Gao Shi, Du Mu, Meng Haoran, Wang Changling. Among the poets, the one who was good at writing landscape idyllic poems was

The representative figures of landscape and idyllic poets were Wang Wei of the Tang Dynasty, Su Shi of the Song Dynasty, Yang Wanli of the Yuan Dynasty, Xin Qiji of the Ming Dynasty, etc. They created many beautiful poems with the pursuit of landscape and countryside.

Landscape and idyllic poetry is an important part of ancient Chinese literature. It describes the beauty of natural scenery and rural life, and often shows the poet's emotional experience. The following are some common emotions: 1. Tranquility and peace: Landscape idyllic poems often describe the tranquility and peace of nature, expressing the poet's yearning and pursuit for tranquility, dullness, and nature. 2. Leisurely: The landscape idyllic poem depicted the leisurely life of the peasants, expressing the poet's yearning and pursuit of freedom, freedom and leisure. 3. Gratitude and praise: Landscape idyllic poems often express gratitude and praise for nature, showing the poet's gift to nature, the cherishment of life and the reverence for nature. 4. Sadness and loss: Landscape idyllic poems often show the poet's sadness and loss, such as the longing for the deceased relatives, the loss of love, the confusion of life, etc. 5. Love and loyalty: The landscape idyllic poems also express the love and loyalty to life, nature and land. It shows the poet's reverence and cherish for life and nature, as well as his loyalty and faith to life and nature.

The landscape and idyllic poets of the Tang and Song Dynasties referred to some poets in the Tang and Song Dynasties. They mainly wrote landscape and idyllic poems and were known as the "landscape and idyllic school", which had a far-reaching impact on the literary creation of later generations. The most famous poets of the Tang and Song Dynasties were Li Bai, Du Fu, Bai Juyi, Su Shi, Xin Qiji, etc. The poems of these poets were fresh and natural in style, pursuing a profound artistic conception, sincere emotions, and a broad artistic conception. They portrayed the theme of mountains, rivers, and idyllic gardens, showing the harmonious coexistence of man and nature. Their works were not only popular at that time, but also had a profound impact on literature, art, philosophy and other fields of later generations. Among the landscape idyllic poems of the Tang and Song Dynasties, the most representative ones were Wang Wei's "Landscape", Meng Haoran's "Old Friend's Village", Liu Yuxi's "Humble Room Inscription" and so on. These works were known as the classic works of landscape and idyllic poetry because of their freshness, naturalness, profound artistic conception, and sincere emotions.

Ancient Chinese landscape idyllic poetry is a bright pearl in the treasure house of Chinese literature. It is famous for its fresh, natural, quiet, beautiful, and profound philosophical beauty. In the landscape idyllic poems, the authors showed their reverence and respect for nature through the description of the natural scenery. They tried to make people feel the beauty and mystery of nature through their works of art, so as to stimulate people's enthusiasm to explore nature and protect the environment. Pastoral poems also showed concern for human nature. In the works, the authors expressed the harmonious symbiotic relationship between man and nature by describing the living scenes of people in nature. At the same time, they also expressed their condemnation of human greed and destruction of nature. In addition, the landscape idyllic poems also contained profound philosophical thinking. Through the description of the natural landscape, the authors tried to reveal the connection and interaction between nature and human society, explore the relationship between man and nature, as well as the mysteries of the human spiritual world and the universe. In short, the beauty of the ancient Chinese landscape idyllic poems not only showed the love and awe of nature, but also expressed the concern for human nature, but also contained profound philosophical thinking. The performance of these ideologies made the ancient Chinese landscape idyllic poems become the classics of Chinese literature.

There were many farewell poems, the most famous of which was "Climbing the Stork Tower" by the Tang Dynasty poet Wang Zhihuan. The following is Meng Haoran's poem: Facing the Flooding River Boating on the river, oh, my heart is sad Looking at the distant trees on the shore, oh, the water is long. There is a family in the white clouds the five mountains topple, the sky is locked in fog. I don't know where to play the reed pipe All the conscripted men looked home in one night. Meng Haoran was one of the famous poets of the Tang Dynasty. His poems were fresh and natural, full of philosophy and emotion. His poems were not only widely circulated at that time, but also had a profound impact on later literature and art.

