The dramatic conflict in Thunderstorm is an important means to reveal the theme of the work. What were the contradictions in the text?

Thunderstorm is a famous play in the history of modern Chinese literature. Its dramatic conflicts include many tragic contents. The most tragic conflict was the hatred and entanglement between families. The drama mainly talked about the relationships between Lei Lei, Zhou Puyuan, Lu Dahai and other family members, which involved the inheritance rights, marriage, teacher-student relationship and other complicated interpersonal relationships between families. The contradictions and conflicts between these relationships made the relationship between the family members increasingly tense, which eventually led to the occurrence of tragedies. In addition, the characters in " Thunderstorm " were full of tragedy. Among them, Lei Lei was a typical member of a feudal family. Her identity and status determined that she could not pursue freedom and equality. Her life was full of restrictions and restraints. Zhou Puyuan was a typical representative of the capitalist class. His pursuit and ideals conflicted with the interests of the feudal family, which eventually led to his tragic fate. To sum up, the dramatic conflicts in Thunderstorm included the hatred and entanglement between families, the tragic characters, and the contradictions and conflicts between family members. It showed the audience a story of a feudal family full of contradictions and conflicts, which deeply reflected the reality of Chinese society at that time.

Thunderstorm was a classic work in the history of modern Chinese literature. It mainly narrated the contradictions and conflicts in the relationship between men and women, power struggle and moral concepts in a feudal family. The following are the main contradictions between the characters in Thunderstorm: 1. The contradiction between families: As the family members of this feudal family, different people had different views and values. Their different views and attitudes towards the family, feudal ethics, family responsibilities and other issues led to misunderstandings and conflicts between each other. 2. The contradiction between the relationship between men and women: There are complicated relationships between men and women between several main characters in the novel, including the relationship between the mistress and children, and the emotional entanglement between the male and female masters. These contradictions lead to the deterioration of the relationship between the characters. 3. The contradiction between power struggles: In this feudal family, there were problems of power struggles between different figures, including the competition between the matriarch and her children, the father and his brothers and sisters. These contradictions led to chaos and tension within the family. 4. The contradiction between moral values: In the novel, there are also contradictions between the moral values and values of different characters, including the differences between the mother and children, the father and the brothers and sisters. These contradictions lead to contradictions and conflicts between the characters. Through the complicated and profound relationships and contradictions between the characters, Thunderstorm showed the internal structure of a feudal family and the deep problems of human nature, which had a profound impact on the history of modern Chinese literature.

Thunderstorm is a classic of modern Chinese literature. There are many contradictions in the text, and the most essential contradiction is the contradiction within the family. Two of the most significant aspects were: 1. The contradiction of family relationships: In the novel, the family relationship between the Umbrella Family, especially the Umbrella Husband and Fang Hongjian, was very tense. The umbrella husband was eccentric and liked to control everything in the family. As the son of the umbrella wife, Fang Hongjian had a strong conflict with his father. 2. The contradiction between love and marriage: The emotional entanglement between Fang Hongjian and Meimei in the novel is also very complicated. The feelings between them were not pure love, but a kind of impure emotion that was related to Fang Hongjian's marital status. These contradictions and conflicts reflected some of the real problems in Chinese society at that time, such as the changes in family structure, the changes in the concept of marriage, and the division of social classes. The characters and plots in the novel deeply reflected these social reality.

In Thunderstorm, there was a series of conflicts surrounding the character Zhou Puyuan. The main conflict was his relationship with his daughter Zhou Ting. The relationship between Zhou Puyuan and Zhou Ting was a complicated problem that involved family, marriage, love, kinship, and many other aspects. In the novel, Zhou Puyuan tried to control everything in the family, including marriage and property, but he was conceited about his success and status and often lost his temper and blamed his wife and daughter. In addition, the emotional conflict between Zhou Puyuan and his daughter Zhou Ting is also one of the main focuses of the novel. There is a deep misunderstanding and contradiction between them. As the protagonist of the novel, Zhou Puyuan's image was full of contradictions and conflicts, which laid the foundation for the development of the plot and promoted the climax of the story.

" Thunderstorm " was a classic in the history of modern Chinese literature. It was mainly about the power struggle and marriage disputes within a family. The following are the main contradictions between the characters in the work: 1. The conflicts between the families: There were complicated emotional entanglements and conflicts of interest among the members of the Thunderstorm family. They fought constantly for the power and interests of the family. 2. The contradiction between men and women: In the novel, there is a deep emotional contradiction between Cao Yifang, the young lady of the Cao family, and her fiancé, Zhou Puyuan. At the same time, there is also the pressure of family and social public opinion. The contradiction between different social classes: The Cao family and the Zhou family were both wealthy capitalist families, but the class difference between them led to contradictions and conflicts between different families. 4. The contradictions between people: Each character in the novel has their own contradictions and problems, such as Zhou Puyuan's psychological problems, Cao Yifang's marital problems, etc. These contradictions interweaved together to form the complicated and profound plot structure of Thunderstorm.

Thunderstorm was Cao Yu's work.

