He Xi was San Mao's husband. José was a Hispanic Jewess whom San Mao had met during a trip to the Sahara Desert. The two married in 1965 and welcomed their son, Malick, in the same year. Although José's identity was once controversial, his relationship with San Mao was real, and their marriage was also highly regarded and praised.
The part where José proposed to San Mao appeared in San Mao's book, The Story of the Sahara.
This question was related to history and culture. In modern China's Fortress Besieged, the main character Fang Hongjian was called the "three and a half". The "half" referred to his hair, eyes, and mouth, while the "three" referred to his height of three standard heights (17 meters). This joke was widely used in online novels, so the pen name "San Mao" was also based on this historical and cultural joke. The pen name "San Mao" meant "three hairs", which meant "half person" among the "three and a half people". The purpose of using this pen name was to imitate the characters in Zhou Guoping's novels and to convey the representative image of the "three and a half people."
San Mao said the meaning of travel: Traveling could broaden one's horizons, change one's mentality, and allow one to see a different world, thus allowing one to better understand oneself and others.
Before his death, San Mao's works mainly included The Story of the Sahara, The Weeping Camel, The Mysterious World, and How Many Flowers Fell in My Dream. These works showed San Mao's emotional experiences in the Sahara Desert and in Hexi, as well as her philosophy of life and outlook on life. After the death of José, San Mao's works mainly included four novels: The Rainy Season Won't Come Again, How Many Flowers Fall in My Dream, The Story of Sahara, and The Road to Heaven. These works continued to tell the touching story of San Mao and He Xi, and also showed her life experience and growth process.
San Mao's story originated from a fictional novel. Her true identity and background were not confirmed. Many people saw San Mao as a mysterious figure, and her story was seen as a cultural phenomenon rather than a real person. However, San Mao's works were widely read and loved. These works usually described her life experience, travel experience and cultural background, so to a certain extent, they reflected people's yearning for freedom, adventure and multiculturalism.
Was the story written by San Mao true? This was a topic worth discussing. San Mao was from Taiwan. Her works were all the rage with the theme of travel, adventure, and nature. Her works were often full of mystery, adventure, and imagination, so many people thought she was real. However, people held different views on the authenticity of San Mao. Some people thought she was just a fictional character, while others thought she was a real person who had been to many places and experienced many stories. Therefore, it was impossible to determine whether the story written by San Mao was real or not because it depended on one's personal opinion and understanding of San Mao and her works.
San Mao was the short name of Horsio Nelson Panhandle, an American explorer, essayist, and painter in the early 20th century. He played the role of Lu Zhishen in the Water Margins and had played the roles of Sun Wukong in Journey to the West and Jia Baoyu in Dream of the Red Chamber. Panhandle married Madeline Carroll in 1909 and had three children. His adventures included traveling in the Amazon, the Caribbean, and Antarctica, and he published many articles on exploration, nature, and literature. Panhandle's works mainly consisted of novels and essays, including Crying Camel, Paradise Cinemas, and The Queen of Africa. His works were humorous and well-liked by readers.
San Mao was widely known in the modern Chinese literary world for her fictional life story and unique image style. San Mao was born in 1930 in an ordinary family in Taiwan Province. His original name was Zhang Leping, and his ancestral home was Fuzhou City, Fujian Province, China. Her father was a doctor and her mother was a teacher. San Mao showed interest in literature and art when she was young. She studied in kindergarten and primary school for a period of time and later entered the famous female school in Taiwan, the Taiwan Women's Normal School. San Mao began to write novels and essays during her university years and was recognized by the literary world for her unique style and profound ideology. Her representative works included "The Story of the Sahara Desert" and "How Many Flowers Have Fallen in My Dream". San Mao left Taiwan in 1959 and went to Africa to begin her 20-year overseas life. She spent her childhood and youth in the Sahara Desert, where she met many local residents and cultural people, leaving behind many literary works about the desert and local culture. San Mao's overseas life was full of adventures and legends. She had been to India, Egypt, iran, turkey and many other countries. She had also experienced many difficult labor and survival challenges. Her literary works not only reflected her love and exploration of the desert and culture, but also reflected her thoughts and feelings about life and human nature. In the end, San Mao returned to Taiwan in 1981, ending her 22-year overseas life. Her literary works and ideas influenced a generation of literary youths and became a part of Chinese culture.
San Mao's recommended works are as follows: The Story of the Sahara Desert: This is one of San Mao's most famous works, which tells her adventures in the Sahara Desert. 2."Dream of Flowers": This is another representative work of San Mao, which narrates her life and work experience in Shanghai, Beijing and other places. 3 " Flowers in the Rainy Season ": This was one of San Mao's early works, which described her loneliness and longing after the death of José. 4. The Scarecrow's Notes: This is San Mao's recollection of her childhood and teenage life. 5 Crying Camel: This is a novel by San Mao about her work and life experience in Israel. These are some of San Mao's representative works. I hope they will be of help to you.
San Mao's main works in modern China included " The Story of the Sahara Desert."