Seeking Wang Guowei's Appreciation of the Spirit of Qu Yuan's Literature

Qu Yuan was a famous poet and politician in ancient China. His works of Li Sao were regarded as classics in the history of Chinese literature. The following is an appreciation of Qu Yuan and Li Sao: Qu Yuan's works of Li Sao used a wealth of rhetorical devices such as metaphor, symbolism, antithesis and so on to make the works full of poetry and philosophy. Among them, his description of the natural scenery was even more ingenious. Through the fine carving of mountains, rivers, flowers and other things, he expressed his love and reverence for nature. Qu Yuan's Li Sao works were full of patriotic feelings, showing his deep love for the country and the people. He used infectious language to describe his attachment to the motherland and sympathy for the people, expressing his pursuit and yearning for the prosperity of the country and the happiness and health of the people. Qu Yuan's works of Li Sao also showed his unique style of thinking and literary talent. His poems were full of romanticism, full of exploration and thinking about human nature, and showed his deep understanding of human society and the laws of nature. Qu Yuan's works of Li Sao had a far-reaching influence in the history of Chinese culture. It not only enriched the content and extension of Chinese literature, but also had an important impact on later literature, art and philosophy. His works of Li Sao are not only the treasures of Chinese literature but also the precious heritage of Chinese culture.

Qu Yuan's Li Sao was one of the classics in the history of Chinese literature, and was also known as one of the representative works of Chu Ci. It was also a wonderful work in the history of Chinese literature. The following is an appreciation of it: The theme of Li Sao is the pursuit of freedom and ideals. Through the deep thinking and perception of nature and life, the author's yearning and pursuit of freedom and ideals are expressed. In the poem, Qu Yuan described his deep understanding and perception of nature and life in the process of crossing mountains and rivers and coming into contact with human affairs, expressing his awe of nature and his feelings for life. He expressed his desire and pursuit for freedom and ideals by describing the beauty of mountains and rivers, the bitterness of life and the distance of ideals. At the same time, he also expressed his helplessness and indomitable spirit towards fate. The language of Li Sao was concise and full of rhythm. Through the use of metaphor, symbolism, antithesis and other rhetorical devices, the language of the poem was beautiful and moving, full of poetic and musical sense. Qu Yuan used a large number of unique vocabulary and grammar structures in the Songs of Chu, such as "the clouds are flat, the water is far away, the fog is like", which made the poems have a unique regional color and cultural background. Li Sao had an important position in the history of literature. It not only made an important contribution to ancient Chinese literature, but also had a far-reaching impact on later literature. It depicted Qu Yuan's pursuit of freedom and ideals, expressed the eternal pursuit and exploration of mankind, and was hailed as a classic in the history of Chinese literature.

Wang Guowei's theory of artistic conception was a literary theory put forward by Wang Guowei, a modern Chinese literary theorist, poet, cultural critic and ideologist in the early 20th century. He believed that the artistic conception in literary works was a special aesthetic experience that could arouse the readers 'emotional resonance and enlightenment. The creation of artistic conception is closely related to the author's subjective experience and emotional state, and is also affected by the objective environment. The core of Wang Guowei's theory of artistic conception is that the essence of artistic conception is an aesthetic experience. He believes that artistic conception is not the existence of the objective world but the experience and feeling of the author's subjective world. The artistic conception was expressed through language and literary and artistic means. It was a transcendental existence that transcended time and space. Wang Guowei's theory of artistic conception emphasized the relationship between the artistic conception of literary works and the author's subjective experience and emotional state, and also emphasized the importance and status of the artistic conception of literary works in the history of literature. His theory had a profound impact on the development of modern Chinese literature and culture, and he was hailed as one of the founders of modern Chinese literary theory.

