Was Miao Fu's post against Deyun Society's crosstalk style, or was he jealous of its results?

Before 2005, listening to crosstalk at Deyun Club was a feeling full of memories and warmth. At that time, Deyun Society was still a young and energetic organization. The basic skills and acting skills of the actors were very solid, making the audience especially happy and happy. Listening to crosstalk at Deyun Society gave one a unique atmosphere. The actors wore traditional crosstalk costumes and performed various crosstalk segments and storylines on stage with humorous language and body language, immersing the audience in a happy atmosphere. You can also hear many classic crosstalk segments such as "Oil Selling Weng,""Yellow Crane Tower,""Crosstalk Conference," and so on. These segments have become treasures of Chinese culture and are deeply imprinted in the hearts of the audience. Before 2005, listening to crosstalk at Deyun Club was an experience full of joy and memories. Although many years had passed, the Gangsi still regarded Deyun Society as their home and continued to carry forward the art of crosstalk.

The eight crosstalk segments at the 2019 Deyun Society North Exhibition Festival included: 1. The crosstalk performed by Guo Degang and Yue Yunpeng in "A New Crosstalk","The Complete Works of Yue Yunpeng's Crosstalk" 2. Guo Degang and Yue Yunpeng's crosstalk "Learning to Sing" 3 Guo Degang and Yue Yunpeng's crosstalk "Xie Kelong" 4. Guo Degang and Yue Yunpeng's crosstalk,"Oil Selling Man" 5. Guo Degang and Yue Yunpeng's performance of Yue Yunpeng and his partner in the "Crosstalk Conference" 6. Guo Degang and Yue Yunpeng's performance of Yue Yunpeng and his partner in the crosstalk "I want to go to the Spring Festival Gala" 7 Guo Degang and Yue Yunpeng's performance of Yue Yunpeng and his partner in the crosstalk "Crosstalk Club" 8. The performance of Zhou Yaoquan and his partner in Guo Degang and Yue Yunpeng's crosstalk "Zhou Yaoquan's Complete Crosstalk"

Not all of Deyun Society's scripts were written by themselves, but most of them were co-written by Guo Degang and other crosstalk actors. Guo Degang was a famous crosstalk actor and director in China. He had organized, planned, and written crosstalk works many times, including TV programs such as "Crosstalk Conference" and "Smiling Proud in the World." In these works, Guo Degang co-wrote scripts with other actors and performed on stage. Although not all crosstalk scripts were written by Guo Degang himself, his deep understanding and experience in crosstalk creation and performance made his crosstalk works popular with the audience. At the same time, Guo Degang also led Deyun Society to become one of the important representatives of the Chinese crosstalk world, making an important contribution to the inheritance and development of traditional Chinese crosstalk.

Sorry, I'm not sure which crosstalk segment you're referring to. Can you provide more context or information? This way, I can better help you answer your questions.

The crosstalk "Reversed Pupils" referred to the crosstalk performance of a song "Reversed Pupils" released by crosstalk actor Guo Degang in 2013. This song told a story about the eyes in a humorous way. The "inverted pupil" in the song referred to the pupil in the human eye. Through the description of the song, one could feel the humor and irony contained in it. The Reversed Pupils was one of Guo Degang's masterpieces, attracting a large number of audiences and fans through its unique performance style and humorous language. This song had also become one of the classics in the field of crosstalk, receiving widespread praise and recognition.

The copywriting of De Yun Agency was really great. Their copywriting was always able to accurately capture people's eyes and make people's hearts flutter. Which sentence about the 20th anniversary of Deyun was sweet to the heart? I think the most touching text is: "Ten years to grow trees, a hundred years to nurture people." Deyun Society's 20 years of glory could not be separated from the hard work and continuous efforts of every crosstalk actor. I would like to thank every crosstalk actor for their dedication and contribution, allowing us to see the best performance on this stage." This sentence expressed their respect and gratitude to the crosstalk actors and also highlighted the achievements of De Yun Society in the past 20 years, making people feel even more emotional and moved.

Situ Mo in the online drama " To Our Warm Little Times " listened to Chinese crosstalk. In China, crosstalk was a traditional art form that originated in the Ming Dynasty. After hundreds of years of development, it formed a unique performance style and language form. Crosstalk is usually performed by two or more actors to amuse the audience with humorous words and funny performances. In "To Our Warm Little Times," the crosstalk that Situ Mo listened to was Guo Degang's representative work,"A New Crosstalk Artist."

The words "Deyun Society" were inscribed by Guo Degang. Guo Degang was a famous crosstalk actor, director, screenwriter, and producer in China. His inscription of " De Yun Society " represented the recognition and respect of this crosstalk group for his personal brand and career. The name " Deyun Society " had multiple meanings. First of all, it represented the crosstalk performance career that Guo Degang and his team were engaged in. Secondly, it had also become a cultural symbol that represented the inheritance and development of traditional Chinese crosstalk culture. In the end, the name " De Yun Society " also became a brand that attracted a large number of fans and audiences, becoming a well-known group in the Chinese crosstalk world. In Guo Degang's opinion, the name "Deyun Society" was the result of his and his team's continuous efforts to inherit and carry forward the traditional Chinese crosstalk culture. He hoped that Deyun Society could become a window that represented Chinese crosstalk culture, so that people all over the world could understand and appreciate the charm of traditional Chinese crosstalk.

Deyun Society was a crosstalk group with a variety of characters, including but not limited to: Crosstalk actors: Crosstalk actors are one of the main occupations of Deyun Society. They entertain the audience by performing crosstalks. The identities of crosstalk actors could vary according to their works and roles. For example, some crosstalk actors were entrepreneurs, some crosstalk actors were politicians, and some crosstalk actors were ordinary people. 2. opera actors: Deyun Society also has some opera actors who mainly perform traditional Chinese operas such as Beijing opera and Kunqu opera. The identity of these opera actors could vary according to different works and roles. For example, some opera actors were entrepreneurs, some opera actors were politicians, and some opera actors were ordinary people. 3. Film and television actors: In addition to crosstalk actors and opera actors, Deyun Society also had some film and television actors. These film and television actors could entertain the audience by performing movies, television dramas, and other film and television works. Their identities could be different according to different works and roles. For example, some film and television actors were entrepreneurs, some film and television actors were politicians, and some film and television actors were ordinary people. Other professions: In addition to the above three identities, there are also some other professional figures such as scientists, teachers, doctors, civil servants, etc. The identity of these characters can vary according to different works and roles. For example, in some works, they may be an ordinary person, while in others, they may be a senior official or expert.

The crosstalk performances of De Yun Society usually had a time limit. The length of time for different programs was also different. This was because crosstalk was a form of performance that required time to prepare, rehearse, and perform. In order to ensure the quality and effect of the program, crosstalk performances usually had a certain time limit. Some crosstalk programs may only be 20 minutes long because they have already spent a lot of time rehearsing and preparing, so they can show the best performance in a short time. Some crosstalk programs may last as long as an hour. This is because these programs may take longer to rehearse and prepare, so they need enough time to fully display the talents and skills of the performers. The length of the crosstalk performance also depended on the audience's schedule and the capacity of the venue. For some small-scale performances, the time may only be 20 minutes or 30 minutes, while for some large-scale performances, the time may be as long as an hour. The host and performers would adjust the length of the program according to the audience's time and performance needs to ensure that the audience could fully appreciate the program and achieve the best performance effect.