The original text and translation of the Qidong language

The original text of the reeds and reeds was "The reeds and reeds are green and the white dew is frost." The so-called Yi Ren is on the other side of the water." From Li Sao.

The original text and translation of hanging beams and piercing shares were hanging beams and piercing bones. Hanging a beam and stabbing a stock was an idiom to describe studying hard and not afraid of hardship. It literally meant to hang a rope from a tree and study in the biting wind. It was a longer idiom, which meant that one was very diligent and not afraid of hardship when studying. It was like an awl piercing into one's brain to make one study more clearly. These two idioms were used in ancient Chinese learning methods to emphasize the importance of learning and the spirit of hard work.

The original text of "Looking at the Mountains" was: "How about Dai Zongfu? the green of Qilu has not yet faded. The clock of destiny is beautiful, and yin and yang are separated from each other. Swinging chest gave birth to Zeng Yun, open eyes into the return bird. I will climb the top of the mountain and look at the small mountains." The translation was: " How about Mount Tai, the head of the five mountains? On the land of Qilu, the beautiful green mountains had no end. Nature had gathered all the magical and beautiful scenes. The mountains, south, and north were divided into yin and yang, and the morning and evening were completely different. The rising layers of clouds made the heart shake; I tried my best to open my eyes and look at the returning bird hiding in the mountains and forests. You must climb to the highest peak and look down at the mountains that seem small in front of Mount Tai."

The ventriloquism is a traditional Chinese martial arts skill, also known as "ventriloquism performance" or "ventriloquism music". It's a skill that uses the mouth to produce a special sound to perform tricks. It's usually used in rap, crosstalk, and other types of comedy. The original name of ventriloquism was "ventriloquism performance" or "ventriloquism music". It originated in southern China and was formed during the Song Dynasty. A ventriloquism performance is usually performed by one or more performers. They express different storylines and topics by making special sounds and combinations of sounds. The performance of ventriloquism was usually accompanied by musical instruments such as flutes, gongs, drums, and erhu. Today, ventriloquism has become a traditional Chinese culture and is still valued and performed in some areas.

Stomat-fighting is a traditional Chinese art form, also known as the wind instrument. It is a musical instrument that uses the mouth and throat to make sounds. Its way of performing is very unique. It puts a ventriloquism object on its nose and blows it with its mouth to make it make a sound. The following is the original text and translation of the ventriloquism: The ventriloquism, also known as the wind instrument, is a musical instrument that uses the mouth and throat to make sounds. A wind instrument is a musical instrument that uses the mouth and throat to make sounds. It is usually placed over the nose and blown by the mouth to make the sound.

The art of ventriloquism was a traditional Chinese opera art form, also known as mouth opening, harmonica, wind, wind instrument, etc. Its performance form was unique. It was a very expressive art form by playing musical instruments in different parts of the mouth, nose, throat, etc. with facial and body expressions and movements. There were many forms of ventriloquism performances, such as playing the flute, flute, gourd flute, etc. There were also some playing the harmonica, flute, etc. The performance time of ventriloquism was not fixed. It could be a short performance of a few minutes or a long solo or duet. The ventriloquism in China had a long history, starting from the Han Dynasty and reaching its peak in the Tang Dynasty. Now, ventriloquism has become an important art form in Chinese opera and one of the favorite performances of domestic and foreign audiences.

The ventriloquism was a traditional Chinese opera performance technique, also known as "blowpipe ventriloquism" or "blowing ventriloquism". It produced melodious melodies and tones through different parts of the mouth and throat to play musical instruments such as flute, xiao, suona, etc. The performance of ventriloquism was usually performed by one person playing in the center of the stage while others imitated the performance around the stage or through the different changes of the performer's ventriloquism to express different musical topics. The performance time of ventriloquism was usually short, but the performance effect was very exciting, allowing the audience to feel the charm of music. The original name of the ventriloquism was "ventriloquism". It referred to a performance technique that performed music through the mouth and throat. The art of ventriloquism in China has been around for thousands of years. It was once an important part of traditional Chinese music and opera, and it is still used by some schools.

Cizhuo was a kind of silk fabric in ancient China, mainly produced in Fujian, Guangdong, Zhejiang and other places. Its production process was complicated and required spinning, weaving, dyeing, finishing, and many other processes. Its pattern is exquisite and colorful, often used as a gift to give to relatives and friends or important holiday gifts. Original text: Zhōu wù shù jiā guófù yùn zhì shéiZhōu wù shù jiā guófù yùn zhì shéi (Zhōu wù shù jiā guófù yùn zhì shéi) Note: Cuzhi: A type of silk fabric in ancient China with intricate patterns. It was often given as a gift to relatives, friends, or important holiday gifts. Crouching, also known as "Luo skirt", was a kind of women's clothing made of Luo as the fabric and silk as the raw material through spinning, weaving, dyeing, finishing and other processes. Its pattern was exquisite and colorful, and it was often used as an ornament for ancient Chinese women and clothes for weddings and celebrations. The beautiful and colorful patterns were often used as decorations for ancient Chinese women and costumes for weddings and celebrations. Its production process was complicated and required spinning, weaving, dyeing, finishing, and many other processes.

Dream of Jiangnan original text: wash up, alone against Wangjiang Tower. After the end of the thousand sails are not, the setting sun pulse water leisurely. my heart breaks on White Pine Island. Dream Jiangnan Translator: Full of hope, dressed up, leaning on the railing alone, climbing the tall building. Thousands of boats passed by, but they were not the people in their hearts. The setting sun was setting, the setting sun was gentle, and the river was flowing. My heart is broken, and I can't bear to look back on the White Apple Island in the river. Dream of Jiangnan original text and translation: wash up, alone Wangjiang Tower. After the end of the thousand sails are not, the setting sun pulse water leisurely. my heart breaks on White Pine Island. Full of hope, dressed up meticulously, and climbed the tall building alone. Thousands of boats passed by, but they were not the people in their hearts. The setting sun was setting, the setting sun was gentle, and the river was flowing. My heart is broken, and I can't bear to look back on the White Apple Island in the river. Wen Tingyun's "Dream of Jiangnan" originally said,"After washing up, I lean alone on the Wangjiang Tower." After the end of the thousand sails are not, the setting sun pulse water leisurely. I'm heartbroken." It translated to " Full of hope, dressed up, leaning on the railing alone, climbing the tall building. Thousands of boats passed by, but they were not the people in their hearts. The setting sun was setting, the setting sun was gentle, and the river was flowing. My heart is broken, I can't bear to look back at the White Apple Island in the river." This poem expressed the poet's yearning and disappointment for Jiangnan. It described the state of mind when he climbed up the mountain to look at the river and his expectations for the passing ships. At the same time, it also revealed the sad mood of heartbreak.

The original text of "Dying Song" is as follows: The roc flies and shakes the eight descendants, and the sky is destroyed. The wind is blowing for thousands of generations, and I hang my left sleeve when I travel in Fusang. Later generations got it and passed it down. Confucius died. Who shed tears for him? The translation of "Song of the Dead" was as follows: The roc flew vigorously and shook all directions. The sky was destroyed and the strength was insufficient. The remaining wind can inspire thousands of generations, traveling east to Fusang, hanging on my left sleeve. Later generations received this news and passed it on. Confucius is dead. Who else can cry for my death? Note: The provided search results do not contain a direct translation of the poem "The Song of the End." "