Qu Yuan's "Li Sao" is a classic in ancient Chinese literature, known as one of the representative works of "Chu Ci", and also a classic in the history of Chinese literature. Li Sao mainly described Qu Yuan's constant struggle, depression, and hesitation between his ideals and reality, as well as his thoughts and feelings about the country, the people, and morality. The work showed Qu Yuan's deep thoughts on life, freedom, truth, and so on, expressing his feelings and pursuit of life. The language of Li Sao is concise, beautiful, poetic and rhythmic, with high artistic value. It expressed Qu Yuan's pursuit of human freedom, happiness and truth in the form of poetry, which had a far-reaching impact on the literary creation of later generations. The significance of appreciating Li Sao is that it represents the peak of ancient Chinese poetry creation and shows Qu Yuan's outstanding talent and profound thoughts. At the same time, Li Sao was also an important part of Chinese culture. The poetic spirit and cultural tradition it represented had an important impact on the development of Chinese literature and the progress of human civilization.

The basic content of Wang Guowei's literary aesthetics theory mainly includes the following aspects: 1. Theory of aesthetic value: Wang Guowei believes that the aesthetic value of a work of art is determined by its own intrinsic attributes, which are closely related to human aesthetic experience. He believed that works of art had aesthetic value because they expressed the real world and also created an aesthetic experience beyond the real world. 2. Realm theory: Wang Guowei believed that the realm of works of art was the inner realm of the theme and emotion they expressed. This realm could be discovered and explored through the analysis and understanding of works of art. He believed that the realm of a work of art determined the artistic height and depth it could reach. Tragedy theory: Wang Guowei believes that tragedy is the most representative form of art works, which can resonate with the audience's heart. He believed that the essence of tragedy was the limitations of human life and the inevitable tragic fate. Comedy theory: Wang Guowei believes that comedy is the most humorous form of art, which can make the audience feel the value and meaning of life in laughter. He believed that the essence of comedy was the joy and happiness of human life. The core of Wang Guowei's theory of literature and art aesthetics is the theory of aesthetic value and the theory of realm. He believed that the aesthetic value of a work of art was determined by its intrinsic attributes, which were closely related to human aesthetic experience. He emphasized the inner realm and theme of the works of art, believing that the realm of the works of art determined the artistic height and depth they could reach.

Wang Guowei and Liang Qichao were both famous writers and cultural figures in modern China. There were obvious differences in their literary views in some aspects. Wang Guowei advocated that literature should serve reality and emphasized that literary works should have realistic spirit and practical significance. He believed that literary works should not only reflect social reality, but also reveal and criticize the drawbacks and problems of social reality through profound thinking and artistic expression to provide positive thought and spiritual support for social development. Liang Qichao advocated that literature should have an idealistic color, emphasizing that literary works should have a positive spirit and values. He believed that literary works should not only reflect social reality, but also shape positive characters and values through artistic expression to stimulate people's fighting spirit and morale to promote social progress and development. In addition, Wang Guowei paid attention to the historical and contemporary nature of literature, emphasizing that literary works should have historical awareness and characteristics of the times. He believed that literary works should not only reflect social reality, but should also be related to historical development and the background of the times, grasp the pulse of history and the characteristics of the times, and contribute to the inheritance and development of historical culture. Liang Qichao emphasized the uniqueness and innovation of literature, emphasizing that literary works should have a unique artistic style and innovative consciousness. He believed that literary works should not only reflect social reality, but also contribute to the development and innovation of literature through artistic expression, shaping individual characters and artistic styles. Wang Guowei and Liang Qichao's different views on literature were reflected in their different understandings and opinions on the service direction of literary works, the spirit of realism, the significance of reality, the historical consciousness and the characteristics of the times, and the uniqueness and innovation.

