If he wanted to practice calligraphy, who could recommend a more commonly used running-regular script?

The answer to the question of what content was good for beginners to practice in the running-regular script might vary according to their personal preferences and calligraphy level. But generally speaking, beginners can choose some good structure, beautiful strokes, easy to master the font to practice. The following are some running-regular scripts that might be suitable for beginners to practice: 1. Lishu: Lishu is an ancient font with a beautiful structure and smooth strokes. It is very suitable for writing beautiful emails and letters. Regular script: Regular script is a more formal font structure, and the strokes are strictly regulated. It is one of the basic characters in calligraphy. 3. Semi-cursive: Semi-cursive is a kind of smooth and changing font suitable for fast writing. It is a commonly used font in calligraphy. 4. Cursive script: Cursive script is a very artistic font with bold and unrestrained strokes and unpredictable structure. It is suitable for writing poems, novels, etc. No matter which font you choose, you should start from the basics and gradually increase the difficulty of the practice. At the same time, he could also practice with different characters to enrich his calligraphy style.

The following are a few regular script works suitable for beginners to copy: 1. [Ninety percent Palace Almond Spring Inscription] was one of Ouyang Xun's representative works. Its font was simple and its structure was rigorous, suitable for beginners. 2. The Multi-Pagoda Stele was one of Yan Zhenqing's representative works. The font was neat and suitable for beginners to practice their basic skills. 3. The Mysterious Secret Tower Stele was one of Liu Gongquan's representative works. It was square and suitable for beginners to practice. These works displayed the artistic charm and cultural value of regular script, and were one of the representative works of Chinese calligraphy culture.

There was no fixed answer to the question of which font was suitable for girls because different people had different aesthetic and writing habits. However, it was generally more suitable for girls to practice some elegant handwriting such as regular script, running script, cursive script, official script, etc. These words were more elegant, smooth, and easy to practice. They were also more commonly used in life. In addition, when girls practice calligraphy, they can also consider some personal names and font such as unique cursive, cursive, regular script, etc. These font types are more creative and can reflect personality and talent. However, the most important thing was that the purpose of a girl's calligraphy practice was to improve her writing ability to achieve a beautiful, clean, and clear effect. Therefore, when choosing a font, it should be decided according to her actual situation and preferences.

There were many ways to practice calligraphy, including copying, imitation, and deliberate practice. For those who wanted to write good calligraphy, the temporary post was a more effective learning method. When copying, you can imitate the font, strokes, structure, etc. on the copybook and gradually master the writing skills and rules of Chinese characters to improve your writing level. However, just relying on copybooks could not guarantee that he would be able to write good words. Because the words on the copybook were just some excellent examples, they might not be suitable for his personal writing style and characteristics. Therefore, he needed to constantly practice and explore his own writing style and habits in order to write a font that was really good and suitable for him. Practicing calligraphy required constant practice to achieve better results. At the same time, he also needed to choose a copybook that suited him. He needed to learn from the basic strokes and structure to gradually improve his writing level.

Liu Gongquan's works include Diamond Sutra Stone Carving, Mysterious Tower Stele, Shence Army Stele, Fu Shen, Sixteen Days, Shushe Post, Mengzhao Post, Wang Xianzhi's Pear Post Postscript, etc. These works represented Liu Gongquan's regular script style. The style was rigorous and natural. Among them, the Diamond Sutra Stone Engraving, the Mysterious Secret Pagoda Stele, and the God's Will Army Stele were considered his representative works. In addition, there were also works such as the Purple Silk Invitation from the Orchid Pavilion Extension. Liu Gongquan's regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script.

The Complete Collection of Liu Gongquan's Regular Script Calligraphy included Liu Gongquan's representative work,'Liu Gongquan Stele' and other regular script works. Liu Gongquan was a great calligrapher in the late Tang Dynasty. His regular script style was vigorous and powerful. The structure was stable and the strokes were strong and powerful, giving people a sense of vigor. His regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script. By learning Liu Gongquan's regular script works, one could appreciate the charm of Liu Gongquan's regular script and improve their calligraphy skills. Apart from that, the book also included Liu Gongquan's calligraphy theories and techniques. All in all, Liu Gongquan's Regular Script Calligraphy was an important reference material for learning Liu Gongquan's Regular Script.

Yan Zhenqing's regular script copybook mainly included the following aspects: 1. The structure was square and dense. Yan Zhenqing's regular script copybook was featured by a square structure and a compact font. The overall font presented a rich, vigorous, and majestic style. 2. The strokes were light horizontally and heavy vertically. In Yan Zhenqing's regular script, the horizontal strokes were relatively thin, while the vertical strokes, dots, and strokes were relatively thick, showing the characteristics of light horizontal and heavy vertical strokes. 3. Thick and vigorous strokes: In Yan Zhenqing's regular script copybook, the strokes were strong and powerful, and the ink was thick, giving people a calm and powerful feeling. 4. The knot is wide and broad: In Yan Zhenqing's regular script copybook, the font is wide and broad, the white cloth is even, the font is slightly square, dignified and stable, full of righteousness. 5. Yan Zhenqing had created a unique Yan Style, which was unique in the history of calligraphy. Yan Style had outstanding emotions and spirituality. The thoughts of writing were naturally strange, expressing a rich understanding of life, and the realm of thought was grand and open. In summary, Yan Zhenqing's regular script copybook had the characteristics of a square and dense structure, light strokes, thick strokes, broad strokes, and a unique "Yan Style" style.

In novels, there was usually no mention of whose copybook was better for practicing calligraphy because it was usually not a necessary option. However, if you want to practice regular script, it is recommended to start with the works of calligraphers such as Wang Xizhi, Liu Gongquan, and Zhao Mengfu because their handwriting is considered to be the model of regular script. However, he could also choose the works of his favorite calligrapher according to his own interests and preferences. No matter which calligrapher's work you choose, the most important thing is to persist in practicing and gradually form your own font style.

Choosing which block script was better for practicing calligraphy should depend on one's personal preferences and needs. Different people have different aesthetic views and purposes of practicing calligraphy, so when choosing a copybook, you should choose according to your actual situation. If you want to improve the beauty and overall level of handwriting, you can consider choosing works of calligraphers such as Wang Xizhi and Yan Zhenqing. The works of these calligraphers had unique styles and characteristics. When practicing calligraphy, one could learn their writing skills and aesthetic views. If you want to practice regular script to improve your writing ability, you can consider choosing some famous literary works such as Dream of the Red Chamber, Romance of the Three Kingdoms, etc. These works have high literary value and historical value. The words and phrases can help improve one's language and writing ability. The choice of whose block script was better for practicing calligraphy should be based on one's own needs and preferences. At the same time, one should also learn the calligraphy skills and aesthetic views of calligraphers to improve their handwriting.

The best regular script in the world was written by Ouyang Xun, a calligrapher of the Tang Dynasty. It was called the "Ninety percent Palace of Liquan Inscription". The world's best semi-cursive script was written by Wang Xizhi, a calligrapher of the Song Dynasty. It was called the Preface to Lanting Collection. However, these rankings were not absolute because the charm of calligraphy could not be measured by rankings. Different calligraphy styles had their own unique charm. Everyone could choose a calligraphy work that suited them according to their own preferences and aesthetics.