Why didn't anyone make Jin Yong's martial arts drama into an animation?

The reason why it was difficult for Chinese martial arts novels to surpass Jin Yong and Gu Long was that they had reached a very high level in terms of literary form, character creation, plot setting, story narration, and so on. They had become one of the treasures of Chinese culture. Here are some reasons: Jin Yong and Gu Long are the founders of Chinese martial arts novels. Their works created a new era of Chinese martial arts novels and had a profound impact on Chinese literature and media. Their novel style was unique, the plot was complicated, the characters were vivid, the writing was beautiful, full of poetry and philosophy. The content of Jin Yong and Gu Long's novels is rich and colorful, covering history, politics, love, friendship, loyalty and many other aspects. Moreover, the characters in the novels are very representative and can resonate with readers. Their novel's plot was full of suspense and surprises that kept readers interested. The works of Jin Yong and Gu Long have extremely high artistic and cultural value. Their novels were not only literary, but also contained profound philosophical and cultural implications that could inspire readers 'thoughts and values. At the same time, their novels also had a certain historical value, which had a profound impact on Chinese literature and history. The novels of Jin Yong and Gu Long had a far-reaching influence. They were not only well-known in the Chinese literary world, but also popular all over the world. Their novels were translated into many languages and spread all over the world, becoming one of the treasures of world literature. Therefore, Jin Yong and Gu Long were the classics of Chinese martial arts novels, which meant that their literary, artistic, and cultural values were very high and difficult to surpass.

Chinese martial arts novels had a profound cultural heritage and unique artistic style, but there were certain challenges in making them into Chinese style cartoons. Here are some reasons: 1. Cultural tradition: Chinese martial arts novels contain rich cultural implications and traditional values such as respecting traditional culture, emphasizing loyalty and courage. The performance of these values in the animation needed to take into account the audience's psychology and cultural cognition, which required the creator to carry out in-depth thinking and exploration. 2. artistic style: The unique artistic style of Chinese martial arts novels usually described the grudges of the Jianghu and the loyalty of heroes. To integrate these characteristics into the animation, the creator needed to make a lot of adjustments and imitations, which might require a lot of effort. 3. technical requirements: The production of Chinese style animation requires certain technical requirements such as animation production technology, picture style design, etc. This required the creator to have a high level of technical level and production experience, but the theme of Chinese martial arts novels was more complicated and required a lot of modifications and adjustments, which might increase the production cost. 4. Target audience: Chinese martial arts novels usually target adult males, and their target audience is relatively clear. And the target audience of the animation was more extensive. They needed to take into account the preferences and needs of different audiences. In summary, to make a Chinese martial arts novel into a Chinese style animation, one needed to consider cultural traditions, artistic style, technical conditions, audience positioning, and many other factors. This required the creator to think deeply and explore. Even so, the production of Chinese-style cartoons had gradually risen and might become an important part of the Chinese animation industry in the future.

The villains in Jin Yong's many martial arts novels often had a common characteristic, that is, they originally had their own ideals and aspirations, but for some reason, they failed to realize their wishes and became a tragic ending. Some of the villains failed because of their own shortcomings and shortcomings. For example, they might have their own personality defects, psychological problems, or moral errors. These shortcomings and problems eventually became the reasons for their failure. There were also some villains who were unable to achieve their goals because of accidents or setbacks. For example, they might be affected by internal betrayal, external threats, or other unexpected factors. Other villains failed because of their own inappropriate behavior or bad qualities such as greed, selfishness, cruelty, etc. These bad qualities not only made them a failure, but also made the whole story more meaningful and deep. Whether it was because of their own flaws, accidents, or the failure of bad villains, it made the whole story more colorful and gave the readers a deeper understanding of the character's heart and behavior.

The reason why Jin Yong's wuxia dramas could not be loyal to the original works and had to be adapted was mainly because the content of Mr. Jin Yong's novels was profound, rich in cultural content and historical background. After the adaptation, it was difficult to completely restore the essence and artistic conception of the original works. Secondly, Mr. Jin Yong's novel characters had many complicated plots, and the adapted works needed to be deleted, adapted, and adjusted according to market demand and audience preferences. Otherwise, it would be difficult to attract the audience. In addition, Mr. Jin Yong's novel has extremely high literary value. The adapted works need to ensure literary and artistic quality, otherwise the essence of the original will be lost. Therefore, the adaptation of Jin Yong's martial arts drama needed to weigh various factors and make reasonable adjustments to meet the needs of the audience and commercial interests.

Mr. Jin Yong was a famous wuxia novelist. His works were famous for their twists and turns in the plot and his character portrayals. His wuxia novels often involved historical backgrounds, especially ancient Chinese historical backgrounds such as the Sui and Tang Dynasties. However, Mr. Jin Yong did not write a martial arts novel set in the Sui and Tang Dynasties. This was because the historical background of the Sui and Tang Dynasties was very complicated, involving many dynasties and political systems. At the same time, there were many historical figures and events. These required very in-depth research to write a good novel. In addition, the Sui and Tang Dynasties were also a period of rich literary works. There were many famous historical novels and literary works such as "Water Margins" and "Romance of the Three Kingdoms". These works also influenced the creation of martial arts novels, making martial arts novels no longer limited to traditional historical backgrounds. Therefore, although Mr. Jin Yong had a deep understanding and love of Chinese history and culture, he did not write a martial arts novel set in the Sui and Tang Dynasties. This was also because he considered the difficulty of creation and the complexity of the historical background.

