In Cao Yu's masterpiece Thunderstorm, which of the following characters was not the child of the old man Zhou Puyuan?

Cao Yu's "Thunderstorm" is a masterpiece in the history of modern Chinese literature. It is known as a peak in the history of modern Chinese drama. The whole play has four acts, and each act has a unique structural feature. It is known as the "milestone of Chinese drama".

Thunderstorm was one of the masterpieces of Cao Yu, a famous modern Chinese dramatist and translator. It told a family story in Shanghai in the 1920s, involving marriage, love, power and morality. The ending of the play was given at the end of Act 5 as follows: "The storm has finally passed. They left the apartment and returned to their own lives. Cao Yu and his family continued to live a happy life and Thunderstorm will forever remain in their hearts." It should be noted that the ending of the play was not perfect. Some characters 'fates did not get the ending they deserved.

Cao Yu was one of the founders of modern Chinese drama. His representative work, Thunderstorm, was regarded as a classic in the history of modern Chinese drama. Below were some thoughts on Thunderstorm: Thunderstorm was a work that reflected the reality of society. The novel revealed the various ills of Chinese society at that time, such as class contradictions, feudalism, gender imbalance, etc., reflecting the dark side of the society at that time. 2. The structure of Thunderstorm was rigorous and the story was strong. The novel interwove the plot of the story through multiple perspectives, making it difficult for the readers to sort out the plot and enhancing the readers 'reading ability. 3. The language of Thunderstorm was beautiful and the characters were vivid. The novel uses rich language to portray the character of each character, so that readers can have a deeper understanding of each character's inner world. 4. The adaptation value of Thunderstorm was also very high. The original version of the novel was written by Cao Yu himself and later adapted into movies, TV series, plays, etc. It had an important influence on the development of modern Chinese drama. Thunderstorm is a novel with important historical value and social significance. It is not only a classic of modern Chinese drama, but also an important part of Chinese literature.

Cao Yu's Thunderstorm was a classic Chinese drama, which had a profound influence on the development of modern Chinese drama. There are many books about the play. The following are some of the main research works: 1 The Thunderstorm (1934): Cao Yu's own collection of drama works, including Thunderstorm, sunrise, Contract Labourers and other famous works. This book was regarded as one of Cao Yu's representative works and a classic in the history of modern Chinese drama. 2. A Playbook of Chinese Dramas (1934-1949): This is an anthology of plays written by Cao Yu himself, which includes his early plays, including Thunderstorm, sunrise, Wilderness, etc. This book was of great significance to understanding Cao Yu's style and creative ideas. 3. A History of Chinese Plays1911-1949: This is a book on the history of Chinese drama written by Cao Yu's student, Han Zhenyu. It includes Cao Yu's Thunderstorm and other famous plays. This book is of great significance for understanding the development of modern Chinese drama. The Historical and aesthetic significance of The Thunderstorm: This is a research work written by historian Wu Wenjun, which explored the historical and aesthetic significance of Thunderstorm, including its influence on The development of modern Chinese drama and its reflection on traditional Chinese culture. These are some books on Cao Yu's Thunderstorm. They are of great significance to understanding the background and cultural meaning of this play.

A " Thunderstorm " was the work of Cao Yu, a famous modern dramatist in China. Thunderstorm was a classic work in the history of modern Chinese drama. It was written by Cao Yu in 1934 and was regarded as one of the landmarks of modern Chinese drama.

Thunderstorm was a classic work in the history of modern Chinese drama. It was written by Cao Yu in 1934. The story was about the relationship between a young and promising entrepreneur, Zhou Puyuan, and his wife, Mrs. Sun, in the 1920s. Due to a series of complicated political and family factors, the relationship fell into extreme conflict. At the end of the story, Mrs. Sun ran away from home because she couldn't stand Zhou Puyuan's relationship with other women, leaving behind a broken family and a deeply traumatized Zhou Puyuan. Zhou Puyuan heard an audio clip while he was walking alone at night. He began to reflect on his life and values, and gradually realized that the luxurious life he had pursued was actually based on hypocrisy and immorality. At the end, Zhou Puyuan heard Mrs. Sun's voice and began to think about his past and present. In the end, he decided to let go of the past and start anew to re-examine himself and the world around him. This ending was full of deep thinking and concern and reflection on human nature. It was one of the typical endings of Cao Yu's works.

