What is the main content of the 24 Filial Piety Painting

The 24 Filial Piety Painting was an embroidery painting from the Qianlong period of the Qing Dynasty in China. It depicted 24 stories of filial piety and involved some elements of filial piety in traditional Chinese culture. This painting mainly described the love and care between parents and children in ancient Chinese families, as well as some stories of filial piety. The story in this painting covered many aspects, including the love and education of parents for their children, the filial piety and service of children to their parents, and the mutual care and support between brothers and sisters. Some of the stories also involved how to deal with the illness or death of parents and how to deal with funerals. In this painting, we can see that many parents have made a lot of efforts and sacrifices for the happiness and health of their children, including carefully raising and educating their children, providing support for their children's lives, and taking care of and comforting their parents to the best of their ability when their parents are sick or dead. The painting of 24 Filial Piety in the Morning Flowers and Evening, which depicted the specific cases of filial piety elements in traditional Chinese culture, reflected the warmth and harmony within the ancient Chinese family, and also demonstrated the importance and far-reaching influence of filial piety culture.

The 24 Filial Piety Painting was a traditional Chinese moral education pattern that recorded the stories of some famous filial sons in Chinese history. The design included many different scenes such as Xiao Touching Heaven, Guo Jumai 'er, Dong Yong, and the Seven Fairies. Each story told the efforts and sacrifices of a dutiful son to take care of his parents or other relatives. The main theme of these stories included filial piety, loyalty, benevolence, charity, etc. It was a very important part of Chinese traditional culture. These stories were widely spread and passed down as classic examples of people learning and practicing ethics. The 24 Filial Piety Painting was a very important symbol in Chinese culture. It represented the importance and respect of filial piety in Chinese traditional culture, and it was also an important part of the excellent culture of the Chinese nation.

The Twenty-four Filial Piety Painting, also known as the Twenty-four Filial Piety Stories or the Filial Piety Touches the Heavens, was an important filial piety cultural document in the Han Dynasty of China. It recorded the stories of twenty-four filial sons in ancient China. The Twenty-four Filial Piety Paintings mainly described some examples of filial piety in ancient China, including: 1. Guo Ju buried his son: Guo Ju was a wealthy businessman. In order to let his son have a better life, he gave all his wealth to his son and went out to work to earn money. However, his son often quarreled and even fought over a little money. Guo Ju was worried that his son would go astray, so he buried all his money in a nearby mountain and let his son dig it up himself. 2. Dong Yong and Dong Xiaowan: Dong Yong was a young scholar. He had been married to his wife for many years, but due to the social norms at that time, they did not have children. Dong Yong loved his wife very much. In order for his wife to live a happy life, he worked in the fields every day and even stayed up late. 3. Huang Xiang Fan Pillow: Huang Xiang was a young woman. Her mother was sick and needed to be taken care of, but she could not bear this responsibility because of her poor family. So Huang Xiang took out her pillow and used it to make a fan handle for her mother. 4. Meng Zong Crying Bamboo: Meng Zong was a young scholar. After his mother died, he went to his mother's hometown to mourn. But on the way, he met a bamboo that looked very much like his mother. So he immediately stopped and began to cry. His friends asked him why he was crying. He said that his mother had passed away, but the bamboo hadn't. It reminded him that his mother was still alive. 5. Tao Zongyi: Tao Zongyi was a wealthy businessman. He had a son, but his son often quarreled over trivial matters, which made Tao Zongyi very worried. Thus, he decided to assassinate the dragon.

