What were the types of travel notes in classical Chinese?

A travel note in classical Chinese was a travel novel written in classical Chinese, usually describing the protagonist's travel experiences and experiences in the context of historical events. The classical Chinese travel notes had a long history in China. There were already relevant literature records in the Tang Dynasty. In travel notes written in classical Chinese, simple and clear language was often used to express the scenery, characters, and stories of the journey. The grammar, vocabulary, and rhetorical devices of classical Chinese are very different from other languages. It requires a certain knowledge of classical Chinese and language ability. In recent years, classical Chinese travel notes have become one of the popular topics in the field of literature and have been loved by the majority of readers.

Prose travel notes in classical Chinese referred to essays written in the form of classical Chinese that were mainly used to describe the author's travel experiences and what he saw and heard during his travels. This kind of classical Chinese works usually have beautiful language and unique style, which can not only show the unique charm of ancient culture but also express the author's feelings and thoughts. There were various forms of classical Chinese prose, such as "The Story of Zen Mountain" and "Ode to the Red Cliff", as well as more common masterpieces such as "The Story of the Drunkard Pavilion" and "The Story of Yueyang Tower". Most of these works used mountains, rivers, and countryside as the theme. Through describing the author's travel experience, they showed the life interests and aesthetic concepts of the ancient people, and also reflected the social style and cultural characteristics of the time. Prose travel notes in classical Chinese were also highly regarded as one of the treasures of ancient Chinese literature and an important part of Chinese culture. These works not only have high literary value, but also have important historical and cultural value. They are important materials for studying ancient Chinese culture, tourism history and literary history.

There were many classical Chinese articles about landscape travels. The following were some of the more famous ones: 1 "Lu Shan Ji"-Tang Dynasty Wang Zhihuan 2."The Story of You Bao Chan Shan"-Wang Anshi of Tang Dynasty 3 "Yandang Mountain"-Lu You of the Song Dynasty 4. A Night Tour in Chengtian Temple-Su Shi of the Song Dynasty 5. Climbing the Mountain-Bai Juyi of Tang Dynasty 6. Reminiscence of the Past at Nightly Moored by Niuzhu-Yang Wanli of Song Dynasty 7 "The Story of Mount Emei"-Lu You of the Song Dynasty 8. The Story of Mount Tai-Han Yu of the Tang Dynasty 9 "Huangshan Ji"-Ouyang Xiu of the Song Dynasty 10 "Hengshan Ji"-Su Shi of the Song Dynasty These classical Chinese writings had detailed descriptions that allowed the readers to feel the beauty of mountains and rivers.

There were many classical Chinese articles about landscape travels. The following were some of the common ones: 1 "Journey to the Mountain"-Wang Anshi 2 "Lushan Ballad"-Li Bai 3. A Night Tour in Chengtian Temple-Su Shi 4."Moored at Niuzhu, Reminiscing the Past"-Yang Wanli 5 " Early Arrival in White Emperor City "-Li Bai 6 "Ascending"-Du Fu Looking at the Waterfall of Mount Lu-Li Bai 8. Shuidiao Gemou·Swimming-Su Shi 9 "Mountain West Village Tour"-Lu You Three Gorges-Du Fu These classical Chinese writings were all famous travel notes about mountains and rivers that were widely praised and influenced the development of Chinese culture.

The online translation of classical Chinese referred to the process of translating modern classical Chinese into modern Chinese. Due to the differences between classical Chinese and modern Chinese in terms of pronunciation, grammar, vocabulary, etc., translation needs to be adjusted according to the rules and characteristics of modern Chinese.

The original text of the travel notes was as follows: "Journey to the Mountain of Zen" Original text: As the barbarians are near, there are many tourists. The wonders and wonders of the world often lie in the dangerous and remote places where people rarely go. Therefore, it is impossible to go there without ambition. Translated: If the journey is short, people will have a lot of strange and magnificent sights in the world. They are often far away from danger and few people can reach these places. Therefore, it is impossible to reach them without ambition.