Thunderstorm was a famous novel in modern China. Below is an extract from the full text of the novel: chapter one (Xia Yuhe is feeding pigeons in the park. Xia Yufeng walks over.) Xia Yufeng: Hi Xia Yuhe, why are you here? Xia Yuhe: I came here for a walk after feeding the pigeons. Xia Yufeng: Oh, then I'm leaving. (Xia Yufeng turned around and left) Xia Yuhe:(Talking to herself) She said she would wait for him after he left, but it seems impossible. (She looked at the pigeon in her hand and thought of Xia Yufeng.) chapter two (Xia Yuhe is waiting for Xia Yufeng in a cafe.) Xia Yufeng finally arrived. He wore a black suit and looked very mature. Xia Yuhe: You're here. Xia Yufeng: "I've been gone for the whole night and I'm finally here." Xia Yuhe: Have you been waiting here for a long time? Xia Yufeng: Yeah, I've been waiting for her to contact me. Xia Yuhe: Who was it? Xia Yufeng: Xia Yuhe is my girlfriend. Xia Yuhe: Oh, I see. (Xia Yufeng handed Xia Yuhe a business card.) chapter three (Xia Yuhe looked at the business card and hesitated.) Xia Yufeng: Do you need this business card? Xia Yuhe: Yes, I need to think about it. Xia Yufeng: It's okay. If you need it, I can give it to you. (Xia Yuhe hesitated for a moment while holding the business card.) chapter four (Xia Yufeng is waiting for Xia Yuhe in the cafe) Xia Yuhe finally arrived. She was wearing a white dress and looked very fresh. Xia Yufeng: You're here. Xia Yuhe: I still need to think about it. Xia Yufeng: It's okay. If you need it, I can give it to you. (Xia Yuhe hesitated for a moment while holding the business card.) Chapter Five (Xia Yuhe is feeding pigeons in the park. Xia Yufeng walks over.) Xia Yufeng: Hi Xia Yuhe, why are you here? Xia Yuhe: I came here for a walk after feeding the pigeons. Xia Yufeng: Oh, then I'm leaving. (Xia Yufeng turned around and left) Xia Yuhe:(Talking to herself) She said she would wait for him after he left, but it seems impossible.

The contents of the play Thunderstorm were as follows: Thunderstorm was a classic of modern Chinese drama, written by Cao Yu in 1934. The drama tells the life of a family of four, including marriage, family, love, friendship and other topics. The main plot of the play takes place in Shanghai in the 1920s. The protagonist, Lu Dahai, was a young and promising businessman. He and his wife, Yang Yun, were in love, but his wife and children were dissatisfied with him and had a fierce conflict. In the end, Lu Dahai and his family were forced to leave Shanghai and return to their hometown. In the play, Lu Dahai was a complicated character. He had both business acumen and deep emotions. His attitude towards his wife and children was different. Sometimes he was indifferent and sometimes he was very caring. At the same time, he was also a contradictory figure, wavering between family and business, which eventually led to his own tragedy. Through Yang Yun's perspective, the play showed a family full of contradictions and conflicts. Yang Yun was a woman who loved her husband and family deeply, but her actions and decisions often led to the outbreak of family conflicts. At the same time, she was also a complicated character. She had responsibilities for her family and her own pursuits and dreams. Thunderstorm is a play full of humanity and emotion. Its plot and characters are deeply rooted in people's hearts, which has a profound impact on the development of modern Chinese drama.

Thunderstorm was a classic work in the history of modern Chinese literature and was regarded as one of the foundational works of modern Chinese novels. Although Thunderstorm is an excellent literary work, there are some shortcomings as follows: 1. The characters in the novel are not three-dimensional enough. The characters in the novel are relatively simple and lack depth and three-dimensional sense. Although there are many characters in the novel, their personalities and fates are relatively simple, lacking in variety and complexity, which may make readers feel that the characters are not realistic enough. 2. Incomplete plot structure: The plot of the novel is relatively complicated, but there are some missing or incomplete plots. For example, there were some contradictions and suspense at the end of the novel, but the specific ending had not been clearly explained. 3. There are some problems with the language: the language of the novel is relatively concise and sometimes lacks cohesion and fluency. In addition, some of the descriptions and comparisons in the novel may be too exaggerated or too straightforward, which may make some readers feel uncomfortable. 4. There are some limitations to the expression of the theme: the theme of the novel involves some sensitive and controversial topics such as gender, marriage and power. Although the novel attempts to express some profound topics through this story, some topics may not be suitable for discussion in public, which may affect the audience of the novel. Although Thunderstorm is an excellent literary work, it still has some shortcomings. These shortcomings might affect the readers 'understanding and appreciation of the novel.

The contradiction of " Reborn Beauty " was that the female protagonist lived two lives again and was kept in the dark. The contradiction of " The Great Reversal of Love: Please Take This, The School Hunk " was that the relationship between the male and female protagonists was awkward at the beginning, and the male protagonist's cold attitude towards the female protagonist. The contradiction of " The Woman Who Wants to Be Beautiful Alone " was that the female protagonist faced the dilemma of becoming a stumbling block in the rebirth story. The contradiction of " Rebirth of 80 Little Wealth Wife " was that the female protagonist lost her family and wealth after being sold into the mountains and forests by her best friend.