Tang poetry because of the rhyme wins, so muddy elegant is the Tang Dynasty poet Wang Zhihuan said. Wang Zhihuan (688-?) In the early Tang Dynasty, Han poets were known as "Qingping Music Ci People".
Hello, I'm a fan of online literature. Do you have any questions about the rhyme of the five-character poem? I will do my best to help you.
The rhyme of a poem referred to the different types of rhyme in the poem, such as flat rhyme, upper rhyme, lower rhyme, and lower rhyme. Level-tone rhyme refers to the rhyme of the same syllable in poetry, such as "Shu","Yue","cun","Duan", etc. The upper rhyme refers to the rhyme of the same syllable in the poem, such as "Mei","Jiao","Gan","Xin", etc. Qusheng rhyme refers to the same syllable in the poem with a falling tone, such as "Qian","Yue","Jiao","Wei" and so on. Rusheng rhyme refers to the rhyme of the same syllable in poetry, such as "Qian","Yue","Jiao","Wei", etc. Different rhymes in ancient poetry had different aesthetic and expressive powers, and at the same time, it also helped to enhance the sense of rhythm, rhythm and musicality of the poem.
The evolution and decline of the late Tang poetry as a legendary novel in the Tang Dynasty were mainly manifested in the following aspects: In the late Tang Dynasty, legendary novels gradually became popular. These novels were often based on historical events, folklores, myths, and so on. They were adapted and created to become an important part of the Tang Dynasty literature. Poets in the late Tang Dynasty, such as Wang Zhihuan, Liu Yuxi, and Bai Juyi, created many famous legendary novels. The writing style of the late Tang Dynasty poets also gradually changed. They began to pay more attention to the twists and turns of the plot, the description of the characters, the expression of the language, and the beauty of the rhythm. These characteristics also laid the foundation for the development of later legendary novels. The declining period of the late Tang poetry was also reflected in the spread of the story. At that time, the internet was not developed, and the spread of legendary novels mainly relied on word of mouth and the printing industry, so in the process of circulation, they gradually lost their popularity and influence. In the Song Dynasty, the development of legendary novels began to be influenced by Su Shi, Lu You and other literary masters, and gradually embarked on a more mature and regular literary path. Therefore, the late Tang poetry was the evolution and decline of the legendary novels of the Tang Dynasty. Its rise and development provided an important foundation and enlightenment for the later legendary novels.
This view was incorrect. Other dynasties also had excellent poetry works, but compared to the Tang Dynasty, they might not have as extensive and in-depth influence and spread to later generations as the Tang Dynasty. The Tang Dynasty was the heyday of poetry development, mainly in the following aspects: The poetry creation of the Tang Dynasty had its own unique style and characteristics, such as fresh and natural, vigorous and unconstrained, subtle and graceful, etc. These styles and characteristics had a profound impact on the poetry creation of other dynasties. The art of poetry in the Tang Dynasty reached its peak. For example, the poets, Ci writers, and essayists of the Tang Dynasty not only had a large number of works but also had high quality. Li Bai, Du Fu, Bai Juyi, Wang Zhihuan, Liu Yuxi, etc. were all important figures in the history of literature. The poems of the Tang Dynasty were widely spread. Not only were they highly valued at that time, but they also had a wide spread and influence in later generations. For example, Du Fu's poem "Climbing High" and Bai Juyi's poem "Song of Everlasting Regret" are still praised and appreciated by people. Although other dynasties also had excellent poetry works, compared to the Tang Dynasty, they might not have as extensive and in-depth influence and spread to later generations as the Tang Dynasty.
I have no clue who came up with this quote. It seems to suggest that storytelling is a powerful tool and the quality of the story determines the outcome. Could be in business, art, or any area where communicating through stories matters.
There were many Xianxia themed Tang and Song poems. The following were some of the classics: 1 Li Bai's " Going to Drink " and " Ballad of Lushan Mountain " 2 Du Fu's "Presented to the Eight Chushi of Wei" and "Ascending" 3. Bai Juyi's "Song of Everlasting Regret" and "Farewell to the Ancient Grass" 4. Su Shi's Shuidiao Getou: When Will the Bright Moon Appear and Jiangcheng Zi: Hunting in Mizhou 5 Xin Qiji's "Sapphire Case·Yuanxi" and "Water Dragon Song·Second Rhyme Zhang Xing Zhi Fu Yang Hua Ci" These works all showed the magnificent imagination and romantic feelings of the Xianxia world. They were the classic representatives of Xianxia literature.
Tang poetry and Song poetry were an important branch of Chinese literature history, representing the peak of ancient Chinese literature. Tang poetry and Song Ci had extremely high artistic achievements. Their poetry language was concise, the rhythm was beautiful, and the artistic conception was far-reaching. They often showed strong emotions and philosophical thinking. In the history of China, Tang poetry and Song poetry were regarded as the treasures of literature and art, which had a profound influence on the literature of later generations. The representative works of Tang poetry and Song poetry include Li Bai's "Wine", Du Fu's "Ascending", Su Shi's "Water Melody", Xin Qiji's "Sapphire Case·Yuan Xi" and so on. These works not only have high artistic value in literature, but also have profound historical and social significance, becoming an important part of Chinese culture. The development and inheritance of Tang poetry and Song poetry was not only an important event in the history of Chinese literature, but also an important stage in the history of Chinese culture. Through studying Tang poetry and Song Ci, we can better understand ancient Chinese literature and culture, and feel its profound historical and cultural heritage.
In the Tang Dynasty, Du Fu was known as the Immortal Poet. The person known as the Sage of Poets was the Tang Dynasty poet Bai Juyi.
Chrysanthemum was one of the most important flowers in ancient Chinese culture, known as one of the "Four Gentlemen of Flowers", and one of the common images in ancient Chinese poetry. Chrysanthemum poetry was an important form of literature in the Tang Dynasty. Many famous poets had written poems about chrysanthemums. For example, in the Tang Dynasty poet Du Fu's "Climbing High", there was a famous sentence,"Picking chrysanthemums and leisurely looking at Nanshan under the eastern fence", which expressed the poet's pleasant mood when picking chrysanthemums. In addition, the Tang Dynasty poet Bai Juyi's "Fu De Gu Yuan Cao Farewell" also used chrysanthemums as the theme to express the poet's love for nature. In the Song Dynasty, chrysanthemum poems were even more popular. Many famous poets had excellent works. For example, in the Song Dynasty poet Su Shi's "Ode to the Red Cliff", there was a line: "The halberd sank into the sand, and the iron was not destroyed. If the east wind doesn't go with Zhou Lang, the bronze sparrow will lock up the two Qiao in the deep spring."The famous sentence expressed the poet's longing for history. In addition, in the Song Dynasty poet Lu You's Spring Journey to Qiantang Lake, there was also a poem: " The wild path is black with clouds, and the boat is bright with fire. At night, I send a clear stream to the Three Gorge to miss you, but I don't see you coming down to Yuzhou."The famous poem expressed the poet's love for chrysanthemums during his journey. Chrysanthemum had an important position in ancient Chinese culture. It not only represented elegance and noble quality, but also was a poet's expression of history and nature.
Tang Tang said that the movie was a video program that ridiculed movies. Tang Tang and his friends analyzed the plot, characters, plots, and features of various movies. The program was updated every Friday, covering domestic horror films, Korean revenge films, monster films, and many other types of movies. Tang Tang said that the number of fans of the movie was 3105303, and the number of works was 826. The show was broadcast on Youku Video, and viewers could watch it online.