The 18 poems mentioned by Wang Guowei in " Ci Hua on Earth " referred to the first eight poems in " Song of Everlasting Regret " created by the Tang Dynasty poet Bai Juyi, also known as the " Eight Songs of Everlasting Regret." These poems described the love story between Emperor Xuanzong and Yang Guifei in the Tang Dynasty palace, expressing the author's worries about the current situation and his yearning for love. The following is the original text and a brief introduction of these eighteen words: Song of Everlasting Regret, the first song, Song of Pipa: This poem described the scene of Emperor Xuanzong and Concubine Yang missing each other in Chang 'an City but unable to meet each other. It expressed the sadness of Emperor Xuanzong and the poignant beauty of Concubine Yang. 2. The second song in Song of Everlasting Regret, Peach Blossom in Dalin Temple: This poem depicted the scene of peach blossoms blooming in Dalin Temple, expressing the poet's love for spring and his longing for Concubine Yang. 3. The third song in Song of Everlasting Regret," Reminiscing the Ancient Times by Mooring at Niuzhu at Night ": Through the scene of mooring at Niuzhu at night, this poem shows the poet's nostalgia for the ancient scenery and worries about the current situation. 4. The fourth song in Song of Everlasting Regret, Sapphire Case, Yuan Xi: This poem, with the Lantern Festival as the background, shows the poet's longing for Yang Guifei and his yearning for love. 5. The fifth song of Song of Everlasting Sorrow, Parrot Island: This poem described the scenery of Parrot Island, expressing the poet's praise for nature and his worries about the current situation. The sixth song of Song of Everlasting Sorrow, Farewell to the Ancient Grass, described the natural scenery of the grassland and the poet's feelings for nature, expressing the poet's thoughts on life and love. The seventh song of Song of Everlasting Regret, Looking at Chang 'an in the Sunset, shows the poet's yearning for Chang' an and his worries about the current situation through the scene of looking at Chang 'an in the Sunset. The eighth song of Song of Everlasting Sorrow, Deep Night: This poem described the silence of the deep night and the poet's thoughts on love, expressing the poet's yearning for freedom and love.

Wang Guowei's novel theory believed that novels were a form of literature that could convey the author's views and attitudes towards society, life, and politics through storytelling. He put forward the principle of "Three Absolutes", that is, the narrative structure of a novel should have three indispensable parts: the beginning of the narrative, the middle of the narrative and the end. At the same time, he also proposed the "five methods", namely, the description method, the structure method, the plot method, the character method, and the theme method. These theories provided important guidance and reference for the creation of novels.

" Qu Yuan's spirit 'can compete with the sun and the moon for light.'" This sentence came from a poem in the " Songs of Chu·Li Sao ", which meant that " Qu Yuan's spirit is as bright and bright as the sun and the moon, irreplaceable." This sentence expressed the high value and significance of Qu Yuan's spirit. His spiritual light could be compared with the sun and the moon's indomitable perseverance. Qu Yuan was a famous patriotic poet and statesman in ancient China. His representative work, Li Sao, was regarded as a classic in the history of Chinese literature. His patriotic spirit and indomitable spirit were widely praised and respected by later generations. The phrase "competing with the sun and the moon for glory" meant that Qu Yuan's spirit was like the sun and the moon, bringing light and hope to people even in the dark night. This sentence also expressed that Qu Yuan's spirit was irreplaceable. His spiritual value surpassed the limitations of time and space and shone eternally.

Wang Guowei's Ci Hua on Earth was one of the most important works in the history of Chinese literary criticism, and was hailed as "a milestone in the history of literary criticism". On the basis of an in-depth analysis of ancient Chinese poetry, it puts forward the concepts of "realm" and "artistic conception". It believes that the realm and artistic conception in literary works are important factors that constitute the aesthetic feeling. At the same time, Wang Guowei also emphasized the relationship between literature, society and life. He believed that literary works should reflect social life and life experience with profound philosophical meaning. Wang Guowei's Ci Hua on Earth had a profound influence on ancient Chinese literature and provided important methods and ideas for later literary criticism and research. It put forward a unique view of literature and aesthetics, which injected new ideas and methods into the development of Chinese literary history. At the same time, Wang Guowei's Ci Hua challenged the traditional literary concept to a certain extent and had a positive impact on contemporary literary research. In short, Wang Guowei's Ci Hua on Earth is one of the most important works in the history of Chinese literary criticism, which has a profound impact on the study of ancient Chinese literature and contemporary literature. The literary concepts and aesthetic concepts it proposed not only provided important methods and ideas for later literary criticism and research, but also had a profound impact on the development of Chinese literature.