I don't know where the love comes from, but how to write it in semi-cursive

The water in semi-cursive script could be represented by the word "water" in semi-cursive script. The word 'water' was formed by three parts: "water","water" and "water". Running script is a variant of regular script of Chinese characters. Its characteristics are smooth, lively and fluid strokes. In the novel, the water in semi-cursive script could be used as names, place names, and item names. It had a certain artistic sense and liveliness.

The full translation of the Love Without Knowing the Origin was: The word "love" above meant that there was a basis for it, and the word "beginning" below meant that it had begun to occur. This sentence came from a famous line in The Peony Pavilion, which described the protagonist's affectionate confession to his lover. This sentence was often used to describe the deep and unstoppable feelings between people.

Love is the same but deep, from the novel "The Peony Pavilion". This novel was a poem written by Bai Juyi, a poet of the Tang Dynasty. It described the scene of the poet gathering with his lover by the Peony Pavilion, expressing the poet's persistence and pursuit of love.

The writing of the word "belt" in semi-cursive was as follows: ``` band ^ $ T E R C O P $ ^ $ ``` The left and right parts of the word "belt","belt" and "moon", respectively, used the basic form of semi-cursive. The left and right structures were the same, and the upper and lower structures were different. They presented the shapes of "wings" and "moon" respectively. At the same time, the middle part used a continuous writing method to form a smooth semi-cursive style.

The following are some classical Chinese sentences that are similar to the phrase "love without knowing where it comes from": Love is deeply attached. 2. How can feelings be so deep when things hurt my heart? Love cannot be limited to the East China Sea. 4. Love is endless. The deep friendship is unfathomable. 6. Love does not last long, and strength is humiliation. 7. I will never forget what I love. 8. Deep and unfathomable love. His deep affection was unfathomable. They were as close as brothers and as deep as blood.

The following are some classical Chinese sentences that are similar to the phrase "love without knowing where it comes from": 1. You can't forget what's important to you. Dream of the Red Chamber My heart is deeply devoted to where it is headed, and I can't go back to where it is headed, and I can't go to where it is headed. Ode to the Red Cliff 3. Love is not related to relatives, but to those who are deeply devoted to it and cannot be measured. Legend of the White Snake 4. When one's emotions are stirred, one's words are lost, and when one's emotions are lost, one's feelings are deeply devoted and cannot be healed. "New Words of the World: Literature" 5. Don't forget what you love and what you care about. The Book of Songs, Guofeng, Zhounan, Guan Ju

The emotion is not caused by one's own will but it grows and deepens with one's action This sentence came from a classic line in The Peony Pavilion, which meant," Love is unpredictable, but once you get into it, it will get deeper and deeper."

The writing of the water character was as follows: ``` water / \ / \ / \ / \ \ \ / \ / \ / \ / \ / \ / \ / / \ / / \ / / \ ``` Each character represented a part of a word. For example, the word "water" was composed of two parts."One" and "water" occupied two empty spaces respectively. This writing method was more flexible. It could be freely combined according to needs or arranged according to certain rules, such as according to the stroke order or according to the order of Pinyin.

Running script was a type of Chinese calligraphy style with a unique artistic charm. Some of his famous running script works include Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Manuscript for the Sacrifice to Nephew, Su Shi's Huangzhou Cold Food Tie, Wang Xun's Boyuan Tie, Yang Ning's Chives Flower Tie, Liu Gongquan's Mengzhao Tie, Ouyang Xun's Zhang Hansi Perch Tie, Mi Fu's Shu Su Tie, Huang Tingjian's Songfeng Pavilion Poetry Tie, and Li Jianzhong's Tumu Tie. These works all displayed the unique styles and techniques of their respective authors and were hailed as classic works of Chinese calligraphy. Among them, the Preface to the Orchid Pavilion was considered Wang Xizhi's masterpiece and was praised as the " world's first semi-cursive script." Other works also had their own characteristics, such as Yan Zhenqing's vigorous and bold, Su Shi's natural and unrestrained, etc. These semi-cursive works not only had an important position in art, but also had a profound impact on later calligraphers.

This feeling was unexpected and lasts for a long time