literature. It is similar to "Fu" but not as good as "Fu" in the form of verse. Fu usually expressed the author's thoughts and opinions in the form of discussion. It was highly thoughtful and artistic. 5. Fictions: Fictions can become a form of Fu, such as ancient novels such as Dream of the Red Chamber. The plot and characters in the novel can be expressed in the form of Fu, which can make the readers understand the theme and emotions of the novel more deeply.