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Along the River During the Qingming Festival was a masterpiece of painting in the Song Dynasty and one of the classics in the history of ancient Chinese painting. The painting depicted the bustling life of Bianjing (today's Kaifeng City, Henan Province) during the Northern Song Dynasty. It was one of the most representative works of ancient Chinese painting. Along the River During the Qingming Festival was painted by the Northern Song Dynasty painter Zhang Zeduan around 1086 AD. The painting was about 528 meters long and 0.25 meters high. It depicted the streets, houses, bridges, rivers, boats, pedestrians, and the bustling city life around Bianjing. The vivid figures, costumes, utensils, buildings, and other details in the painting were very detailed, showing the social style and cultural characteristics of the Northern Song Dynasty. The Along the River During the Qingming Festival was hailed as a classic in the history of Chinese painting. Not only did it have high artistic value, but it also had important historical, cultural and artistic value. It was hailed as a miracle in the history of Chinese art. It was also one of the most precious cultural heritages in China.

Along the River During the Qingming Festival was a masterpiece of the Song Dynasty and a classic of ancient Chinese painting. This painting depicted the bustling scene of the city in Bianjing, Tokyo (now Kaifeng City, Henan Province) during the Northern Song Dynasty. It showed the vivid scenes of social life, commerce, culture, customs and so on. Along the River During the Qingming Festival was painted by the Northern Song Dynasty painter Zhang Zeduan between 1086 and 1094. This painting used traditional landscape painting techniques to portray the prosperity of Bianjing in a realistic manner. The center of the picture was Tokyo City in the center of Bianjing City. It included bustling markets, streets, bridges, buildings, vehicles, ships, and other elements, as well as a large number of people, animals, and details. Along the River During the Qingming Festival was a classic painting of ancient China. It had high artistic and cultural value and was known as the "national treasure" of ancient Chinese painting and calligraphy. It is also one of the important representatives of Chinese culture and art. It has important reference value for studying ancient Chinese society, economy, culture and other aspects.

Along the River During the Qingming Festival was a long scroll painting by Zhang Zeduan, a painter from the Northern Song Dynasty. It was also a classic in the history of ancient Chinese painting. The painting depicted the bustling life scene of Bianjing in Tokyo (now Kaifeng City, Henan Province) during the Northern Song Dynasty, including streets, bridges, houses, boats, merchants, pedestrians, and other details. The painting style of Along the River During the Qingming Festival was simple, bright, colorful, and harmonious. It used realistic techniques to show the vivid scenes of the prosperity of the urban economy and the lives of the people during the Northern Song Dynasty. The painting was hailed as a miracle in the history of Chinese painting and one of the precious heritages in the treasure house of ancient Chinese culture and art. Apart from its artistic value, Along the River During the Qingming Festival also had important historical and cultural values. It was an important material for studying the society, economy, and culture of the Northern Song Dynasty. It was also an important reference for understanding the economy, social life, and cultural inheritance of ancient Chinese cities.

The plot of Along the River During the Qingming Festival in the second game of the Antiques Bureau was real. Along the River During the Qingming Festival was a long scroll drawn by the painter Zhang Zeduan during the Northern Song Dynasty. It was a very important historical scroll. The scroll depicted the social style, commercial prosperity, and population movement of Bianjing in Tokyo (now Kaifeng City, Henan Province) during the Northern Song Dynasty. It was an important material for studying the economy, culture, and social life of ancient China. In the second game of the Antiques Bureau, the protagonist Xu Jin found some details and clues in the painting that could help them solve the truth of the case. These clues and details, including the expressions, movements, clothing, and transportation of the characters in the painting, could all be real. Therefore, it can be said that the plot of Along the River During the Qingming Festival in Bureau 2 of the Antiques Bureau is based on historical facts, and the painting drawn by Zhang Zeduan is also real. It has important historical value for us to understand the social life and culture of ancient China.

Along the River During the Qingming Festival was a long scroll drawn by the painter Zhang Zeduan during the Northern Song Dynasty. It was also one of the masterpieces of ancient Chinese painting. The painting depicted the bustling scene of Bianjing in Tokyo (now Kaifeng City in Henan Province) during the Northern Song Dynasty, including busy streets, markets, bridges, rivers, houses, boats and other details. Along the River During the Qingming Festival was hailed as a classic in the history of Chinese painting. It not only had artistic value, but also had high historical, cultural, and folk values. The painting depicted the bustling scene of Bianjing in Tokyo (now Kaifeng City, Henan Province) during the Northern Song Dynasty. It reflected the social style, living customs, and cultural traditions of that time. It had important reference value for studying the social life, economy, and culture of ancient China. The collection and exhibition of Along the River During the Qingming Festival were widely circulated around the world. It was one of the important representatives of Chinese traditional culture.

