The representative works of Tianmen folk songs

The period of Wei, Jin, Southern and Northern Dynasties was an important period in the history of Chinese literature. The poetry creation in this period showed a unique style and characteristics. Folk songs were an important part of this period. The representative works include the following: 1 "Ascending"-Ge Hong The wind is strong, the sky is high, the apes howl, the white birds fly back to the clear sand of the mournful island. Endless trees fall and the endless Yangtze River rolls down. I'm always a guest in autumn, sad for thousands of miles. I've been sick for a hundred years, and I'm alone on the stage. I'm in trouble, bitter resentment, frosty hair, downcast hair, I've just stopped drinking. The Peach Blossom Spring-Tao Yuanming Sunset clouds and lone ducks fly together in autumn water, sharing the same color in the sky. Fisherman's boat sings in the evening, the sound of the wild geese on the shore of Pengli is broken, and the sound of the wild geese in the cold is broken by the water of Hengyang. 3 Peacock Flying Southeast-Jiao Zhongqing The peacock flew southeast for five miles and lingered. The peacock flies southeast, tears, tears, tears. Two tears meet and one tears send to umbrella. 4 "Difficult Road"-Li Bai A bucket of wine in a golden cup costs ten thousand dollars, and a jade plate worth ten thousand dollars. I stopped drinking, threw down my chopsticks, couldn't eat, pulled out my sword, looked around, and felt lost. I want to cross the Yellow River, the frozen river will climb the Taihang Mountains full of snow. When I'm free, I go fishing on the green stream. Suddenly I take a boat and dream of the sun. It was difficult to travel! It was difficult to travel! Where are the many forks now? The wind and waves will sometimes hang the clouds and sail across the sea. These folk songs had profound thoughts and unique artistic expressions. They were widely praised in the literary and artistic circles at that time and had a profound impact on later poetry and literature.

There are many folk songs in ancient Chinese literature, such as the Book of Songs, the Songs of Chu, and the Nineteen Ancient Poems. These folk songs reflect the lives and feelings of the ancient Chinese people, with profound cultural and artistic value. The Book of Songs was one of the classics of ancient Chinese literature. It was known as an important document after the Book of Songs and before the quintessence of the country. It contains the representative works of Chinese folk songs for more than 3,000 years and is an important part of ancient Chinese culture. There are many folk songs in the Book of Songs, such as Guan Ju, Picking Wei, Farewell to Ancient Grass, etc. These folk songs describe the life and feelings of the ancient Chinese people, expressing their love and pursuit of nature and love. The Songs of Chu was an important literary work in the history of Chinese literature and also one of the representative works of Chinese folk songs. There were many folk songs in Chu Ci, such as Li Sao and Jiu Bian, which reflected the lives and feelings of the people of Chu in ancient times and showed their yearning and pursuit of freedom and love. The Nineteen Ancient Poems was a short essay in the history of ancient Chinese literature and one of the representative works of Chinese folk songs. Each poem is a folk song, such as "Meditation in a Quiet Night","Ballad of Lushan Mountain","Difficult Journey", etc. These folk songs describe the life and feelings of the ancient Chinese people, expressing their love and pursuit of nature and love. The folk songs in ancient Chinese literature are an important part of Chinese literature. They not only reflect the lives and feelings of the ancient Chinese people, but also show their yearning and pursuit of freedom and love, which has a profound impact on the literary creation of later generations.