The Painting of Twenty-four Filial Piety was an important cultural heritage in ancient China. It was a classic work on filial piety. It recorded 24 stories of filial piety in ancient China. These stories reflected the importance of filial piety and the values of filial piety in traditional Chinese culture. The plot of the Twenty-four Filial Piety Painting was as follows: The First Filial Piety: Dong Yong and the Yellow Fairy Dong Yong was a poor young man. His mother was seriously ill and needed medical expenses. He borrowed money everywhere but still could not pay for his mother's medical expenses. Finally, he met the Yellow Fairy, who provided him with medical expenses and helped him pay off the loan. The second filial piety: Xiang Yu and his mother Xiangyu's mother is sick and needs treatment, but he is fighting the enemy. Xiangyu asked for leave to return home and used his martial arts skills to save his mother and observe mourning for three years. The third filial piety: Meng Zong crying bamboo Meng Zong was a young man whose mother had been stolen by a thief. He searched everywhere and finally found the truth of his mother's murder. He cried himself to death. The fourth filial piety: Guo Ju buried his son Guo Ju was a wealthy businessman. He had a son, but he was a selfish person. He often stole money and squandered it. Guo Ju knew his son's behavior and decided to bury all his money and sponsor a poor child. The fifth filial piety: Yellow Fragrance Fan Pillow Huang Xiang was a woman. Her parents were old and weak, and they needed her to take care of them. She fanned them and massaged them every day until they died. The sixth filial piety: Sun Simiao saved his mother Sun Simiao was a famous doctor. His mother was sick and needed treatment. He looked for herbs everywhere and finally cured his mother's illness. The seventh filial piety: Wang Xiang lying on ice Wang Xiang was a filial son. His mother was sick and needed treatment, but he was hunting in the cold weather. He immediately went home, put on his clothes, and lay down beside his mother to warm her with his body temperature until she recovered. The eighth filial piety: Liu Hong's mother Liu Hong was a filial son. His mother was old and weak and needed his care. He took care of his mother's diet and life until she passed away. The Ninth Filial Piety: Dong Yong and the Yellow Fairy Dong Yong is a young man whose mother is seriously ill and needs

The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.

The Painting of Twenty-four Filial Piety in the Morning Flowers and Evening was a novel with the theme of Chinese filial piety culture. It mainly told some characters and their stories in the ancient story of twenty-four filial piety. These stories included adoptive parents, filial piety touching the heavens, loving mother's tears, lying on ice to seek fish, letting mosquitoes eat blood, tasting feces and worrying. These stories emphasized the importance of filial piety and told stories of dutiful sons who sacrificed their own happiness to take care of their parents.

The 24 Filial Piety Portrait was the representative of traditional Chinese filial piety culture, which contained many touching stories of filial piety. Here are three of the most famous stories of filial piety: 1 Meng Zong Crying Bamboo: Meng Zong was a young boy who went to Sichuan to visit his mother after his father died. On the way, he met a bamboo and felt that it was very sad, so he broke the stick in his hand and hugged the bamboo and cried. When his mother saw it, she asked him why he was crying. Meng Zong replied," Because my son is worried about his mother's safety on the way. He saw the bamboo and felt sad. Maybe it was because he was worried about his son." This story tells us that filial piety is not only for our parents, but also for ourselves and the people around us. 2. Huang Xiang Fan Pillow: Huang Xiang was a young woman who went to Guangdong to visit her brother after her parents died. On the way, she found that her pillow was very hot, so she took out a fan and fanned herself gently. When her brother saw her, he thought her behavior was strange and asked her why she did it. Huang Xiang replied,"I was worried that my parents were worried about me. I wanted them to know about my situation, so I fanned them to let them know that I had arrived safely." This story tells us that filial piety is not only for our parents, but also for ourselves and the people around us. Xiaozhuang was the wife of a famous emperor in the Qing Dynasty. Her filial piety deeds have been praised to this day. After Kangxi died, Xiaozhuang went to Beijing to visit him. On the way, she met some officials who wanted to bribe her. But Xiaozhuang refused their bribe and told them his story of filial piety. She said," My husband is the monarch of the country. I can't go against filial piety for my own selfish interests." This story tells us that filial piety is not only the core of Chinese traditional culture, but also our moral code.

