Why didn't you write a historical novel about traveling back to South America?

I recommend Infinite Energy Mission, a fantasy novel about swords and magic. This novel was about how even the flapping of a butterfly's wings in South America could cause a catastrophe. The protagonist, Xiao Li, explored, grew up, and saved the world in this magical world. I hope you like my recommendation.

Historical novels that were reborn in South America usually involved the exchange of local people and Chinese culture, as well as the influence of historical events and characters. This kind of novel usually involved politics, culture, society, religion, etc. It might also involve love, friendship, and family stories. A historical novel reborn in South America might allow readers to feel the collision and exchange between different cultures, and at the same time, it would also allow readers to have a deeper understanding of the local history and culture.

The answer to the question of why there are no Xianxia novels in the United States may vary according to one's understanding of Xianxia novels, but generally speaking, Xianxia novels are usually considered a type of Chinese novels. Therefore, to answer this question, we need to first understand what Xianxia novels are. Xianxia novels were based on myths, legends, and martial arts. They were a type of novel that combined fantasy, science fiction, magic, and other elements. These novels often depicted a world full of magic and supernatural powers. The protagonist was usually a young man with great power who saved the world or defeated evil forces through adventures and battles. Although there are many excellent novels in America and China, Xianxia novels are a special type of novel. Their creation and development are often influenced by cultural, historical, social and other factors. Therefore, compared to the cultural and historical background of the United States, Xianxia novels did not have enough development and influence in the United States, so there was no such genre as Xianxia novels in the United States. Of course, this did not mean that there were no outstanding Xianxia novels in America. There were many works in the United States, such as the United States of America's Gibbson's " Crossing the Worlds " and the United States of America's McGee's " Xianxia World ", which had a certain literary value and influence. However, compared to Chinese literature, the creation of Xianxia novels in the United States was still in the development stage. It would take more time and effort to reach the level of Chinese novels.

Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.

Yes. There was a hiker in Chile who decided to go off the beaten path in a national park. He got lost among the mountains. His phone had no signal, and he had only limited supplies. He wandered for days, getting more and more desperate. Eventually, he was lucky enough to be found by a local shepherd who was familiar with the area.

My answer might not be accurate. As a fan of online literature, I didn't directly observe and record the author's writing process, so I couldn't know if the Miao Village couple was still writing. However, if the author had stopped writing, it might be because they no longer wanted to continue writing the novel or because they had new plans and ideas. If you are interested in the author's writing process and works, you are advised to continue to follow relevant social media or official websites to obtain the latest information and progress.

" Evil Sakura " was a famous online novel that told the story of the protagonist, Qin Luo, who traveled to another world to become a maid chief and had a complicated love story with his employer, Wang Zihan. However, as the author's writing gets older, the plot setting becomes outdated and unable to attract the interest of the readers, so they may gradually stop writing. However, if you have any nostalgia for " Evil Sakura ", you can search for related content on the major online novel platforms.

I'm not sure which novel you're referring to because you didn't provide any context or relevant information. If you can provide more information or specific questions, I will try my best to answer your questions.

The Investiture of the Gods was an ancient Chinese mythological novel that mainly told the story of the rise of Jie School at the end of the Shang Dynasty. Jiang Taigong was the leader of Jie School, and the core of its teachings was the Investiture of the Gods. It was said that the list was written by Taishang Laojun, which recorded the locations and situations of all immortals, demons, ghosts, and monsters. In the novel, at the end of the Shang Dynasty, King Wen of Zhou, the leader of the Shang Dynasty, was killed by an immortal sent by the Tribe of Severity. King Wu, the son of King Wen of Zhou, inherited his father's throne and became the leader of the Tribe of Severity. Jie School rose up at the end of the Zhou Dynasty and fought fiercely with the forces of the Shang Dynasty and the Qin Dynasty. Because the content of the Investiture of the Gods had a strong mythological color and the novel had an important position in Chinese history, there were very few novels about this type in modern literature. Although the novel is still of great significance in cultural traditions, modern readers may have some difficulty accepting its mythological colors and historical background, so creators rarely choose this genre to write.

Why didn't you write about Diasna after she escaped? This question might be a little unclear. The Saber-Sword Realm was a science fiction novel with a rich storyline. As the protagonist of the story, Asuna escaped from SAO and experienced many adventures and challenges while making friends with others. These plots were described in detail in the novel. If it was referring to whether the storyline of the novel was coherent, then the storyline of the Sword God Realm was very coherent. Every chapter was closely connected, and there was no situation where it was not written. If it meant whether the novel would continue to be written, then the question might depend on the author's personal preferences and the development of the story.