My answer may not be accurate enough. The Korean version of the men with patterns, Jin Silkgrass and Yin Zhihou were indeed together, but they broke up in the end. The director did not include the two of them together in the script for the following reasons: 1. Plot Requirement: In the Korean version of The Flower Man, the relationship between Jin Silicao and Yin Zhihou is a special one. The relationship between them develops slowly and has experienced many twists and turns. If they were together, it might reduce the ups and downs and tension of the entire plot. 2. Character setting: In the Korean version of the men with patterns, the characters of Jin Sicao and Yoon Ji-hou had different pursuits and personalities. Golden Grass was an independent and confident girl. She wanted to find someone who truly loved her. Yin Zhihou was more introverted and an otaku. He wanted to find someone who could understand him. If they were to be together, it might cause contradictions and incongruities in the entire character setting. 3. Spectator's preferences: The audience has different opinions on whether the Korean version of the men with patterns, Jin Sicao and Yin Jihou are together. Some people like the plot of the two together, while others hope that they will eventually break up. If the director arranged the plot of the two together in the script, it might be criticized and dissatisfied by some of the audience. In summary, the director did not arrange the plot of Golden Grass and Yin Zhihou together in the script for many reasons.
The reason why time-travel novels were popular was that they could often bring readers a lot of novel and exciting experiences. At the same time, they could also let the audience feel different cultures and histories in the fictional world. However, there were many factors that needed to be taken into account when making a film or television series. For example, the accuracy of the restoration of history, the creation of characters, the restoration of scenes, and so on. All of these required in-depth research and consideration. In addition, due to the large time and space span involved in the transmigration theme, it was also a problem to grasp the degree and avoid over-interpretation. Of course, there were also some directors and screenwriters who tried to integrate the theme of time travel into their films and television works, such as Time Travel, The Time Traveler's Wife, etc. Although these works had achieved some success, their audience was still different from time travel novels. Therefore, although time-travel novels were very popular, film and television still needed to find a way to present the time-travel theme that was suitable for their own audience.
The ending of " My Uncle " did not clearly indicate whether Zhi An and Uncle were together. The relationship between Zhi An and the uncle was very special. They would only have a beautiful and pure feeling under certain circumstances. However, in real life, Zhi An and Uncle were not very suitable for each other. The uncle had a family and children. His feelings were not the love of a man and a woman, but a kind of love and care. In addition, there were other factors in the play, such as the uncle's wife's understanding and heartache for him, as well as Zhi An's disappointment and hostility towards life. Therefore, the movie did not explicitly state whether they were together or not.
There could be several reasons why Zhou Yiran rarely appeared on variety shows. First of all, she might be more focused on acting, hoping to show off her acting skills by participating in television dramas and movies instead of increasing her popularity through variety shows. Secondly, she might prefer to keep a low profile and was unwilling to be exposed in the entertainment industry. In addition, she might have other work arrangements or personal reasons that made her not have the time or interest to participate in variety shows. In short, the specific reason why Zhou Yiran did not appear on the variety show was not clear. It might be because of her personal choice and preference. " Rebirth " was originally written by " Fei Ke's Banquet." The novel was also very exciting. If you want to understand the plot in advance, quickly click on the book link below to read it!
In time-travel novels, it was rare for a man to go through the past or the past because such a situation often destroyed traditional values and cultural background, resulting in contradictions and incohesiveness in the plot. Usually, time-travel novels tended to describe the story of women's time-travel because women's status in ancient society was often lower than that of men. Moreover, time-travel novels often emphasized women's independence and autonomy, so the story of women's time-travel was more popular. However, there were also a few time-travel novels that had male time-travel characters, but this was relatively rare and was usually deliberately set up to enhance the appeal of the plot.