"Along the River During the Qingming Festival" was a long scroll drawn by Zhang Zeduan, a painter of the Northern Song Dynasty in China. It depicted the bustling life scene of Bianjing, Tokyo (today's Kaifeng City, Henan Province) during the Northern Song Dynasty. This painting was hailed as a classic in the history of Chinese painting and one of the most important works of ancient Chinese painting and calligraphy. With the city life as the theme, the Painting of Along the River During Qingming Festival showed the social style and people's life in the Northern Song Dynasty by depicting the buildings, streets, population, vehicles, commerce, food, culture and entertainment of Bianjing. The composition of the picture was rigorous, the colors were bright, and the contrast was strong. The details of the characters 'clothing, props, and vehicles were described very well, with extremely high artistic value. Along the River During the Qingming Festival used traditional painting techniques, including perspective, light and shadow, lines, and color. At the same time, it combined the perspective and shadow techniques of Western painting to form a unique painting style. In addition, the painting also had a high historical value. It depicted the social style and people's lives in the Northern Song Dynasty. It had important reference value for studying ancient Chinese society, culture, economy, art and other aspects. Along the River During the Qingming Festival was a work of extremely high artistic and historical value. It was a classic in the history of Chinese painting and one of the most important works of ancient Chinese painting and calligraphy.

Along the River During the Qingming Festival is a masterpiece of Chinese painting in the Song Dynasty. It depicted the bustling scene of Bianjing (now Kaifeng City, Henan Province) during the Northern Song Dynasty. The painting was painted during the Xuanhe period of the Northern Song Dynasty (998-1007) and has been preserved to this day as one of the treasures of ancient Chinese painting art. Therefore, the painting of Along the River during Qingming Festival was from the Northern Song Dynasty.

Along the River During the Qingming Festival was a masterpiece of painting in the Song Dynasty and a classic in the history of ancient Chinese painting. It was a long scroll painting with real historical events as the theme, depicting the bustling life scene of Bianjing in Tokyo during the Northern Song Dynasty (now Kaifeng City, Henan Province). Along the River During Qingming Festival was painted by the Northern Song Dynasty painter Zhang Zeduan between 1086 and 1089. The scroll was 528 meters long and 0.25 meters high. It showed the bustling life scene of Bianjing in Tokyo at that time, including streets, houses, vehicles, people, objects and other details. In this painting, we can see busy markets, busy streets, tall houses, distinctive buildings, various means of transportation, and many people. It vividly shows the social style and people's lives in the Northern Song Dynasty. Along the River During the Qingming Festival was hailed as a classic in the history of Chinese painting. It not only had artistic value, but also had important historical value. It was an important material for studying the social life, economy and culture of ancient China.

"Along the River During the Qingming Festival" was a long scroll painting by Zhang Zeduan, a painter of the Northern Song Dynasty in China. It depicted the bustling life scene in Bianjing, Tokyo (today's Kaifeng City, Henan Province) during the Northern Song Dynasty. This painting reflected the economy, culture, society and other aspects of the Northern Song Dynasty, including the following aspects: 1. The geographical location and economic situation of Bianjing in Tokyo: From the painting, it can be seen that the geographical location of Bianjing in Tokyo was very important. It was the political and cultural center of the Northern Song Dynasty. At the same time, it also reflected the economic situation of Bianjing at that time, including commerce, craftsmanship, agriculture and so on. 2. Scenes of bustling life in the marketplace: This painting depicted a large number of bustling scenes in the marketplace, including pedestrians, vehicles, streets, markets, teahouses, taverns, houses, buildings, etc. It reflected the social style and people's lives in the Northern Song Dynasty. 3. Goods and trade: Various goods and trade scenes can be seen in the painting, including cloth, silk, porcelain, tea, gold and silver, weapons, etc., reflecting the commercial prosperity of Bianjing at that time. 4. Culture and art: The painting also depicted some cultural and artistic scenes, including music, dance, drama, painting, etc., which reflected the cultural and artistic level of the Northern Song Dynasty. Along the River During the Qingming Festival is a very important historical scroll. It shows the society, economy, culture and other information of the Northern Song Dynasty. It has important reference value for us to understand the social style and people's lives at that time.

Along the River During the Qingming Festival was a large-scale painting of social customs drawn by Zhang Zeduan, a painter of the Northern Song Dynasty. It was hailed as a classic in the history of Chinese painting. The painting was based on the bustling life scene of Bianjing in Tokyo (now Kaifeng City, Henan Province) in the Northern Song Dynasty. It depicted the busy market, streets, bridges, houses, ships and other details, as well as people's daily life, business activities, political and political situations. It had high historical, cultural and artistic value. Scholars of the past dynasties had different evaluations of the painting, but they generally regarded it as a classic in the history of Chinese painting. It not only had artistic value but also had high historical value. Among them, the Tang Dynasty painter Wang Wei once commented: "The sunset clouds and the lonely ducks fly together in the autumn water, and the sky is the same color." Zhang Zeduan, a painter of the Northern Song Dynasty, painted it as a scene of "bustling and densely populated merchants crossing ships", which was praised as "a miracle in the history of Chinese painting". Along the River During the Qingming Festival was one of the treasures in the history of Chinese culture and art. Its artistic value and historical value had been widely recognized and praised.