What are the Chinese dramas?

Chinese dramas could be classified in different ways according to different classification standards. The following are a few common classifications: 1. According to the form of performance: Chinese drama can be divided into different types such as drama, opera, opera, water show, puppet show, etc. 2. According to the performance style, Chinese plays can be divided into different types, such as classical opera, traditional drama, modern drama, contemporary opera, etc. 3. Regional classification: Chinese drama can be divided into northern drama, southern drama, local drama and other different types. 4. According to historical background, Chinese drama can be divided into ancient drama, traditional drama, modern drama and other different types. According to genre classification: Chinese opera can be divided into Kunqu, Beijing opera, Henan opera, Cantonese opera and other different types. Each genre has its own unique performance style and musical characteristics. It should be noted that the classification of Chinese dramas is diverse and different. There may be some overlapping and overlapping. Therefore, the specific classification needs to be carried out according to more specific standards and characteristics.

There are many classic Chinese drama masterpieces, some of which are famous: 1 Teahouse 2 Longxu Gully 3 Thunderstorm 4 Wilderness 5. The Sequel to Teahouse, Qin Huohuo's Three Ups and Three Elows 6. An adaptation of Teahouse, The Longxu Gully Case 7. Director, screenwriter and main actor of Teahouse. Other works created by Lao She include Camel Xiangzi and Four Generations Under One roof. The above are just some of the classic Chinese drama masterpieces. They are very rich and worth appreciating and understanding.

Moreover, the 'invisible life' in Chinese dramas can be about the cultural and traditional values that are subtly presented. For example, in some historical dramas, the way people abide by certain etiquettes and the family values passed down from generation to generation are part of this 'invisible' but important aspect of life. These values are often woven into the storylines without being too obvious, like an invisible thread that holds the story together.

One challenge is length. Chinese novels can be very long and detailed, and it's hard to fit everything into a drama. For example, 'Romance of the Three Kingdoms' has numerous storylines and characters. Another challenge is staying true to the original work while making it appealing to a modern audience. The language in some ancient Chinese novels may be difficult to translate directly into modern - day drama dialogue.

A good story in Chinese dramas usually has a well - constructed plot. It's not just a simple linear narrative. Take 'Love and Redemption' as an example. There are flashbacks, parallel storylines that gradually converge. There are also unexpected plot twists, like the true identity of some characters being revealed at crucial moments, which greatly enhance the dramatic effect.

They usually have a large number of fans before being adapted into dramas. Fans of the novels are eager to see their favorite stories come to life on the screen. This pre - existing fan base can bring high popularity to the dramas. Take 'The Legend of Zhen Huan' for example. The novel had a huge following, and when it was made into a drama, it attracted even more viewers.

Often, they inherit the rich storylines from novels. For example, they can have complex character relationships that were well - developed in the original novels. The settings, whether it's a historical period or a fantasy world, are usually vividly presented. Just like in 'The Untamed', the fantasy world of cultivation is detailed and immersive.

One characteristic is that they usually have rich storylines. Since they are based on novels, there is already a well - developed plot. For example, in 'The Story of Ming Lan', the complex family relationships and the heroine's journey are very detailed.

They often have beautiful cinematography and touching plots. The characters' emotions are depicted vividly.

The following are some Chinese and foreign dance dramas and - Modern Chinese Dance Drama: - "Raise the Red Lantern" - Legend of the White Snake - Farewell My Concubine - Qin opera - Alive - Thunderstorm - Foreign Dance Drama Works: - Swan Lake ·Bourget - Gisele ·Boskar - Requiem ·Hugo - Phantom of the opera ·shakespeare - "Notre-Dame de Paris" ·Hugo - The Pianist of the Sea, Richard Kleinman These dance dramas were all excellent forms of artistic expression. Through dance, music, clothing and other elements, they presented different styles and characteristics of artistic effects, which were deeply loved and appreciated by the audience.