I'm not sure which novel you're referring to because you didn't provide any context or relevant information. If you can provide more information or specify the name of the work, I will try my best to provide you with a more accurate answer.
There were several reasons why Maoni stopped writing novels. First of all, he felt that he was not good at constructing a world, and web novelists usually constructed the entire world instead of just writing a story. Secondly, he didn't like a world that didn't change. He wanted to change it. In addition, reality was also a factor to consider. He was already of an age that did not allow him to write long novels. Maoni's plans for the future included exercising his body, making the movie " Spike " into a movie, and making movies. In short, Maoni stopped writing long novels because he felt that he was not good at constructing a world. He wanted to make some changes, and practical reasons were also a consideration.
At present, there was no concrete information on why Geng Burang stopped writing novels. Although he had said that he would have a new book after his god-like work,"The Return of the Common People," ended in December 2018, he had yet to see any new works. There were speculations that he might have been affected by the physical damage caused by his writing, the influence of the update team on the author, and the dissatisfaction of readers with the endings of his previous characters. However, these were just guesses. There was no conclusive evidence to explain why Geng Burang stopped writing novels.
Shakespeare was a man of the theater. His works were meant to be seen and heard, not read in the way novels are. The Elizabethan era had a rich theater culture. He was writing for specific acting companies and the needs of the stage. Novels require a different kind of pacing and description, and Shakespeare's skills were more attuned to the dynamic and visual nature of plays.
Well, during Shakespeare's time, the popularity and demand for plays were much higher than novels. Also, the cultural and literary context might not have encouraged him to venture into novel-writing.
Celestial Bane originally planned to write a sequel, but after the author Xiao Ding finished the first draft, he expressed that he was not satisfied with the ending of the novel, so he decided not to write a sequel. Xiao Ding had once said in an interview that he wanted to express a deep emotion in the ending of Celestial Bane, which was the exploration and thinking of life and fate. He believed that the ending of the novel should be more complete and rich, rather than simply continuing the previous story. In addition, Celestial Bane novels had many story clues, and it would take a certain amount of time and effort to continue writing. Xiao Ding indicated that he had already put aside the idea of continuing to write for a period of time, intending to reconsider and complete a new Celestial Slaying Story.
There were many mythical stories in the ancient times, but for various reasons, these stories were gradually forgotten or omitted. The following are some of the possible reasons for this: 1. Restrictions on historical records: In ancient times, it was difficult for people to record and preserve many historical events and figures that had nothing to do with them. Mythical stories from the ancient times might not have been recorded because of the long time or because they could not be verified. 2. Cultural change: As time goes by, people's culture and thoughts have changed. Some of the myths and legends from the ancient times might be gradually omitted or forgotten as time passed and people thought that they did not conform to modern values and cultural concepts. 3. The influence of religious belief: In religious culture, some myths and legends are regarded as part of religious belief. If these stories conflicted with certain religious beliefs, they might be abandoned or omitted. 4. Commercial interests: Some choose not to write about ancient myths and legends but write about other more popular topics. In short, there were many reasons why the myths of the ancient times were not recorded, including the limitations of historical records, cultural changes, the influence of religious beliefs, and commercial interests.
Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.
Maoni no longer wrote long novels, but turned to writing short and medium-length works. He thought that he was not good at constructing worlds and characters, and that short stories could better show stories and characters. Although he no longer wrote novels, he did not explicitly state that he would not write novels anymore. He might continue to write, but he might turn to other types or forms of work. The details of whether or not he would write a book and when he would start writing a new book were not mentioned in the search results provided. Therefore, it was impossible to determine why the cat was not written.
Old Nine Gates was one of the novels in the Grave Robber's Chronicles series written by the third uncle of the Southern faction. Because the story of Grave Robber's Chronicles had not ended, the novel of Old Nine Gates had not been continued.
Baiqi was the military commander of the Qin Kingdom during the Warring States Period. He was hailed as one of the greatest military generals in Chinese history. He led the Qin army to defeat the armies of the six countries many times and became a famous military strategist and commander in Chinese history. However, there was no conclusive evidence as to whether or not Baiqi had written a military book. Although Baiqi was a famous military general in Chinese history, it was not confirmed whether his military book was left behind. Some of the documents only mentioned Baiqi's art of command and his experience in war, not his military books. One of the possible reasons was that Baiqi's experience and art of command were only shown through actual battles and not through books. Military books were passed down through military education and practice rather than through personal experience. In addition, Baiqi's position in Chinese history was extremely important. His military achievements and contributions were widely recognized. Therefore, his military books might not have been recorded in history, or there might not be any conclusive evidence.