The original text and translation notes

"The Story of Little Stone Pond" was a prose written by Liu Zongyuan, a writer of the Tang Dynasty. The full text of the essay is as follows: From the small stone pool, there were towering stone walls on both sides, and only a small path led to the bottom of the mountain. The water was so clear that one could see the fish swimming in it. The side of the pond was covered with dense bamboo leaves that covered the sky, giving people a cool and quiet feeling. In the middle of the pool was a small stone shaped like a person sitting there. It was said that this stone was the seat of the Pool God, and people could not approach it casually. Note: 1 " Passing through the small stone pool ": Passing through the small stone pool refers to the author passing by the pool. 2 " Both banks are towering stone walls ": Both banks are towering stone walls to describe the peaks on both sides of the river that reach into the clouds. 3 " There is only one path leading to the bottom of the mountain ": There is only one path leading to the bottom of the mountain. This means that the path is simple and easy to walk on. 4." The pond water is so clear that you can see the fish swimming in the water ": The pond water is so clear that you can see the fish swimming in the water. The pond is covered with dense bamboo branches and leaves that cover the sky, giving people a cool and quiet feeling. The pond is covered with dense bamboo branches and leaves that cover the sky, giving people a cool and quiet feeling. The environment around the pond is very quiet and fresh. There is a small stone in the middle of the pool shaped like a person sitting there. It is said that this stone is the seat of the pool god and people cannot approach it casually.

The original text of the reeds and reeds was "The reeds and reeds are green and the white dew is frost." The so-called Yi Ren is on the other side of the water." From Li Sao.

The original text and translation of hanging beams and piercing shares were hanging beams and piercing bones. Hanging a beam and stabbing a stock was an idiom to describe studying hard and not afraid of hardship. It literally meant to hang a rope from a tree and study in the biting wind. It was a longer idiom, which meant that one was very diligent and not afraid of hardship when studying. It was like an awl piercing into one's brain to make one study more clearly. These two idioms were used in ancient Chinese learning methods to emphasize the importance of learning and the spirit of hard work.

The ventriloquism is a traditional Chinese martial arts skill, also known as "ventriloquism performance" or "ventriloquism music". It's a skill that uses the mouth to produce a special sound to perform tricks. It's usually used in rap, crosstalk, and other types of comedy. The original name of ventriloquism was "ventriloquism performance" or "ventriloquism music". It originated in southern China and was formed during the Song Dynasty. A ventriloquism performance is usually performed by one or more performers. They express different storylines and topics by making special sounds and combinations of sounds. The performance of ventriloquism was usually accompanied by musical instruments such as flutes, gongs, drums, and erhu. Today, ventriloquism has become a traditional Chinese culture and is still valued and performed in some areas.

Stomat-fighting is a traditional Chinese art form, also known as the wind instrument. It is a musical instrument that uses the mouth and throat to make sounds. Its way of performing is very unique. It puts a ventriloquism object on its nose and blows it with its mouth to make it make a sound. The following is the original text and translation of the ventriloquism: The ventriloquism, also known as the wind instrument, is a musical instrument that uses the mouth and throat to make sounds. A wind instrument is a musical instrument that uses the mouth and throat to make sounds. It is usually placed over the nose and blown by the mouth to make the sound.

The art of ventriloquism was a traditional Chinese opera art form, also known as mouth opening, harmonica, wind, wind instrument, etc. Its performance form was unique. It was a very expressive art form by playing musical instruments in different parts of the mouth, nose, throat, etc. with facial and body expressions and movements. There were many forms of ventriloquism performances, such as playing the flute, flute, gourd flute, etc. There were also some playing the harmonica, flute, etc. The performance time of ventriloquism was not fixed. It could be a short performance of a few minutes or a long solo or duet. The ventriloquism in China had a long history, starting from the Han Dynasty and reaching its peak in the Tang Dynasty. Now, ventriloquism has become an important art form in Chinese opera and one of the favorite performances of domestic and foreign audiences.

