Lin Huiyin was a famous modern Chinese poet. Her works were famous for their profound thoughts and unique artistic style. She was good at connecting her personal feelings with the fate of the country and the people to express her thoughts on life and fate. Letting go was an important concept in Lin Huiyin's life, and it was also a theme that often appeared in her works. The following is a paragraph describing Lin Huiyin's masterpiece about letting go: Letting go was a state of mind, a choice, and a form of cultivation. It was not only a way to get out of trouble, but also an attitude towards life. Lin Huiyin believed that letting go was not giving up, but a choice of a higher level. Letting go doesn't mean we should stay away from everything, but let us understand and cherish everything we have more deeply. Letting go was a kind of tolerance, acceptance, and also a kind of wisdom in life. Lin Huiyin had experienced many setbacks and tribulations, but she never gave up on her dreams and pursuits. She firmly believed that only by persevering and working hard could she go further on the road of life. But as time passed, she gradually realized that there were many things in life that were beyond our control, and there were many beautiful things that were worth pursuing. Therefore, she began to let go of the pain and persistence of the past and chose to face her life with a calmer attitude. Letting go allowed Lin Huiyin to understand the true meaning of life more deeply. She realized that every moment in life was precious and that we should cherish everything in front of us and not be bound by the past. Let go of it so that Lin Huiyin could enjoy the beauty of life more. She learned to appreciate the little things in life and be grateful for everything around her, thus having a more fulfilling and beautiful life. Letting go was an important concept in Lin Huiyin's life. Through her own experience and wisdom, she told us that there are many things in life that we need to let go of and face life with a more positive attitude. Only by letting go of the persistence and worries in his heart could he obtain true freedom and happiness.
Lin Huiyin was a famous architect, poet, and writer in modern China. She was known as the "poet of the architectural world". Her representative works include: Lin Huiyin's residence, Xihua Hall, was located in Dongcheng Area Beijing City. It was Lin Huiyin's residence when she worked in Beijing. The building used traditional Chinese architectural styles, including glazed roof tiles, bucket arch, colored paintings and other elements, and was hailed as the "treasure of ancient Chinese architecture." 2. Lin Huiyin's Taj Mahal: The Taj Mahal is a famous mausoleum in India and one of the world's cultural heritages. It was designed and built by the famous Indian architect, Rama Taj Mahal. It is one of the greatest buildings in the world and one of the greatest buildings in Indian history. 3. Lin Huiyin's " Tsinghua University's Department of Construction ": Lin Huiyin was not only an outstanding architect but also a famous writer. She studied at Tsinghua University and participated in the establishment of the Department of architecture of Tsinghua University, making an important contribution to the modern architecture industry in China.
Lin Huiyin was a famous poet, writer, architect, and social practitioner in modern China. She was known as the "Goddess of the Construction World". Her masterpieces included You Are the April Day of the Human World and How Many Flowers Have Fallen in My Dream.
I can recommend a good book about Lin Huiyin to you. It's Liang Sicheng and Lin Huiyin. This book was published by China Youth Press. The author is Lin Huiyin's eldest son, Liang Sicheng. This book tells the story of Lin Huiyin and Liang Sicheng's contribution to the preservation of ancient architecture and the development of modern architecture in China, as well as their deep love story with their father. This book is rich in content and beautifully written. It is one of the important works to understand Lin Huiyin.
Lin Huiyin's love experience was as follows: - Xu Zhimo: Lin Huiyin met Xu Zhimo when she was studying in England. Xu Zhimo fell in love with Lin Huiyin and began to pursue her. Lin Huiyin also had a good impression of Xu Zhimo, but she knew that Xu Zhimo was already married, so she rejected his pursuit. - Liang Sicheng: After Lin Huiyin returned to China, she met Liang Sicheng. The two soon fell in love and got married. Liang Sicheng was Lin Huiyin's classmate and friend, as well as her lifelong partner. - Jin Yuelin: After Lin Huiyin and Liang Sicheng got married, Jin Yuelin had always been in love with Lin Huiyin. He knew that Lin Huiyin and Liang Sicheng had a good relationship, but he still couldn't control his feelings. He had been silently guarding Lin Huiyin until Lin Huiyin died. In general, Lin Huiyin's love experience was very rich. She had emotional entanglements with Xu Zhimo, Liang Sicheng, and Jin Yuelin. Her love story also became a much-told story in the history of modern Chinese literature. While waiting for the anime, you can also click on the link below to read the classic original work of " Full-time Expert "!