College entrance examination classical Chinese travel notes category common vocabulary included: " Mountains and Rivers: refers to natural landscapes such as mountains, streams, forests, waterfalls, etc. 2. Places of interest: refers to famous buildings, parks, scenic spots, etc. in history. 3, customs: refers to local cultural traditions and living habits such as festivals, customs, diet, etc. 4. People: The local people they met during the journey, such as local residents, businessmen, travelers, etc. Transportation: refers to the means of transportation used during the journey, such as boats, cars, horses, etc. 6. Scenery: refers to the natural landscape seen during the journey, such as the sky, mountains, rivers, flowers, and so on. Food and accommodation: refers to the accommodation and food services provided during the journey, such as hotels, restaurants, restaurants, etc. 8. Mental state: refers to the mental state of the traveler during the journey, such as excitement, fatigue, emotion, etc. Historical events: refers to the people and events related to historical events encountered during the journey, such as wars, uprisings, cultural events, etc. 10. Literature materials: refers to the literary works and documents read during the journey, such as poems, novels, essays, etc.

There are many types of endings in Chinese classical tragedies. The following are some of the common types: 1. Dead end: The character in the novel eventually encounters an unsolvable predicament and falls into a dead end. In the end, he cannot avoid the tragic ending of death. 2. Grief and indignation: The characters in the novel have experienced many setbacks and sufferings, and finally, for some reason, they cannot bear it, resulting in their tragic death or mental breakdown. Tragic plot: The characters in the novel suffer a great blow and setback after experiencing certain events or encounters, resulting in their tragic death or mental breakdown. 4. Reunion Ending: The character in the novel eventually fails to achieve his ideals or wishes or reunite with his family and friends, resulting in his lonely and tragic death. 5. Tragic ending: The characters in the novel have experienced many setbacks and hardships, but in the end, they cannot escape the tragic ending for some reason, such as being defeated by the enemy or being killed by their own mistakes. These types of classical Chinese tragic endings were widely spread in literature and had a profound impact on later literary creations.

The following are some classic classical Chinese sentences: 1 The passing of time is like night and day. The Analects of Confucius The rise and fall of the world is the responsibility of every man. Liang Qichao If a workman wants to do his job well, he must first sharpen his tools. Confucius How can a sparrow know the ambition of a swan? Chen Sheng A bosom friend in the sea is like a neighbor in the distant world. Wang Bo All men are bound to die, either heavier than Mount Tai or lighter than a feather. Sima Qian 7. The green mountains will not change, the green water will flow forever, and the hero will be immortal. Shakespeare I'm a fish on the chopping block. I'll die to avenge you. Sima Qian 9. Give it your all until you die. a person of great wisdom and resourcefulness 10 The world's wind and clouds come from our generation. As soon as we enter the Jianghu, the years urge the emperor to seek hegemony. In laughter, we can't win. Life is drunk. yellow turban uprising I hope these sentences can provide you with some inspiration and help.

Judgment sentences in classical Chinese can be divided into the following types: 1. The object preposition sentence: In modern Chinese, the object is usually placed in front of the predicates, but in classical Chinese, the object preposition sentence is a common grammar phenomenon. The types of such sentences were: - The object is placed before the verb: for example,"I am telling you"("tell" is the verb,"you" is the object placed before the verb) - The object is in front of the question word: such as "how?" (The interrogative word "Ru" is also a verb in classical Chinese."He" is the object placed in front of the interrogative word) - The object is placed before the pronoun: for example,"this is also a farewell"("this" is a pronoun,"also" is an adverb,"one" is an object placed before a pronoun) 2. Judgment sentences with inconsistent subject and predicates: In modern Chinese, the subject and the predicates are usually inconsistent, but this kind of judgment sentence is more common in classical Chinese. The types of such sentences were: - The subject is in the front and the verb is in the back: For example,"My late emperor died halfway through his business"("Starting a business" is the subject "not half" verb "and" is a conjunction placed after the verb) - The subject is in the back and the verb is in the front: I have forgotten my teacher." 3. Modifier postposition: In modern Chinese, adverbials are usually placed after predicates, but in classical Chinese, adverbials are more common. The types of such sentences were: - The adverbials are after the verb: for example,"Where does the great desire of men and women exist?" - The adverbials are after the interrogative words, such as "how?" The good of a person is also "(The interrogative word" Ru "is also a verb in classical Chinese." Hao "is a verb," Zhi "is an adverb, and" Ye "is a predicative. It is placed after the interrogative word)