"Thunderstorm" was a famous work in modern China. It used two generations of people in a private textile factory in Shanghai in the 1920s as the background to reveal the complexity of social classes, family relationships, and human nature at that time. Among them, Fan Yi, Zhou Puyuan, and the others were the characters that were more deeply shaped in the play. Fan Yi was one of the female leads in the drama. She was an ambitious and jealous woman and the lover of the textile factory owner. Her image had the characteristics of a typical old-fashioned woman who paid attention to family and marriage but lacked a sense of family responsibility and love loyalty. In order to cling to her boss, she did not hesitate to destroy other people's families and had indescribable feelings for her boss's son, Zhou Puyuan. However, she could not let go of her self-esteem and social status. Her characters reflected the values and ideas of the old-fashioned women in the society at that time, and also revealed the complexity and contradiction of human nature. Zhou Puyuan was another important person. He was the son of Zhou Puyuan, the owner of the textile factory. He was an introverted person with low self-esteem and lack of confidence. His upbringing and family experiences made him confused and confused about his social status and value in life. When he faced Fan Yi's feelings, he felt inferior and helpless. He could not refuse his mother's arrangements and pressure, and finally embarked on the path of self-destruction. His characters reflected the mentality and growth process of the young people in the society at that time, and also revealed the fragility and sadness of human nature. Other than that, the family and interpersonal relationships of Fan Yi, Zhou Puyuan, and the others were also one of the important topics of the drama. The relationship between them was full of contradictions and conflicts, but also full of love and care. The relationship between Fan Yi and her boss reflected the old-fashioned family concept and the status of men and women being unequal, while the parent-child relationship between Zhou Puyuan and his mother reflected the greatness and selflessness of maternal love. These characters and family relationships reflected the current situation of Chinese society and the complexity of human nature at that time, and also provided a profound background and support for the theme and plot of the play. To sum up, the characters of Fan Yi, Zhou Puyuan and others were the more profound and representative characters in Thunderstorm. Their images reflected the values and ideas of the old-fashioned women in society at that time, and at the same time, they also revealed the complexity and contradictions of human nature. Their relationship and experiences were also an important part of the plot development of the play. Through their characters and family relationships, we can better understand the current situation and human nature of Chinese society at that time, and at the same time, it also provides the value of thinking and reference for today's people.

Cao Yu's Thunderstorm is a novel that reflects the family contradictions and marriage system in China's feudal society. Its main line is the hatred and entanglement between families. The story takes place in China in the early 20th century. It tells the story of a wealthy landlord family that eventually collapsed due to conflicts of interest between family members. In this story, the interpersonal relationships between family members are complicated and varied, including love, kinship, hatred, betrayal and murder. The story was full of drama and tension, showing the drawbacks of the family system in China's feudal society and the complexity of human nature. Thunderstorm was regarded as a classic in the history of modern Chinese literature, which had a profound impact on the development of modern Chinese literature and thought.

Thunderstorm was a classic work in the history of modern Chinese drama. It was written by Cao Yu in 1934. The play was set in a private textile factory in Shanghai in the 1920s, showing the impact of family disputes, moral conflicts, and social changes on human nature. The following is an extract from one of the passages: "Si Feng, this girl, she never thought that she would end up like this. She had always been smart, hardworking, and kind. She just wanted to find a good home and have a happy future. However, her fate is not destined to be smooth."

Cao Yu's preface to Thunderstorm showed his deep thoughts and unique views on this play. In his preface, Cao Yu emphasized the role of drama in revealing and reflecting human nature and social reality. At the same time, he also expressed his concern and criticism of the social and political environment of China at that time. In the preface to Thunderstorm, Cao Yu mentioned the current situation and problems of the social and political environment in China at that time. He believed that there were serious political corruption and social injustice in Chinese society at that time, and the drama revealed the existence and influence of these problems through the description of the characters and the development of the plot. At the same time, Cao Yu also expressed his criticism and reflection on the social reality at that time. He believed that drama was an art form that could deeply reveal the human heart and social reality. Through the power of language and performance, it could make people reflect and think about the nature and significance of human nature and society. By reading the preface to Cao Yu's Thunderstorm, we can see his deep thoughts and unique views on the play, and also feel his concern and criticism of the social and political environment of China at that time. This preface not only provides us with a comprehensive understanding and in-depth thinking of Thunderstorm, but also provides important reference and guidance for us to understand and appreciate Cao Yu's plays.