Jingchu folk songs refer to the folk songs in Hubei, Hunan, Sichuan and other provinces of Hubei and Hunan with rich local characteristics and cultural content. Jingchu folk songs can be divided into the following types: 1 Nanyin Chudiao: Nanyin refers to Guangdong music, Chudiao refers to the tune of Hubei folk songs. Nanyin Chudiao is similar to the tune of Hubei folk songs. It has distinctive local characteristics and is an important part of Jingchu folk songs. 2. Xiangchu love songs: Xiangchu love songs refer to the love songs of Hunan and Hubei, which have strong local characteristics and emotional colors. These love songs often used vivid metaphor and symbolism to express love, which had a high artistic value. 3. Chu folk songs: Chu folk songs refer to the folk songs in Hubei Province that have rich Chu cultural and regional characteristics. These folk songs appeared in the form of narration, lyricism, discussion, etc. They often used the literary forms and images of Chu Ci, which had very high literary and artistic value. 4. Western Hubei folk songs: Western Hubei folk songs refer to the folk songs in western Hubei with rich local characteristics and cultural implications. These folk songs expressed nature and life as the theme, often using figurative metaphor and ballad-like narrative methods, which had a very high musical and literary value. Chuanchu folk songs: Chuanchu folk songs refer to the folk songs of Sichuan and Hubei that have rich local characteristics and cultural implications. These folk songs appeared in the form of narration, lyricism, description, etc. They often used the dialect and literary forms of Sichuan and Hubei, and had a very high musical and literary quality.

Jingchu folk song is a local folk song in the Hubei Province of Hubei and its surrounding areas. It is one of the important folk song schools in southern China. Jingchu folk songs reflect the history, culture and social life of Hubei with its unique tone, rhythm and expression, with strong local characteristics and cultural heritage. The content of Jingchu folk songs was very rich, including but not limited to the following aspects: 1. Narrated folk songs: There are many narrated songs in Jingchu folk songs, such as Yellow Crane Tower and Oil Man monopolizing the Courtesan Belle, which describe the plots and characters in local folktales and are full of strong human feelings and life. 2. Sacrificial folk songs: There are many sacrificial activities in Jingchu area, such as the Spring Festival Sacrifice, Qingming Festival Sacrifice, Dragon Boat Festival Sacrifice, etc. Therefore, many sacrificial folk songs such as "Bao Gong Song" and "Qu Yuan Song" express the local people's admiration and memory of historical and cultural celebrities. 3. Living folk songs: There are also many songs that reflect the local social life in Jingchu folk songs, such as "Firewood Song" and "Cloth Selling Song", which describe the daily life and labor scenes of the local people. Love folk songs: Jingchu folk songs also have many songs that express love, such as "Lang Tao Sha","Send You Away", etc. Through these songs, Jingchu people express their love and pursuit of love. Jingchu folk songs are an important part of the culture of Jingchu area. Their rich and colorful contents and forms of expression reflect the production and life of the local people, history, culture and values, with extremely high artistic value and cultural content.

The four great masters of Yuan opera referred to the opera of Yuan Dynasty, Ma Zhiyuan, Bai Pu and Zheng Guangzu. Their representative works include: 1 (1230-1306): His representative works include "The Butterfly Dream","The West Chamber","A Chinese Ghost Story", etc. 2. Ma Zhiyuan (1290-1371): His masterpieces include Tianjing Sand·Autumn Thoughts, Han Palace Autumn·Sighing the Virtue of Stopping the Plane, etc. 3. Bai Pu (1248-1312): His representative works include "On the Wall","Rain on the Parasol Tree","Sapphire Case·Yuanxi", etc. 4. Zheng Guangzu (1306-1380): His masterpieces include A Chinese Ghost Story, The Romance of the Western Chamber, Luo Zhi Corpse Watch, etc. These works were very popular at that time and had a profound influence on later literature and art.

The Book of Songs is one of the classics of ancient Chinese poetry, and it contains a large number of texts. Guo Moruo was a famous modern Chinese poet. His representative works include: 1 "The Market in the Sky" White Hair Floating in Green Water 3 Asking Heaven 4 "Sacrifice to Boyi" 5 Goddess 6 "Longevity of the Turtle" These works had high artistic value and cultural significance, and were widely praised and praised.

The content of Han Yuefu folk songs can be divided into the following categories: (1)Narrated folk songs: mainly describing war, disaster, social unrest and other topics, such as "will enter the wine","song of eternal regret","peacock flying southeast" and so on. (2)Lyrical folk songs: to express personal feelings, the pursuit of love and marriage, such as "Song of White Head","Shangxie","Changmen Resentment" and so on. (3)Description of nature folk songs: to describe mountains, rivers, flowers and other natural scenery, such as "Jiangnan","Lushan ballad" and so on. (4)Reflecting folk life folk songs: mainly reflecting folk life, customs, habits, etc., such as "Fu De Gu Yuan Cao Farewell","Oil seller monopolizes the top courtesan" and so on. (5)Satire folk songs: satirize the corruption, greed, cruelty of bureaucrats, such as "adverbials" and "trench officials".