'Morning Flowers Picked Up in the Evening' was a modern Chinese novel that included a lot of social history and cultural knowledge. " The 24 Filial Piety Paintings " was one of the articles that introduced the filial piety culture in ancient China. It mainly described some filial piety stories and characters in ancient China, including some famous filial piety characters such as John New York Times, the founder of The New York Times, and Cao Xueqin, the author of Dream of the Red Chamber. These stories and characters reflected the importance of family, kinship, and filial piety in ancient Chinese filial piety culture.

The 24 Filial Piety Painting was one of the representative works of traditional Chinese filial piety culture. It was composed of the stories of 24 filial sons, telling how they fulfilled their filial piety. Some of these stories were narrated from the perspective of the parents, while others were narrated from the perspective of the son. The following are the main contents of the 24 Filial Piety Paintings: 1. Song of a Wandering Son: It shows the feelings and worries of a loving mother when her son leaves home. 2. Guo Ju Buried His Son: It shows the greatness and selflessness of a father's love. Even if his son dies, he will not be sad. 3." Full of Mosquitoes and Blood ": The filial son deliberately let mosquitoes bite him and smeared his own blood on his parents for the sake of their health. 4. Mencius 'Mother's Three Moves: It shows the mother's ability and quality to cultivate her son's ability and quality by constantly moving her place of residence for the sake of his growth. 5 " Dong Yong and the Seven Fairies ": A touching story of love. Dong Yong took care of the seven fairies who were paralyzed in bed and did not leave until the seven fairies were resurrected. [Legend of the White Snake]: The story of the White Lady's filial piety to her husband. In order to take care of her sick husband, she risked her life to save him. 7. Chen Shimei and Huang Ma: It shows the story of Chen Shimei not respecting her parents. Because of her parents 'opposition, she gave up on love and eventually led to her own failure. 8. Liang Shanbo and Zhu Yingtai: It shows the touching love between brothers. For the blessing of his parents, Liang Shanbo gave up his love. Zhu Yingtai chose to sacrifice herself in order to fulfill her parents 'wishes. 9. Su Wu Shepherding the Sheep: It shows that Su Wu still insists on filial piety for the country and his father under extreme circumstances. < Huang Xiang and Dong Yong >: Huang Xiang gave up her job to take care of her parents and Dong Yong stayed by her side until her parents passed away. 11 " Kong Rong Giving Pears ": It shows that Kong Rong gave the biggest pear to his parents in order to respect his parents, showing the warmth and filial piety of the family. 12 "Mother Meng teaches her son": It shows that Mother Meng constantly adjusted her work and rest time in order to educate her son, and finally cultivated a good strategy for eternity.

The Twenty-four Filial Piety Paintings was a famous scroll of Chinese history and culture. It contained many touching stories of filial piety. There were two allusions about filial piety: Mencius 'mother moved three times Meng Zi's mother was Meng Zi's first teacher. She once brought Meng Zi to a guest's house. Meng Zi quickly learned some bad habits there, such as stealing and lying. Mother Meng knew that these habits were not good for Meng Zi's growth, so she decided to move him again. This time, she brought Mencius to a place called "Righteousness". The people there were very honest. Mencius quickly learned good habits such as honesty and justice. In the end, Mencius 'mother finally determined where Mencius lived and nurtured him into a great ideologist and politician. 2. A Civet for a Prince This story was about Emperor Wu of the Han Dynasty. During the reign of Emperor Wu of the Han Dynasty, there was an empress called Madam Li. However, she was not a real empress but was replaced by Emperor Wu of the Han Dynasty's favorite concubine. Emperor Wu of the Han Dynasty was very angry after knowing this, so he ordered the Secretary to abolish Mrs. Li and demote her to a commoner. When Liu Ju, the crown prince of Emperor Wu of the Han Dynasty, learned of this news, he decided to secretly replace the crown prince. He found a civet cat and replaced it with a portrait of the crown prince. Emperor Wu of the Han Dynasty was very happy to know that the crown prince had replaced his favorite concubine, so he made the crown prince Liu Ju emperor. This story tells us to respect the wishes of our parents and not to change their trust and hope.