Wang Wei's " Autumn Dusk in the Mountain " was a typical idyllic poem depicting the quiet and peaceful life of the poet in the mountains. The following is an appreciation of the poem: The title of the poem was " Autumn Dusk in the Mountain ", indicating that it was a poem describing life in the mountains. The "mountain residence" in the poem referred to the cave where the poet Wang Wei lived. The environment here was beautiful and the air was pure, making people feel relaxed and happy. The first two lines of the poem," No one is seen in the empty mountain, but people hear their voices." Through the description of a quiet mountain forest, it showed the quiet atmosphere of the mountain residence. Then, the word "but" in the poem led to the third sentence,"When the moon rises, the birds sing in the spring stream." By describing the scene of the moon rising and the birds flying, it further emphasized the tranquility of the mountain residence. The next four lines," The mixed trees grow green and the branches grow together ", depicted the ecological environment around the mountain residence. The poet used vivid language to integrate the vitality and harmony of nature into it. The last two sentences," Fallen leaves grow again in the spring breeze in Chang 'an ", described the changes of seasons and the cycle of life through the autumn leaves. The concise language and profound artistic conception of the poem showed the poet's deep nostalgia for the mountain life and his love for the environment. The saying "there are paintings in poems and poems in paintings" in the poem referred to Wang Wei's poems not only having beautiful language and artistic conception, but also integrating the elements of painting into the poem, integrating the charm of painting art into the poem. This also showed that Wang Wei's poetry art had reached a very high level in the Tang Dynasty and became a reference and inspiration for later artists.

Pastoral poetry is an important art form in ancient Chinese literature. It originated from the Northern and Southern Dynasties and has a history of more than 1,000 years. Its development could be roughly divided into the following stages: The first stage: Northern and Southern Dynasties to Tang Dynasty (about 500 to 618 years) At this stage, the landscape idyllic poems were originally created by some poets in the Northern and Southern Dynasties, such as Bao Zhao, Xie Lingyun, Tao Yuanming, etc. These poets mainly wrote idyllic poems to express their love and pursuit of nature, depicting the idyllic scenery, landscape scenery and other natural scenery. The second stage: Tang Dynasty (618 - 907) The Tang Dynasty was an important period for the development of landscape and idyllic poetry. Many famous landscape and idyllic poets appeared, such as Wang Wei, Meng Haoran, Li Bai, Du Fu, etc. These poets not only created many famous landscape idyllic poems, but also founded the school of landscape idyllic poetry, which had a profound impact on the creation of landscape idyllic poems in later generations. The third stage: Song Dynasty (960 - 1279) The Song Dynasty was another important period in the development of landscape and idyllic poetry. There were many outstanding landscape and idyllic poets such as Su Shi, Xin Qiji, Lu You, etc. These poets focused on expressing the beauty of rural life and the concept of harmony with nature in their creation of landscape idyllic poems. At the same time, they also integrated some cultural elements and philosophical thinking. The fourth stage: Ming Dynasty (1368 - 1644) The Ming Dynasty was the last period of the development of landscape and idyllic poetry. There were many outstanding landscape and idyllic poets and works such as Yang Shen, Zheng Xie, Luo Guanzhong, etc. These poets and works paid more attention to realism and description in the performance of rural life and natural landscape, while also integrating some social reality and historical thinking. The development of landscape idyllic poetry can be roughly divided into three stages: the early stage from the Northern and Southern Dynasties to the Tang Dynasty, the development stage from the Tang Dynasty to the Song Dynasty, and the late stage of the Ming Dynasty. At each stage, there were outstanding poets and works that formed the unique artistic style and cultural content of landscape idyllic poetry.

The evaluation of ancient Chinese landscape idyllic poems by famous Chinese critics in the past dynasties can be divided into the following aspects: 1. The artistic value: The critics of the past dynasties had different views on the artistic value of landscape idyllic poems. Some critics believed that the landscape idyllic poems embodied the ancient Chinese culture of advocating nature and pursuing harmony, and had extremely high artistic value. However, some other critics believed that landscape idyllic poetry was only one type of ancient Chinese poetry, and its artistic value was relatively low. 2. Status of literature: In terms of the status of literature, there are differences between the past and the present. Some critics believe that landscape idyllic poetry is an important part of ancient Chinese literature and has an irreplaceable position. However, some other critics believed that the idyllic poems had a relatively low status in ancient Chinese literature and could not be compared with other works of classical poetry. 3. Range of influence: The range of influence of landscape and idyllic poems is also different. Some critics believe that landscape idyllic poetry has a wide influence on the history of ancient Chinese literature and has a profound influence on later literature. Some other critics believed that the influence of landscape idyllic poetry was relatively small and could not be compared with other ancient literary classics.

It was impossible to determine who wrote the most poems in the Tang Dynasty because the Tang Dynasty was one of the most prosperous periods in Chinese history. Many outstanding poets appeared. However, in terms of the overall level of Tang poetry, Wang Zhihuan, Du Fu, Bai Juyi, Liu Yuxi, Li Shangyin and other poets had high achievements in poetry creation and wrote more poems. The poems of these poets had different styles and characteristics, leaving a rich cultural heritage for later generations.

Meng Haoran's ten most famous poems included 'Spring Day',' Passing by an Old Friend's Village','Looking at Dongting Lake to Prime Minister Zhang',' Staying on Tonglu River to Send an Old Tour to Guangling River','Staying on Jiande River',' Returning to Nanshan at the End of the Year ',' The Bell of the Mountain Temple is Dusk During Day','Wood Falling Wild Goose Crossing South',' Metabolizing in Human Affairs', and 'The Light of the Mountain Suddenly Sets West'.