Folk songs were an important part of Chinese traditional culture, and they were very rich in content. Folk songs came in various forms, such as folk songs, folk songs, Yangge, and songs. They covered social life, historical events, cultural traditions, and many other aspects. Folk songs had strong regional characteristics and cultural traditions, often reflecting the local living conditions and customs. For example, the folk songs of the southern region, the folk songs of the northern region, and the songs of the northern region all had unique styles and characteristics. Folk songs also reflect the local history and cultural heritage. For example, folk songs in some areas contain local legends, stories, historical events, etc. They are an important part of local culture. Folk songs are an indispensable part of Chinese traditional culture. Not only are they musical, but they also have important cultural value and historical significance.

The Book of Songs is an important part of ancient Chinese literature. It reflects the folk customs and social style of the Zhou Dynasty. Through the Book of Songs, we can see how the people of the Zhou Dynasty lived and survived, how they treated love, family, friends and society. There were many descriptions of family and marriage in the Book of Songs, which reflected the concept of family and marriage in the Zhou Dynasty. For example, in the Book of Songs, there was a beautiful poem," A fair lady is good for a gentleman." It expressed the people's yearning and pursuit for a beautiful family and a beautiful marriage during the Zhou Dynasty. At the same time, there were also many descriptions of family and marriage in the Book of Songs, such as " Holding your hand and growing old with you "," Never leave and grow old together ", etc. These poems reflected the loyalty and commitment of people to family and marriage during the Zhou Dynasty. There were also many descriptions of friendship and social interaction in the Book of Songs, which reflected the concept of social interaction and friendship in the Zhou Dynasty. For example, in the Book of Songs, there was a beautiful poem that expressed the people's yearning and pursuit for friendly social interaction and friendly returns during the Zhou Dynasty. At the same time, there were also many descriptions of friendship and social interaction in the Book of Songs, such as " The knot of hair is the husband and wife's love without doubt "," Together in the same boat to grow old together ", etc. These poems reflected the value and importance of friendship and social interaction in the Zhou Dynasty. The national style of the Book of Songs reflected the folk customs and social style of the Zhou Dynasty. It showed the people's yearning and pursuit for a beautiful family, a beautiful marriage, a beautiful friendship, and a friendly social interaction. Through the study and understanding of the Book of Songs, we can better understand and understand the folk customs and social style of ancient China, so as to better inherit and carry forward the ancient Chinese culture and civilization.

Ningyang was a place in Shandong Province, China, with rich folk songs and fairy tales. The following are some of Ningyang's folk songs and myths: Ningyang folk song: Ningyang folk song is a popular folk song in Ningyang area. The lyrics mostly express the theme of rural life, natural landscape, love and marriage. One of the most famous songs was "Song of Liu Sanjie", which told the story of Liu Sanjie and her lover in the mountainous area of Ningyang. It was still widely sung today. Cowherd and Weaver Girl: Cowherd and Weaver Girl is one of the famous myths in ancient China. Legend has it that in Ningyang area, there was a man named Dong Yong who was a farmer and a woman who was a weaver. Because of poverty, he got to know the beautiful Seven Fairies. Later on, Dong Yong and the seven fairies eloped to the human world and eventually became the cowherd and the Weaver Girl in heaven. This story was praised as a love myth in Ningyang area and became an important theme of the Mid-Autumn Festival. 3. Divine Sun Bird: There was also a legend in Ningyang area that called the Divine Sun Bird "Phoenix", the patron saint of the sun. It was said that the phoenix once lived on a mountain in the Ningyang area. However, due to environmental pollution, the phoenix decided to leave this place to protect the earth's environment. In order to protect the phoenix, people began to purify the environment and built a phoenix pavilion on the mountain to commemorate and protect the phoenix. These folk songs and fairy tales were the cultural heritage of Ningyang area, which not only enriched the local culture, but also became the spiritual wealth of the local people.