Why didn't Jin Yong's novels have such a phenomenon?

The reason why Jin Yong's novels didn't have the Ming and Qing Dynasties as the background could be referred to the following reasons: Mr. Jin Yong's writing career began in the 1930s, while the Ming and Qing Dynasties ended between 1644 and 1911. In the following decades, China experienced many political and social changes. Therefore, the background of the Ming and Qing Dynasties might be too old and unfamiliar for Mr. Jin Yong to inspire his writing. Mr. Jin Yong's novels were mainly influenced by martial arts novels. There were relatively few martial arts novels in the Ming and Qing Dynasties, so his novels might not have rich such elements, which also affected his understanding and imagination of the Ming and Qing Dynasties. 3. Mr. Jin Yong's novels were mainly targeted at adults. The Ming and Qing Dynasties were a relatively mature cultural era, which did not match the audience of Mr. Jin Yong's works. Therefore, Mr. Jin Yong's novels did not use the Ming and Qing Dynasties as the background mainly because the background of the era was too old and unfamiliar to stimulate the inspiration of writing and the different audiences.

Xiao Longnu was not a character in Jin Yong's novel, but a character in Gu Long's novel, The Legend of Lu Xiaofeng. Although her name did not appear in Jin Yong's novel, The Return of the Condor Heroes, she was praised as one of the most beautiful women in the novel. As for why Xiao Longnu didn't have an official name, it was probably because she was just a fictional character in the novel. There was no need to give her an official name. In addition, Xiao Longnu's image and personality were different from the characters in other novels. She did not have a fixed role orientation, so there was no need to have a formal name.

Mr. Jin Yong's novels are generally regarded as one of the classic martial arts novels. However, in fact, Mr. Jin Yong did not complete all of his novels. He left behind 15 classic works, which are called "The Legend of the Condor Heroes","The Condor Heroes","The Eight Dragons","The Smiling Proud Jianghu","The Sword with the Green Blood","The Heaven Sword and the Dragon Sabre","The Deer and the Cauldron","The Book and Sword of Gratitude and Revenge","The Journey of Chivalrous Men","The Sword of the Yue Woman","The Mandarin Duck Knife"," The White Horse Howling in the West Wind"," The Golden Wheel Temple", 15 novels, including 'Chivalrous Bones and Tenderness'. The reason why there were only 14 couplets was probably because the novels in the couplets were written by Mr. Jin Yong in his later years, including "The Sword of Yue Nu","The Journey of Chivalrous Men","The White Horse Howling in the West Wind", etc. These works were not comparable to the early novels, so they were not included in the 15 early novels. In addition, there were some other works in the couplet, such as "Flying Fox on Snow Mountain" and "Liancheng Formula", which were not classified into Mr. Jin Yong's 15 novels.

Why didn't he act in Jin Yong's novels? Because every actor has his own personal style and role orientation, and Chan is an action movie actor. He is more suitable to act in movies with action scenes rather than literary works that describe Jianghu grudges and martial arts plots. Mr. Jin Yong's novels had complicated plots, many characters, and most of them had complicated interpersonal relationships and Jianghu grudges. These elements may not be suitable for action actors because the action scenes require more skill and investment, and these factors will affect the performance of the actors. In addition, the style and acting style of Chan Chan's movies were also different. He paid more attention to the performance of action and special effects, rather than paying too much attention to emotion and delicate performance. These characteristics were also different from Mr. Jin Yong's novel style. Therefore, actors needed to choose whether to act in Mr. Jin Yong's novel according to their own role orientation and performance style.

This question involved the background and character setting of Jin Yong's novels. Mr. Jin Yong's novels were mostly set in Jianghu and the characters in Jianghu were mostly adult males. In this setting, Mr. Jin Yong wanted to express a kind of brotherhood and resentment in Jianghu. These needed to be understood by a certain age and experience. Therefore, male characters were usually older than themselves to create a more mature and stable atmosphere. Mr. Jin Yong's novels also involved many complicated interpersonal relationships and plots, and the friendship and cooperation between male characters were often the most important part of these interpersonal relationships. Therefore, setting up friends of the same age in the novel might distract the attention and make the plot more complicated, making it difficult for the readers to understand it in depth. Of course, this did not mean that there were no good friends of the same age in Mr. Jin Yong's novels. In " The Return of the Condor Heroes," Yang Guo and Huang Rong were friends of the same age, and their relationship was very deep. However, setting up friends of the same age in the novel might be adjusted to better express the plot and character settings that Mr. Jin Yong wanted to express.

