What are the representative painters of the Southern School of Landscape Painting in the Five Dynasties?

The representative painters of the Wei, Jin, Southern and Northern Dynasties were Cao Buxing, Wei Xie, Gu Kaizhi, Lu Tanwen, Zhang Sengyao, Xiao Yi, Cao Zhongda, Yang Zhihua, etc. Among them, Gu Kaizhi was one of the most important painters of this period. He was good at painting figures and was known as the earliest representative painter of scroll figure painting in China.

The painters of the Wei, Jin, and Southern and Northern Dynasties included Cao Buxing, Wei Xie, Gu Kaizhi, Lu Tanwen, and Zhang Sengyao. Among them, Cao Buxing was good at painting figures and Buddha statues, and was called the ancestor of Buddhist painting. Wei Xie mainly created works with figures, stories, and Taoist subjects. Gu Kaizhi was one of the greatest painters at that time, and was good at painting figures, Buddha statues, animals, and mountains and rivers. His representative works included the Painting of Admonitions to Female History, the Painting of Ode to Luo God, and the Painting of Benevolence and Wisdom of Women. Lu Tankan and Zhang Sengyao were also famous painters at that time. The works of the other painters had been lost, and only some historical records were left.

The representative works of the artists of the Wei, Jin, Southern and Northern Dynasties included Gu Kaizhi's "Ode to the Goddess of Luo" and "Admonitions to Female History", as well as Cao Buxing's Buddha paintings.

The representative painters of the Wei, Jin, and Southern and Northern Dynasties were Gu Kaizhi, Lu Tanxuan, Zhang Sengyao, Cao Zhongda, and so on.

During the Wei, Jin, and Southern and Northern Dynasties, there were many famous painters and painting theories. One of the famous painters was Gu Kaizhi. He was one of the greatest painters of the Eastern Jin Dynasty and an early painting theorist. Gu Kaizhi's paintings focused on the spiritual appearance of the characters, especially the expression of the eyes. He believed that the beauty and ugliness of the figure in the painting were not the most important, and the key to vivid expression was to describe the eyes. His works include the Painting of Admonitions to Women's History, the Painting of Ode to Luo God, and the Painting of Benevolence and Wisdom of Women. There was also Lu Tanwen. He was one of the most outstanding painters in the Liu Song period of the Southern Dynasty. He was good at drawing a single stroke and created the image of a beautiful figure. There was also Zhang Sengyao. His painting style was influenced by India's halation painting style, creating a three-dimensional effect of the bumpy flower. Cao Zhongda and Yang Zihua were also famous painters at that time. They were famous for their Cao family style and Northern Qi's proofreading. As for the theory of painting, Gu Kaizhi put forward the requirements for painting in his book, On Painting, emphasizing the lifelike character painting and the in-depth understanding of the painting object. Zong Bing's Preface to Landscape Painting was the first theoretical work of landscape painting, emphasizing the "truth and enlightenment" and "describing the god of landscape" in landscape painting.

The development of landscape painting in the Sui, Tang and Five Dynasties could be divided into three stages: The first stage was the "Four Heroes of the Early Tang" period, where the representatives were Wang Bo, Yang Jiong, Luo Binwang, and Han Yu. The landscape paintings of this period were mainly based on natural scenery, showing a strong sense of realism and love for nature. The second stage was the period of the prosperous Tang Dynasty. The representatives were Wang Wei, Meng Haoran, Zhang Ji, and Du Fu. During this period, landscape paintings gradually got rid of the natural scenery and began to emphasize the expression of inner feelings and emotions, focusing on the expression of the emotions and spiritual world of the characters. The third stage was the Five Dynasties and Ten Kingdoms period. The representatives were Wu Daozi, Li Sixun, Zhao Mengfu, and Huang Gongwang. The landscape paintings of this period gradually integrated traditional and modern elements to show a strong innovative spirit and artistic value. The representative artists and achievements of each stage were as follows: The first stage: Wang Bo: Preface to King Teng's Pavilion Yang Jiong: Journey to the Army Luo Binwang: Ode to Goose Han Yu: Replying to Zhang Shiyi's Gongcao Second Stage: Wang Wei: Thoughts in the Silent Mountain Night Meng Haoran: Spring Dawn Zhang Ji: Langguan Hall Du Fu, Ascending the Mountain [Third Stage: Daoist Wu: Setting Out Early at White Emperor City] Li Sixun: Thoughts in a Quiet Night Zhao Mengfu: The Painting of Luo Shen Fu

Landscape painting in the 1920s was the heyday of impressionist painting. 1 Monet: Water Lilies (1887) 2 Renoir,"Window of a Cafe"(1889) 3. Degas: The View of Tahti (Puntaunta, 1887) 4 Modigliani: Colosseum (Rome Termini1885) The Girl with the Dragon Shell (1887) These works displayed the characteristics of impressionist painting, which emphasized the performance of natural light and color, as well as the composition and dynamic sense of the picture. These works also reflected the cultural and artistic trends of the 1920s, such as the rise of romanticism and modernism.

The Five Blessings Landscape Painting was a Chinese painting with auspicious meanings. We can see that many painters have created the Five Blessings of the Door landscape paintings, such as Liang Jingxin, Huang Yi, Li Yanguang, etc. These artists all had rich painting experience and unique creative styles. The Five Blessings at the Door landscape painting usually used the landscape as the background, accompanied by five yellow gourds, implying the Five Blessings at the Door and good luck. This painting had been exhibited in many domestic and international competitions and was loved and collected by the people and collectors. According to the information provided, we are unable to determine the specific style, size, price, and other details of the Five Blessings landscape painting.

Famous landscape paintings of the Sui and Tang Dynasties: 1 Wang Wei (609 - 689): The representative works of famous painters in the Tang Dynasty include Landscape and Mysterious Tower. 2. Zhang Xuan (c. 625 - 685): The representative works of famous painters in the Tang Dynasty include "Flowers Near the Tall Building Hurts the Guest's Heart" and "Langmao Mountain Spectacle". 3.Zhou Fang (c. 680 - 741): The representative works of famous painters in the Tang Dynasty include the Painting of River Sails Mooring at Night and the Painting of Spring Mountains. 4. Yang Jiong of the Sui Dynasty (548 - 602): The representative works of the Sui Dynasty painters include the Painting of Listening to the Guqin. 5. Li Sixun of the Tang Dynasty (628 - 679): The representative works of famous painters of the Tang Dynasty include "Spring Tour Painting" and "River Snow Painting". 6 Zhao Mengfu of the Song Dynasty (1254 - 1322): The representative works of famous painters in the Song Dynasty include Eight Songs of Autumn and Painting of Luoshen. 7. Wuzhen of the Yuan Dynasty (1290 - 1360): The representative works of famous painters of the Yuan Dynasty include the Ballad of Lushan Mountain and the Painting of Dongli Yuefu. 8. Wen Zhengming of the Ming Dynasty (1470 - 1559): The representative works of the famous painters of the Ming Dynasty include the Painting of Mount Tai and the Painting of Mount Huangshan. These are the famous landscape paintings of the Sui and Tang Dynasties. These painters reached their peak in the Tang Dynasty and had an important impact on the development of landscape paintings in later generations.

The painters left behind from the Northern and Southern Dynasties were Lu Tanxuan, Zhang Sengyao, Cao Zhongda, Gu Kaizhi, Xiao Yi, Yang Zhihua, Cao Buxing, Wei Xie, Dai Kui, Tian Sengliang, etc.