Mr. Jin Yong was a famous martial arts novelist whose works mainly described the grudges of Jianghu, chivalrous spirit and love stories. The Tang Dynasty was a peak period in the history of Chinese literature, and many excellent martial arts novels appeared, such as Song of Everlasting Sorrow and Biography of Double Dragons. Mr. Jin Yong's era was very different from the Tang Dynasty. His cultural background, social environment, and lifestyle were very different. Therefore, he may lack inspiration or find it difficult to find inspiration to describe the martial arts novels of the Tang Dynasty, which is also the case for many other martial arts novels. Although Mr. Jin Yong didn't write Tang Dynasty martial arts novels, his martial arts novels had a profound impact on Chinese literature and culture, and became classics in the history of Chinese literature.

The reason why Jin Yong did not write martial arts novels with the Tang Dynasty as the historical background was mainly because the Tang Dynasty was a very controversial historical period with a rich historical background and cultural style. At the same time, there were many legendary stories and novel traditions. The Tang Dynasty was an open and inclusive era. Culture, art, political system, science and technology had all made great progress, but at the same time, there were serious social injustice, political corruption and other problems. These elements were not suitable as the background of martial arts novels. The literary works of the Tang Dynasty were rich, including many legendary novels, martial arts novels, etc. The creation of these works often had a strong personal style and unique narrative style, which was different from Jin Yong's writing style. Jin Yong's creation inspiration came from the ancient Chinese cultural tradition. The main purpose of his creation of martial arts novels was to express his thoughts and feelings about human nature, love, friendship, loyalty, etc. However, the historical background and cultural style of the Tang Dynasty were somewhat different from these topics. Therefore, Jin Yong did not use the Tang Dynasty as his background.

The answer to the question of Jin Yong's martial arts ranking varied from person to person because everyone's standards and preferences were different. However, generally speaking, they could be ranked according to the following method: The top masters in the Legend of the Flying Fox, such as Linghu Chong, Ren Yingying, Lin Pingzhi, etc. 2. The top experts of the Eight Divisions of the Heavenly Dragon, such as Duan Yu, Xu Zhu, Murong Fu, etc. 3. The top masters in the Legend of the Condor Heroes were Guo Jing, Huang Rong, Yang Kang, etc. 4. The top masters of the Condor Heroes, such as Yang Guo, Xiao Longnu, Guo Fu, etc. 5. The top experts in Proud Smiling Jianghu, such as Linghu Chong, Ren Yingying, Yue Buqun, etc. 6. The top experts of the Blue Blood Sword, such as Yuan Chengzhi, Blue Phoenix, Li Mochou, etc. 7. The top experts in the Heaven Sword and Dragon Sabre, such as Zhang Wuji, Zhou Zhiruo, Zhao Min, etc. The top experts in the line of chivalrous heroes such as Linghu Chong, Ren Yingying, Yue Buqun, etc. 9. The peak experts of the Snow Mountain Flying Foxes, such as Hu Fei, Cheng Lingsu, Hu Yidao, etc. The top experts of the 10 Successive City Tactics, such as Di Yun, Hua Tiegan, Qi Changfa, etc. Of course, these were just some common ranking methods. They could also be ranked according to their own preferences and knowledge.

The martial arts ranking of Jin Yong's wuxia dramas had always been a controversial topic. Different readers and audiences might have different opinions. The following are some common rankings: 1. Internal Strength Ranking: Generally speaking, internal strength was an important factor in determining the strength of a martial art. The martial arts in Jin Yong's martial arts dramas could be divided into different levels according to the difference in internal energy. For example, Huang Rong's Nine Yang Scripture, Guo Jing's Eighteen Dragon Subduing Palms, and Ling Huchong's Nine Swords Beyond the Swords were all martial arts with very powerful internal energy. 2. Rank of Moves: Moves are also an important part of martial arts. Different moves can produce different effects. For example, the major sects in Jin Yong's novels had their own unique moves, such as the Sunflower Manual, Heavenly Sword, and Dragon Saber. 3. Strength ranking: Strength is also an important factor in determining the strength of a martial arts, but compared to internal strength and moves, strength is insignificant. In Jin Yong's novels, many martial arts required the help of weapons to unleash their greatest power. Experience ranking: Experience is also an important factor in determining the strength of a martial arts. However, martial arts related to experience are often more ancient and not as common as internal energy and moves. The martial arts ranking of Jin Yong's wuxia dramas was a complicated topic. Different readers and audiences might have different opinions. However, no matter which ranking method was used, it would allow readers to better understand the martial arts world in Jin Yong's novels.

Mr. Jin Yong has been writing martial arts novels for decades. He has created many unforgettable classic characters and plots in his novels. However, he was also aware of the changes in the wuxia novel market and the needs of readers. Mr. Jin Yong once said that the wuxia novel market began to decline in the 1980s and 1990s because readers began to pay more attention to other types of literature such as modern novels and detective novels. In addition, Mr. Jin Yong's works have also been adapted into movies and TV series many times, which also affected his enthusiasm for writing martial arts novels. Mr. Jin Yong also realized that his novel had reached a certain bottleneck and it was difficult to create more unique storylines and characters. Therefore, he decided to turn to other fields such as writing essays, novels, scripts, etc. to express his artistic pursuit and creative inspiration. Although Mr. Jin Yong had left the creation of martial arts novels, his works were still deeply loved by readers and became one of the classics of Chinese literature.