The ventriloquism was a traditional Chinese opera performance technique, also known as "blowpipe ventriloquism" or "blowing ventriloquism". It produced melodious melodies and tones through different parts of the mouth and throat to play musical instruments such as flute, xiao, suona, etc. The performance of ventriloquism was usually performed by one person playing in the center of the stage while others imitated the performance around the stage or through the different changes of the performer's ventriloquism to express different musical topics. The performance time of ventriloquism was usually short, but the performance effect was very exciting, allowing the audience to feel the charm of music. The original name of the ventriloquism was "ventriloquism". It referred to a performance technique that performed music through the mouth and throat. The art of ventriloquism in China has been around for thousands of years. It was once an important part of traditional Chinese music and opera, and it is still used by some schools.

Yuewei Cottage Notes was a novel written by Ji Yun in the Qing Dynasty. It was a novel that reflected the corruption of bureaucrats and morality in the feudal society. It was also a classic work of the Qing Dynasty. The novel told the story of a bureaucrat named Gao You Wang Ba during the Qianlong period of the Qing Dynasty. He committed a serious crime because of corruption, bribery, and dereliction of duty. The plot of the novel is complicated, the writing is exquisite, the language is beautiful, and it has a high literary value.

"Letter to Ren An" was a prose written by Bai Juyi, a famous poet of the Tang Dynasty. The full text is as follows: Letter to Ren An I, Bai Juyi, am very cautious. In the past, Han Confucians said that the rise and fall of the world was the responsibility of every man. Today's events made me realize that these words were not false. I privately think that the affairs of the country depend on the people. The affairs of the common people depend on the courtiers. I often think that the world is for the public, not for personal gain. Often loyal to the country, can not be for personal feelings. Therefore, I often encourage myself and dare not slack off. I heard that Your Majesty is holy and the world is peaceful. I'm always careful not to offend you. I hope Your Majesty will attach equal importance to grace and power, and use me to make the world peaceful and the people happy. I am willing to do my best for the country. If there is a need, I am willing to go to the front line to guard the territory. If there is a disaster, I am willing to go to the disaster area to help the victims. If there are thieves, I am willing to go to hunt down and quell the rebellion. I am willing to be loyal to Your Majesty day and night. I am willing to take the lead for the safety of the country. I am willing to leave no property after death, only a piece of loyalty to tell Your Majesty. I hope Your Majesty will take me as a warning and not disappoint me. I hope Your Majesty will follow my example and make all the subjects loyal to Your Majesty. I report to Juyi.

The original text of Li Sao is "Li Sao" or "Li Sao Jing", which is a long poem written by the ancient Chinese poet Qu Yuan. The whole poem has a total of 320 words and is divided into "Li Sao" 94. This poem was based on the history of the State of Chu. It described Qu Yuan's thoughts and emotions in confusion, pain, and depression, expressing his pursuit of freedom and happiness. The following is the original text and translation of Li Sao: The former Wang Shu let the vanguard drive a long car to lead the vanguard. The autumn wind swirls under the leaves of Dongting Lake. I make phoenixes fly, oh, and dragons and snakes fly. Yong Yong, long and loud, call the wind and rain. I'm planning with you, oh, tell me what's different. I let the rich fog and the mixed air form a party. I let the flowers of the European jade and the autumn orchid become the norm. Cut off the fragrance of the people, no one dares to go forward. I let the mouth of the flying snake sting me. I let the Miluo River and the Rust River accommodate each other. I ordered: None of you dare to be brave. What can you do about the country? The Three Emperors and Five Emperors are probably too high! Is it too far away to be sacred and inviolable? I'll make it unforgettable for all eternity. Li Sao is a classic work in the history of Chinese literature. It not only has profound ideology and beautiful language style, but also an important part of Chinese culture. It was hailed as one of the treasures of ancient Chinese poetry and one of the outstanding representatives of Chinese culture.