There are many novels that have been adapted into TV series, but why hasn't any director found a fantasy novel to make a TV series? There are many reasons. The following are some possible factors: 1. The world view and setting of the novel may be more complicated and require a higher production cost to restore. Fantasy novels usually contained a large number of myths and legends, magical elements, and so on, which required more resources and energy to be produced and restored. 2. The plots and characters in fantasy novels were often larger and required more time to process and arrange. A TV series usually takes three to six months to shoot, while a fantasy novel may contain hundreds of plots and characters, so it takes longer to shoot and produce. 3. The theme of a fantasy novel was usually more grand and required more directors and actors to act out. A fantasy novel might involve many different worldviews and races. It required the selection of suitable actors and directors, as well as the production team to conduct sufficient research and preparation. 4. Fantasy novels were often longer and required more time and effort to edit and produce. A fantasy novel might contain hundreds of episodes that needed to be edited and synthesized, requiring more time and effort to complete. These are some of the possible factors. Of course, there are many other reasons. Every director and TV production company has their own considerations and choices.
Maybe they made up a story for money. They could be trying to get donations from kind - hearted people by creating a false and pitiful situation.
Douluo Continent was a very popular fantasy novel. The background of the story was a world of soul masters where everyone could fight with soul power and obtain great strength. The novel's plot is rich and colorful, and the characters have distinct personalities. It's a very attractive story, but making it into an animation may face some challenges. The story of Douluo Continent took place in modern times, which did not match the traditional animation style. According to the Douluo Continent's worldview, soul masters could enhance their soul power through cultivation and battle and could use various powerful soul rings and soul beasts as support. These elements required very good graphics and special effects, which could be a huge challenge for traditional animation production. The plot of the Douluo Continent novel was very large and required sufficient time to make an animation. Making it into an animation might take several seasons or longer, which might not be what the readers of the novel expected. Finally, the author of Douluo Continent's novel, the Third Young Master of the Tang Family, was very talented. His works had a unique style and a wide readership. If he made his work into an animation, he might lose some of his existing readers and attract new audiences. To sum up, although Douluo Continent was a very popular novel, making it into an animation might face some challenges, but it might also bring some new surprises and attractions.
When Chinese directors remake novels, they don't check whether they are plagiarized first because they don't realize that the novel might be plagiarized. The novel was a unique art form that contained the author's imagination and creativity, and remaking the novel meant bringing this creativity to the screen. If the director didn't notice that the details or plot in the novel might be borrowed from other novels or works, then they might plagiarize. In order to avoid plagiarism, a director should do sufficient research and reading before remaking a novel to ensure that his work would not be affected by other works. In addition, the director could also ensure that his work was consistent with the original work by understanding the details and plots that were not mentioned in the novel.
There were many possible reasons why Jae Reol, the protagonist of the Korean comic," The Age of Face," did not speak. Here are some possible explanations: [Character personality: Zai Ryu may be introverted, silent, or someone who doesn't like to express himself.] He might not be good at socializing or have some kind of psychological trauma that made him unwilling or afraid to express his feelings and thoughts. [2. Plot Requirement: In Rei Du, he may have been forced into the age of looking at faces. He may feel that he has no real freedom to speak or express his thoughts.] In addition, Jae Ryu might be portrayed as a victim. He might need to remain silent to avoid unnecessary trouble or conflict. 3. Story background: In the story of "The Age of Looking at Faces", Korean society pays great attention to appearance. People may be discriminated against or prejudiced because of their appearance. Jae Rei might have lived in an environment dominated by appearance, so he might be more inclined to remain silent. It should be noted that the above are only some possible explanations. The specific reasons may vary according to the storyline, character setting, and other factors.
" The Sword of the Yue Maiden " was one of Jin Yong's masterpieces. It described the legendary story of a folk woman named Ruan Xiaoqi during Vietnam's self-defense counterattack. Due to the sensitive theme and complicated historical background, it was not suitable for a movie or TV series. First of all, the plot of the novel Sword of the Yue Maiden was relatively complicated. It required sufficient scriptwriters to transform it into a movie or television series. Secondly, the history, culture, and customs of Vietnam needed to be grasped and presented by a professional director. In addition, the novel 'Sword of the Yue Maiden' had a unique style. It mainly described the inner world and emotional life of the characters, unlike the straightforward descriptions of other martial arts novels. Therefore, if he wanted to turn it into a movie or TV series, he might need to make a lot of adjustments and cuts to reduce the impact on the original work. Based on the above reasons, directors might be more willing to choose Jin Yong's masterpieces that were easier to adapt, such as " The Eight Dragons " and " The Deer and the Cauldron ", rather than " The Sword of the Yue Woman " as their representative works.