I came to the foot of Yuelu Mountain and looked at the lofty mountain peak, and my heart couldn't help but feel a sense of reverence. Liang Sicheng and Lin Huiyin Lin Huiyin was a famous architect and designer in China in the 20th century. Together with Liang Sicheng, she devoted herself to the protection and reconstruction of ancient Chinese buildings and became one of the founders of the protection of ancient Chinese buildings. 3. A gentle breeze blows over the hills, and there are homes where white clouds grow. Stop and sit in love with the maple forest. The evening frost leaves are redder than the flowers in February. The mountain is not high, there are immortals; the water is not deep, there are dragons. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the fifth day, the street was wet with light rain, like the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. Six days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 7 Alone in a foreign land, as a stranger, I miss my family more than ever during the festive season. I know from a distance that my brothers are short of one person by planting dogwood everywhere. Do you know that the flowers are full of fragrance? Fragrance filled the whole building, do you know? The mountain is heavy and the water is heavy. There is no way out. The willows are dark and the flowers are bright. Another village. 10 ambition hungry meal Hu Krupp meat laughing talk thirsty drink Xiongnu blood. To clean up the old mountains and rivers from the beginning. On the 11th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy name; The water is not deep, there is a dragon spirit. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. How much sorrow can you have? Like a river flowing eastward in spring. I was born to be useful. Cook sheep, slaughter cattle, and enjoy the party. You must drink three hundred cups at a time. On the 15th day, the street was drizzling like the crisp grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. 16 mountains and heavy water, there is no way out, there is another village. 17 days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 18 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. On the 19th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 21st day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The twenty-two days are high, the clouds are light, and the wild geese flying south are broken. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 23 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 25th day, the street was wet with light rain, like the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The twenty-seven days high, the clouds are light, and the wild geese fly south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 28 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 30 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 32nd day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 34th day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The 36th day of the street is drizzling like the crisp grass, but there is nothing near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 38th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 40 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 42 days street light rain moist like crisp grass color, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 44th Heaven Street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 46th Heaven Street is as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 48th Heaven Street was as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 50 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city.
Lin Huiyin was a famous architect and poet in modern China. She was also known as the "poet of the architectural world". Her works include architectural plans and architectural designs, as well as literary works such as poetry, prose, and novels. Here are some recommended books about Lin Huiyin: Liang Sicheng and Lin Huiyin: This is a book that records the many important construction projects completed by two outstanding architects. The author is Liang Sicheng and Lin Huiyin's son, Liang Zaibing. This book had high historical value, literary value, and artistic value. 2 Biography of Lin Huiyin: This is a comprehensive introduction to Lin Huiyin's life and career, written by historian Lin Yutang. This book not only described Lin Huiyin's academic and architectural achievements, but also her literary creation and life experience. It was highly readable and collectible. "Everyone You Meet in Heaven": This is a collection of Lin Huiyin's essays about her thoughts and feelings about life, nature, culture, and so on. This book has a high literary value and philosophical depth, suitable for readers to reflect and comprehend. 4 "How many flowers fall in my dream": This is a collection of some of Lin Huiyin's poems. This book has a high literary value and artistic value. It shows the characteristics and style of Lin Huiyin's poetry creation, which is suitable for readers to appreciate and taste. These are some books about Lin Huiyin. They not only have high literary value and historical value, but also bring readers different life experiences and thoughts.
Lin Huiyin (January 15, 1907-October 19, 1959) was a famous architect, poet and revolutionary in modern China. The following are some of Lin Huiyin's classic sayings: This was Lin Huiyin's view on architectural art. The purpose of architecture is not the building itself but the spirit it represents. 3. Buildings should reflect the spirit and atmosphere of the times and reflect people's thoughts and emotions. Real buildings should be habitable, not just for looks. I like architecture because it can make people feel beautiful and warm, and make people feel happy and happy. 6. The architectural design should consider both practicality and aesthetics, as well as environmental, climate and budget factors. Building is a kind of culture, one of the highest forms of art created by human beings. I hope that China's architectural design can pay more attention to traditional culture and pay more attention to the harmony between man and nature. Construction should be a kind of service, a kind of service behavior, so that people can obtain more happiness and satisfaction from it. Building should be an art, an art that makes people feel happy and enjoyable.
Rebirth: Letting Go was the name of a novel or TV series. We can see some information about this topic, but there is not enough content to answer this question. Therefore, I don't know what the supporting actress of 'Let Go' in 'Rebirth' is.
" Rebirth: Letting Go of Female Supporting Character " was the name of a novel. This novel was about the female protagonist who realized that she was just a vicious female supporting character in the book after her rebirth, so she distanced herself from the male protagonist. At first, the male protagonist thought that the female protagonist was playing hard to get, but when the female protagonist really ignored him, the male protagonist panicked. After that, the male lead began to pursue the female lead, and together, they benefited the people. However, the search results provided did not provide enough information to understand the plot and author of the novel in detail. Therefore, I am unable to provide any more details about " Rebirth: Letting Go of Female Supporting Actress ".
Lin Huiyin (January 15, 1907-September 24, 1966), formerly known as Lin Huiyin, was a famous poet, architect, and social organizer in modern China. The following are books about Lin Huiyin: 1 Biography of Lin Huiyin ( ) 2 "With Lin Huiyin"( ) 3 "How many flowers fall in my dream"( ) 4. I'm repairing cultural relics in the Forbidden City ( ) 5. A Century of Buildings: A Catalog of Modern Chinese Buildings ( ) Lin Huiyin: A Woman's Art Life ( ) 7 History of Ancient Chinese Buildings ( ) 8. Modern Chinese architectural history ( ) These books systematically introduced Lin Huiyin's life and contributions. The readers could choose to read according to their own needs.