Why didn't the woman in the mountains write a novel later?

There were several reasons why Maoni stopped writing novels. First of all, he felt that he was not good at constructing a world, and web novelists usually constructed the entire world instead of just writing a story. Secondly, he didn't like a world that didn't change. He wanted to change it. In addition, reality was also a factor to consider. He was already of an age that did not allow him to write long novels. Maoni's plans for the future included exercising his body, making the movie " Spike " into a movie, and making movies. In short, Maoni stopped writing long novels because he felt that he was not good at constructing a world. He wanted to make some changes, and practical reasons were also a consideration.

My answer may not be completely accurate. I haven't heard of Celestial Bane 2, but Celestial Bane is a classic novel and many readers like it. As for Sanxibei, he might be one, but I don't know if he has already written Jade Dynasty 2. If I can provide more information, I will try my best to answer your questions.

At present, there was no concrete information on why Geng Burang stopped writing novels. Although he had said that he would have a new book after his god-like work,"The Return of the Common People," ended in December 2018, he had yet to see any new works. There were speculations that he might have been affected by the physical damage caused by his writing, the influence of the update team on the author, and the dissatisfaction of readers with the endings of his previous characters. However, these were just guesses. There was no conclusive evidence to explain why Geng Burang stopped writing novels.

Shakespeare was a man of the theater. His works were meant to be seen and heard, not read in the way novels are. The Elizabethan era had a rich theater culture. He was writing for specific acting companies and the needs of the stage. Novels require a different kind of pacing and description, and Shakespeare's skills were more attuned to the dynamic and visual nature of plays.

Well, during Shakespeare's time, the popularity and demand for plays were much higher than novels. Also, the cultural and literary context might not have encouraged him to venture into novel-writing.

Celestial Bane originally planned to write a sequel, but after the author Xiao Ding finished the first draft, he expressed that he was not satisfied with the ending of the novel, so he decided not to write a sequel. Xiao Ding had once said in an interview that he wanted to express a deep emotion in the ending of Celestial Bane, which was the exploration and thinking of life and fate. He believed that the ending of the novel should be more complete and rich, rather than simply continuing the previous story. In addition, Celestial Bane novels had many story clues, and it would take a certain amount of time and effort to continue writing. Xiao Ding indicated that he had already put aside the idea of continuing to write for a period of time, intending to reconsider and complete a new Celestial Slaying Story.

There were many mythical stories in the ancient times, but for various reasons, these stories were gradually forgotten or omitted. The following are some of the possible reasons for this: 1. Restrictions on historical records: In ancient times, it was difficult for people to record and preserve many historical events and figures that had nothing to do with them. Mythical stories from the ancient times might not have been recorded because of the long time or because they could not be verified. 2. Cultural change: As time goes by, people's culture and thoughts have changed. Some of the myths and legends from the ancient times might be gradually omitted or forgotten as time passed and people thought that they did not conform to modern values and cultural concepts. 3. The influence of religious belief: In religious culture, some myths and legends are regarded as part of religious belief. If these stories conflicted with certain religious beliefs, they might be abandoned or omitted. 4. Commercial interests: Some choose not to write about ancient myths and legends but write about other more popular topics. In short, there were many reasons why the myths of the ancient times were not recorded, including the limitations of historical records, cultural changes, the influence of religious beliefs, and commercial interests.

Writing novels about firefighters is a very interesting topic because firefighters play a very important role in our lives. However, because being a firefighter is a very dangerous profession, writing novels about firefighters may face some challenges. Writing a novel about a firefighter requires sufficient detail to make the reader feel that the job of a firefighter is dangerous and requires a certain level of skill and knowledge. These details could include the firefighter's work processes, their training and equipment, and how they would respond in an emergency. Writing a novel about a firefighter needed to provide enough plot to attract the reader's interest. These scenarios can include various types of emergencies such as fires, explosions, chemical leaks, etc., as well as the challenges and difficulties faced by firefighters in dealing with these emergencies. Writing a novel about firefighters also needed to provide enough emotional elements to attract the reader's emotional resonance. These emotional elements could include the firefighter's family, friends, and colleagues, as well as the psychological pressure and sense of accomplishment they faced when dealing with emergencies. Firefighter was a very dangerous profession, so novels about firefighters needed to provide enough details, plot, and emotional elements to attract readers 'interest and make them feel the importance of this profession.

Anti-Qing and Ming novels had a relatively small audience, but it wasn't as if they didn't exist. This kind of novel usually involved historical, political, emotional, and other factors. It required the reader to have a certain amount of historical knowledge and cultural background. At the same time, this kind of novel also had a certain degree of challenge. The author needed to put in a lot of effort in the plot, character creation, and story development. To write a novel about the rebellion against the Qing Dynasty and the restoration of the Ming Dynasty, the author needed to have strong writing ability and creativity, as well as a deep understanding of the historical and cultural background. If the author could skillfully use the historical background and characters to create a novel with a compact plot, deep character descriptions, and fascinating story, it might gain a higher reader evaluation and reputation. Of course, it was not an easy task to write a novel about anti-Qing and reviving the Ming Dynasty. It required the author to invest a lot of time and energy in research and creation. If an author was interested in writing this kind of novel, he could start by understanding the historical and cultural background to accumulate relevant experience and continuously improve his writing level.

Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.