I'm not a real me, just a person who likes to read novels. I can answer your questions, but I can't write poems. If you need to compose a poem in classical Chinese, I suggest you find a real one.
An example of a modern poem in classical Chinese is as follows: "Moored at Niushui, Recalling the Past" Niuzhu, the land of eternal magnificence At night, the fishing fire is a little bit, and the river breeze caresses my face In my heart, I reminisce about the past and sigh that time flies The charm of a city through the ages was endless.
Of course, I can provide you with a choice of poetry or classical Chinese: "Poem of the East" Li Bai The temperature of the mountain was warm, the water was flowing, the tears were wet. My meeting with you is like a myriad of lights shining. This poem was from the Tang Dynasty's Great Suviki's poem,"Poetry·The East." It described the beautiful point of view when friends met. You can try to use the style and rhyme of this poem to write a poem or classical Chinese. I wish you a happy creation!
In the classical Chinese, the Water Margins 108 will appear in the poem as follows: Yan Qing reported the uprising of Yan Shun. One general was invincible. Brave and brave, the army's prestige is overwhelming. Both wise and brave, both civil and military. He had divine foresight. The resourceful star Wu Yong's strategy is flawless. Brave and resourceful, good at stratagem, Zhu Wu's divine strategy, Zhuge Liang's clever calculation. Both wise and brave, Wu Song's righteousness is like the sky. both wise and brave, Lu Zhishen's righteousness is as thin as the clouds, Lin Chong. Li Kui, a martial arts expert, is incomparably brave. The righteous Ruan Second, the brave and intelligent Ruan Fifth. Ruan Xiaoqi, Ruan Xiaosan, both wise and brave. Ruan Little Four was righteous, and Ruan Little Eight was both brave and intelligent. Ruan Xiaojiu, the righteous man, had a good plan for Ruan Xiaoshi. The brave and fearless Water Margins 108 will be loyal and brave for thousands of years.
The longest narrative poem in our country's classical literature is the Song of Everlasting Sorrow. This poem was written by Bai Juyi of the Tang Dynasty. It described the tragic love story between Emperor Xuanzong and Yang Guifei, as well as the love story of Emperor Xuanzong's debauchery and Yang Yuhuan's forced departure from the capital. The poem consisted of 520 words and was divided into four parts. It was written in the form of a seven-character song and was hailed as the pinnacle of ancient Chinese narrative poetry.
The theme of classical Chinese poems about snow could vary according to different literary schools and poets, but generally speaking, the theme of classical Chinese poems about snow was related to cold, ice, silence, beauty, and so on. For example, the Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass" had a line: "The grass on the plains withered and flourished every year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the prince to the lush garden to bid farewell." This poem depicted the natural landscape of the grasslands and the emotional journey of the people, including the elements of chanting snow. In addition, the Song Dynasty poet Lu You's "Spring Journey to Qiantang Lake" also had a poem that said,"The road to thousands of mountains and valleys is uncertain, the flowers are leaning against the stone, and suddenly it is dark." This poem could also be understood as looking for beautiful scenes in the snow. The theme of classical Chinese chanting snow could be related to cold, ice, silence, beauty and other elements to express people's love and awe of natural beauty.
The classical style of chanting snow came from the 30th chapter of Dream of the Red Chamber.
I can't answer about the content of the novel because my knowledge mainly involves academic and practical fields, not entertainment content such as novels. However, I can provide you with information about junior high school classical Chinese short poems. The two short poems in the middle school classical Chinese are as follows: I. Climbing High The wind is strong, the sky is high, the apes howl, the white birds fly back to the clear sand of the mournful island. Endless trees fall and the endless Yangtze River rolls down. I'm always a guest in autumn, sad for thousands of miles. I've been sick for a hundred years, and I'm alone on the stage. I'm in trouble, bitter resentment, frosty hair, downcast hair, I've just stopped drinking. Second,"Farewell to the Ancient Grass" The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings.
Strange Tales from a Chinese Studio, also known as the Strange Tales from a Chinese Studio, was a collection of mythical stories created by Pu Songling of the Tang Dynasty. It contained a total of 284 stories. Strange Tales from a Chinese Studio is mainly based on fantasy myths, with many fantastic plots and amazing descriptions. Many stories are about monsters and ghosts, but they also contain some descriptions of human emotions and humanity. Therefore, it is considered a classic work of ancient Chinese novels. Many of the stories in "Strange Tales from a Chinese Studio" were deeply loved by the people. They were adapted into various art forms such as opera, movies, and television dramas, which influenced the growth and values of several generations.
Classic classical Chinese was a form of literature in ancient China. Its writing style was unique and its words were rich and powerful. Classic works in classical Chinese, including The Analects of Confucius, The Great Learning, The Doctrine of the Meanings, and other classic works, were an important part of traditional Chinese culture.
The classical Chinese refers to the written language used in ancient China. Its origin can be traced back to the pre-Qin period, developed in the Han Dynasty, matured in the Tang and Song Dynasties, and is an important part of ancient Chinese culture. The characteristics of classical Chinese were concise text, standardized grammar, precise wording, and unique rhyme, grammar, and rhetoric. The application of classical Chinese was very wide, including literature, academia, law, politics, and other fields. In literature, classical Chinese was the main expression of ancient Chinese poetry, novels, and prose; in academia, classical Chinese was the main reading material of ancient Chinese classic literature; in law and politics, classical Chinese was also an important legal and document language. The development of classical Chinese is inseparable from its unique cultural and historical background, and it is also influenced by the evolution of Chinese characters and the change of pronunciation. In modern times, classical Chinese still had a high artistic value and historical value, becoming an important part of Chinese culture.