This question was not completely accurate because there were indeed some plots in Jin Yong's novels where the male protagonist dated his peers. For example, Guo Jing and Huang Rong in the Legend of the Condor Heroes were of the same age. They had known each other since they were young and had spent many good times together. In addition, Duan Yu and Xu Zhu in the " Demigods and Semi-Devils " were also of the same age. They became good friends when they were close in age. However, in general, the male protagonists in Jin Yong's novels usually had one or more close partners such as childhood sweethearts or masters who had a large age gap rather than close friends of the same age. This was because the male protagonists in Jin Yong's novels often experienced many hardships and grew up faster than their peers, so they needed a more mature and reliable partner to help them tide over the difficulties. At the same time, the age gap between the male leads could also provide some room for the plot to develop and make the story more colorful.

The reason why the childhood sweethearts in Jin Yong's novels did not have a good ending was mainly because in the novel, the male protagonist usually pursued the female protagonist while the female protagonist usually chose to reject the male protagonist's pursuit. This caused the relationship between the male and female leads to become tense and sometimes even turn into hatred. In Jin Yong's novels, many childhood sweethearts had bad endings because the hatred between the male and female protagonists often caused them to be unable to be together. For example, in Demigods, the hatred between Azhu and Duan Yu made it impossible for them to be together. In the end, Azhu chose to commit suicide. The main reason why the childhood sweethearts in Jin Yong's novels had bad endings was that the male protagonist usually pursued the female protagonist while the female protagonist usually rejected the male protagonist's pursuit. This would cause the relationship between the male and female leads to become tense and sometimes even turn into hatred.

Mr. Jin Yong's novel creation began in the late 1940s, and the Tang Dynasty was founded in 618 AD, nearly 300 years after Mr. Jin Yong's birth. Therefore, Mr. Jin Yong did not personally experience the political, social, and cultural environment of the Tang Dynasty, nor did he have enough historical knowledge and cultural background to write a novel set in the Tang Dynasty. Although many of Mr. Jin Yong's novels were set in Chinese historical dynasties, they usually focused on contemporary or more recent historical backgrounds rather than the Tang Dynasty. This is because Mr. Jin Yong's works are deeply loved by Chinese readers and are also influenced by Chinese people all over the world. He hopes to pass on Chinese culture and values to the world through his own creation. Although Mr. Jin Yong did not personally experience the Tang Dynasty, he had an in-depth study and understanding of ancient Chinese culture and history. Therefore, his works incorporated a lot of imagination and perception of the culture, history and human nature of the Tang Dynasty, which was also one of the uniqueness of his works.

Zhang Jizhong was a famous director and producer in mainland China. He had directed many remakes of Jin Yong's novels. However, in recent years, he did not continue to remake Jin Yong's novels. The specific reasons may be as follows: Jin Yong's novels have become a cultural symbol and are widely accepted. The risk of remaking works is relatively high. If the remake could not be recognized by the public, it might have a negative impact on the original work, so the director and producer needed to consider it carefully. The plot and characters in Jin Yong's novels were very complicated, and they needed excellent screenwriters and directors to present them. A remake required a deep understanding and grasp of the original work, otherwise it might not produce a good effect. The influence of Jin Yong's novels has gone beyond the entertainment field, and its content also involves many aspects such as society and history. Therefore, the remake needed to consider its impact on society and history, while also balancing entertainment and depth. The development of modern society has caused the audience's demand for TV series to change. The remake works need to adapt to the needs and aesthetics of the new era.

My answer may not be completely accurate. There may be some reasons for the ending of Yi Jin's novel: Yi Jin's novel might not have a clear ending because the author did not think of it during the creation process or did not want to end the novel directly. 2. Yi Jin's novels may adopt an open ending, in which the author leaves some clues or hints for the readers to interpret the ending themselves. 3. Yi Jin's novel may not have an ending for some special reason, such as the theme of the novel or the plot needs to continue to develop, etc. In short, Yi Jin's novel did not have an ending because the author had his own considerations and ideas during the creation process or for some special reason.